For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.

The Mysteries of Light-Sub-titled 'The Mysteries of Light? the composer states that this work attempts to revive the ancient practice of writing music based on the structure of the Rosary. The most famous example of this is the collection of the Rosary (or Mystery) Sonatas for violin by Heinrich Biber written in the late 17th century. MacMillan?s concerto is based on a set of five meditations introduced by John Paul II in 2002 the Luminous Mysteries. In spite of this rather than being devotional the work proceeds in quasi-dramatic fashion not too distant in concept from a tone poem. Commissioned by Osmo Vänskä and the Minnesota Orchestra on the occasion of the Orchestra?s Centennial and firstperformed with soloist Jean-Yves Thibaudet in April 2011. Performance materials available on hire.

Hawkes Pocket Scores HPS 718-Study Score - Hawkes Pocket Score 718. Strawinsky I

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans

The standard edition! Now that all the scores, Critical Commentaries and complete performance materials have been published for Beethoven?s five Piano Concertos(BA 9021-9025), Bärenreiter are now presenting the five study score editions in a boxed set. The musical text reflects a judicious study of every surviving source, producing an Urtext edition at the very highest level. Rounding off the edition are an informative Introduction by Beethoven scholar Barry Cooper on the genesis of the works and a Foreword by the renowned editor Jonathan Del Mar describing the sources and the editorial approach. ? Bärenreiter Urtext edition at the cutting edge of scholarship ? The standard edition for pianists, students, conductors and libraries ? Attractively priced boxed set The study scores are not available separately at present. Edition no.: TP 920 ISMN: 9790006205479 Editor: Del Mar, Jonathan Language(s) of text: English, German Product format: Study score (5), Urtext edition Binding: in a slipcase Pages / Format: XIII,99/XIII,74/XV,86/XVII,98/XIX,104 S. - 23,5 x 16,7 cm