This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.

This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.

for Pianoforte and Violoncello-Famous in his day the Austrian composer and pianist Johann Nepomuk Hummel (1778 1837) studied with Mozart and befriended Beethoven. Among his many works is a relatively late sonata for Violoncello and Piano composed in 1824 and published in 1826 a delightful early Romantic piece in three movements supported by a capricious Piano part. The expressive Cello cantilena in the Romance will capture the heart of every cellist.Our edition edited by Mark Kroll is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript which served as a master copy for the engraving. A comparison of the sourcesbrought to light a number of details overlooked in the first edition especially with regard to dynamics.A must for all cellists and lovers of chamber musicNotes on performance practice in the Foreword (Ger/Eng)Detailed Critical Commentary (Eng)

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano

Johann Nepomuk Hummel (1778-1837) est, à tort rappeler, d'abord et avant tout, comme élève de Mozart. En son temps il fut l'un des pianistes les plus respectés et était aussi un compositeur avec un certain influence sur les générations postérieures. On ne sait pas exactement quand il composa son Sonate pour alto. Il a été selfpublished en 1798 à Vienne avec deux sonates pour violon. Nombreuses réimpressions, y compris celles menées en France et en Angleterre, témoignent de l'extraordinaire popularité de la sonate, à l'époque et aujourd'hui. / Piano Et Alto / 55 pages / Partition

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Par HUMMEL JOHANN NEPOMUK. Avec sa riche ornementation, les niveaux atteints entrecoupées de travaux passage chromatique et la gamme d'accords dans le concert organisé Hummel Sonate attrayant et 'égal' avec enthousiasme./ Répertoire / Piano

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Hummel Johann Nepomuk et éditée par Henle cette partition est idéale pour les joueurs de Piano. Si l'instrumentation Piano (Réduction) correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano (Réduction) / Chanson En Séparée

3X Clar. En Sib et Clar. Basse. Par HUMMEL JOHANN NEPOMUK. Arr. : F. Lucato / Niveau : 2ème Cycle / Répertoire / 3 Clarinettes Sib et Clarinette Basse