Andrew Lloyd Webber Pie Jesu, de son Requiem, est un beau morceau, célèbre enregistrées par Sarah Brightman. Disponible ici pour soit 2 Solos Soprano ou Soprano solo et des aigus, avec choeur SATB et accompagnement au piano. / Voix / niveau : Intermédiaire / Partition

A challenging comical-tragical-ecological Pastoral for SATB and piano. Although this work has a serious message about the preservation of the countryside it also has a great sense of fun which will be enjoyed by audiences and choirs alike. Indications like ‘solo’ or ‘small group’ should be distributed according to talents available and any solo which bears a ‘character-name’ like ‘cow’ or ‘crow’ may be sung by any type of voice regardless of pitch.A Double Bass part is available seperately - Catalogue No. NOV200174-01

for SATB Chorus a cappella-With a sound at once modern and medieval this remarkable setting of the familiar Latin text starts in unison and evokes plain chant and gradually unfolds into wider harmonies and more modern harmonic language. Not unduly challenging in terms of vocal range it's readily accessible to good high school mixed choirs for concerts or festivals at any time. Available separately: SATB SSAA a cappella. Duration: ca. 3:00. Recorded by VocalEssence Philip Brunelle conductor.

The greatest collection of contemplative choral music selected from the best-selling Erato CDs. Includes a unique choral arrangement of Albinoni's Adagio and works by Tavener Elgar Schubert and Barber.

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. They are suitable for intermediate standard choeurs. This piece is an antiphon for 21st December, the text (in English) is one of the Great O antiphons which are used on the seven days approaching Christmas. The same text is used in another MacMillan antiphon, O , for choeur, trumpet and strings (vocal score available as 979-0-060-12023-7).Pages : 4Niveau : moyenLangue : English / Choeur et ensemble vocal / Boosey and Hawkes

Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans. À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame. C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors. Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue

Spiral Bound. for SATB accompanied (piano or organ) and unaccompanied. The Oxford Book of Choral Music by Black Composers is a landmark collection of non-idiomatic compositions from the sixteenth century to the present day, providing a comprehensive introduction to an area of choral music that has been historically under-represented.

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Op. 106. Par REGER MAX. Max Reger?s setting of Psalm 100 is one of the ?grand style? choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger?s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over ?Ein feste Burg ist unser Gott?. The composer?s declared aim was: ?The psalm must go so brilliantly, that all will be simply ?bowled over?.? / Date parution : 2023-03-11/ Répertoire / SATB [Divisi] et Piano

A Chamber Cantata for Holy Week or Easter. Par MARTIN JOSEPH M.. From ministry to humility and Calvary to victory, the story of Christ's redemptive grace is clearly presented in this meaningful offering. There is a pleasing blend of original material with familiar hymns, along with a scripture-based narration. This flexible chamber cantata includes two final songs: one for Holy Week, and the other for Easter. A smaller, yet effective orchestration provides instrumental or track options, while voice dominant tracks make learning convenient and approachable. A cantata of remembrance, reflection and resurrection! Songs include:A Quiet Gathering; Somewhere in the Silence; Prepare Your Hearts; I Heard the Voice of Jesus Calling; Just Beyond the Palms; In the Stillness of This Moment; Silent Was the Night: The Lamb Is Silent Now; The Silence Speaks; Set Free Your Alleluia! Score and Parts (fl 1, fl 2/ob, cl, tpt, tbn, vn 1-2, vc, db) available as a digital download. / Date parution : 2023-06-01/ Recueil / SATB

Par GABELLIERI FRANCESCO. / Date parution : 2022-11-29/ Répertoire / Choeur Mixte SATB et Orgue

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa?s own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment. / Date parution : 2022-11-29/ Répertoire / SATB

Par MCDOWALL CECILIA. for SATB (with divisions) unaccompanied Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal. The carol abounds in rise and fall of melody and dynamic, before drawing to a hushed, atmospheric close. / Date parution : 2022-04-26/ Répertoire / Choeur SATB (div) sans Accompagnement

Optional bass and drum kit parts. Par CHILCOTT BOB. Forces or Category: SATB and piano, with optional bass and drum kit SATB and piano, with optional bass and drum kit This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment. / Date parution : 2022-05-31/ Recueil / Ch?ur SATB et Piano, avec basse et batterie en opt