The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming. The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

Ecrite pour choeur unnacompanied. Commandée par Azusa Pacific University for The APU Chamber Singers, Michelle Jensen, chef d'orchestre. / Chant Et Piano

A cantata for tenor solo SATB and orchestra with words by H.W. Longfellow.This vocal score contains a piano reduction of the orchestral score.

The Beatles-John Lennon and Paul McCartney have written some of the best love songs of the 20th Century. Three favourites are included in this medley that will have your audience humming along. Features the hits And I Love Her Here There And Everywhere P.S. I Love You all arranged for SATB full mixed choir.

A wonderful marriage of music and text convey the good wishes found in this Celtic-sounding original. May the luck of the Irish continue to bless you...

POD-An Epithalamion Or Mariage Song on the Lady Elizabeth and Count Palatine being married on St. Valentine's Day is a work by Hugh Wood that sets the poem by John Donne. For Chorus and Orchestra the work was commissioned by BBC Radio 3 and first performed as part of the 2015 BBC Proms. A full performance lasts around 20 minutes this is the Vocal Score.

POD Full Score-An Epithalamion Or Mariage Song on the Lady Elizabeth and Count Palatine being married on St. Valentine's Day is a work by Hugh Wood that sets the poem by John Donne. For Chorus and Orchestra the work was commissioned by BBC Radio 3 and first performed as part of the 2015 BBC Proms. A full performance lasts around 20 minutes this is the Full Score.

Phineas Fletcher's famous text in a spectacular anthem setting for mixed voices by Paul Mealor whose 'Ubi caritas' featured at the Royal Wedding in April 2011 and whose 'Wherever you are' became the No 1 UK Christmas single the same year recorded by Gareth Malone and the Military Wives.

Love me sweet was composed for the occasion of the composer’s wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning’s ironic poem A Man’s Requirements which ends with the couplet ‘I will love thee half a year As a man is able.’ This setting responds to the purer sentiments of the earlier verses employing a lilting metre a harmonic idiom and a piquant sprinkling of dissonance. An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settingsto more expansive yet accessible repertoire in an exciting variety of styles. Tom Wiggall is a London-based composer writing mainly for voice stage and screen. In recent years Tom’s work has taken in large-scale community opera projects numerous anthems and songs and music for film and television including Melvyn Bragg’s ITV1 series Faith in the Frame and Channel 4’s The Art Show. Tom is also Director of Music at Highgate School.

Nunc autem manet was written for the wedding of Paul and Angharad de Cates in 2010. The text is taken from Corinthians 13:13 – ‘Now but three things remain: faith hope love. But of these three the greatest – this is love.’ The piece reveals the three fundamental tenets of Christian life with contrasting austere and lush harmonies and brief contrapuntal episodes ending with a gently pulsing chord-shift on the word ‘caritas’ over which the well-known plainsong melody ‘ubi caritas’ can be heard.The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. Whilst still a boy he dreamed of writing in the choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the USA. He has written for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has received commissions from the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. He composers regularly for film and dance and performs as a singer and choral director whilst working as a recording engineer and producer.