Voici une partition musicale pour Guitare que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre SELECTION DE 26 PIECES POUR LUTH VOLUME 1. C'est l'éditeur Billaudot sous la référence GB6356 qui a les droits pour éditer cette partition. / Guitare / Partition

Par NELSON SHEILA MARY. 4E partie de la série de Tetratunes, le Keytunes introduit des touches plus difficiles et les techniques de déplacements. Plusieurs pièces sont disposées dans le répertoire classique./ Répertoire / Instruments à Cordes Divers et Piano

The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for George Wither's The Hymnes and Songs of the Church (1623), many of which are still popular today. This is the first modern edition which incorporates Wither's hymn texts beyond the first verses. Gibbons composed treble and bass lines for the hymns - editor David Skinner has constructed the inner voices to create a collection of pieces that can be performed either as hymns or as simple anthems. Also in this volume are Gibbons's ten surviving full anthems, including popular works such as Almighty And Everlasting God and his masterpiece, O Clap Your Hands , alongside lesser-known compositions such as the beautiful miniature, O Lord, I Lift My Heart To Thee , and, presented here in a new reconstruction, I Am The Resurrection And The Life . / Choeur Mixte (SATB)

Diana Poulton: A Tutor For The Renaissance Lute - With the benefit of her many years study of the repertoire and teaching of the instrument Diana Poulton has completely re-cast her earlier book (An Introduction to Lute Playing 1961) to produce in A Tutor for the Renaissance Lute the most comprehensive method for the lute based on Renaissance precepts. The book will be found equally useful to students working alone - giving clear instructions on all technical matters progressively introduced according to their difficulty - and to teacher (providing a source of some seventy-fivepieces from which to structure their pupils' progress). The advanced student too will find that much of the music is suitable for recital programmes. 

From the Birthday Ode for Queen Mary in 1694 this short tuneful anthem is great for concert and contest with younger and developing choirs. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 1:30.

A shortened version of Purcell?s Fairy Queen for concert performance devised by Peter Pears with the words taken from an anonymous adaptation of A Midsummer Night?s Dream.

Early Intermediate Level-Carolyn Setliff's Medieval Rondo definitely falls under the category of fast and cool. It's wonderfully effective - it sounds difficult yet fits wonderfully under the fingers. Students will want to show their friends and family just how fast they can play! Teachers: make sure students perfect each scale and arpeggiated run before performing. Key: D Minor.

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors singers and audiences alike. Mostly for mixed voices it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir medieval melodies to spirituals the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols to allow for performances without organ. This major issue of carols is edited by William Llewellyn a well established figure in the world of choral music.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

A collection of forty fantastic pieces from the Medieval Renaissance and Baroque periods. It is mainly designed for use by the growing numbers of school recorder groups who need a comprehensiveand readily available repertory of recorder music.

Sight-singing is important in the development of independent musicianship. The music in this collection will aid in the development of this skill but also be interesting enough to motivate the singer and be substantive enough to be useful in a variety of performance applications.Song categories include Patriotic Christmas Folk Song Renaissance and Baroque Part Songs and Spirituals. All songs will stand alone as a cappella settings. Several songs also have optional Piano accompaniments. Sight-reading or analysis tips are included for each selection.