Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 4 of these 52 motets for voice.

The Recorder Consort is a collection of forty-seven pieces which will introduce recorder players to music from the Medieval Renaissance and Baroque eras music which is ideally suited to the instrument. Editor and Collector Everything has been compiled or created with amateur and school groups in mind so the pieces will be enjoyable without being too challenging. With Solos Duets Trios Quartets Quintets and even a piece for a Sextet this is a flexible and versatile book of pieces that will have something to suit every palette!

31 Works for Treble (Alto) Recorder and Piano-Kathryn Bennetts's Renaissance Recorder Anthology 3 Vol. 3 31 Works for Treble (Alto) Recorder and Piano  

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. O Sacrum Convivium was inspired by the Antiphonto the Magnificat at the 2nd Vespers of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 2 of these 52 motets for voice.

John Dowland was unsurpassed in his day as a lute virtuoso and the composer of 88 lute songs. Since the early twentieth century Dowland's excellence as a songwriter has been well established; many of his compositions for lute- long shrouded in obscurity have become well known. This collection of 45 songs includes all the works in his third and fourth collection. Transcribed for voice and Guitar by David Nadal including Dowland's original lute tablature.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 1 of these 52 motets for voice.

This sacred work is a rousing and expansive mass written by English Elizabethan musician William Byrd. This is the definitive score for this masterpiece of Tudor polyphony has been edited by Henry Washington with reference tothe original part-books in the British Museum. This has been set for a mixed choir of Soprano Alto Tenor and Bass.

The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

The English School For 5 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time.Allappear in completely new editions by Anthony G. Petti.

Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy andenjoyable too. So much scope for virtually any combination of instruments!The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whether there are five or fiftyplayers every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts eachone carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too for experiencedplayers. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must forevery school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In G. Edited by Nicholas Hare.