Here are a few pieces for trombone and piano. I wrote them following the progression of my son Valentin (to whom I dedicate them) who started the trombone in September 2011. I thank Yann Sevin, Professor at Evry and Yves Demarle, for their help. I hope pianists will also enjoy playing the accompaniment. Good luck to all! - Denis LELOUP Instruments: Trombone, Piano Difficuly Level: Very Easy Duration: Plus de 15 mns Musical Style: Classical, Educational Category: Original Composition Composer: LELOUP Denis

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).

Répertoire riche et varié par niveaux : jazz, variété, musique de fims, classique Du répertoire tous styles pour piano, permettant de passer du jazz à la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. A partir de la troisième année. Livre + CD Autres volumes disponibles dans la collection : 1A, 1B, 2B, 3A. Existe aussi pour le saxophone, la clarinette, la guitare, la flûte traversière, le violon et l'accordéon. Waltz for Debby, Calling you, Jeux interdits, I don’t mean a thing, Minuetto, Femmes, je vous aime, San Francisco, Mangrove, The little negro, L’aigle noir, Chi mai, Ain’t misbehavin, Prélude en do mineur, Les vieux, Gotan city, Lullaby of Birdland, Des hommes et des pays lointains; Conquest of paradise, La forza del destino, The godfather, L’été indien, Boogie-rama, Sonatine, Raiders march, Carmen, América

This First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures and articulations and to improve accuracy in reading through the use of interesting and mestudies. It may be used either to supplement or to follow any beginning method book.

A beginner's Method to play Viola, from the start, with a beautiful sound! Based on more than 20 years of teaching practice and on my experience with my students, I propose here, not only the basics of the AUER technique for the right hand, but also additional information and exercises. - Sarah LABROUSSE-BAERT Instruments: Alto Difficuly Level: Very Easy Duration: Plus de 15 mns Musical Style: Educational Category: Original Composition, Method Composer: LABROUSSE-BAERT Sarah

Text: English / deutsch Completely revised and enlarged edition! Jazz Bass Compendium is one of the most comprehensive method books. 208 pages filled with information and aspects on jazz bass playing. The right hand: position, effect on sound and timing, exercises, three finger technique, drops The left hand: position, shifting positions, intonation, pizzicato technique, vibrato Coordinating both hands Bass lines: rhythm, pulse, timing, walking bass, two-beat feel, arpeggios, diatonic passing notes, leading notes, chromatic lines, scales and tetrachords, pentatonic scales, bass lines over II V progressions, harmonic clichés, pedal point, rhythmic embellishments, bass lines on standard chord progressions, straight 8ths bass lines, Latin bass lines The elements of sound Various improvisation concepts Arpeggios Studies and etudes on the chord changes to Sunny, Footprints, I Hear A Rhapsody, Solar, Confirmation Upper structure voicings Phrasing and articulation Scales and scales studies, chord-scales, breaking up scales Practice concepts, different learning fields 4 bass duets and one solo, including Georgia On My Mind, Blues 4U and More Bass Hit Sigi Busch is one of the most respected European jazz bassists/educators. He heads the jazz departement at the Hochschule der Künste in Berlin, Germany.

Some of the most enduringly popular songs in simple, playable piano arrangements. Ideal for beginner pianists. Contents: As Time Goes By; Bewitched; Cabaret; High Hopes; I Got Plenty O' Nuttin'; It Ain't Necessarily So; Love & Marriage; Maybe This Time; Never Met A Man I Didn't Like; Over The Rainbow; Raindrops Keep Fallin' On My Head; Send In The Clowns; Singin' In The Rain; Summertime; Tomorrow

Compositeur/Auteur : TISSERAND Thierry Discipline/Instrument : guitare Support : Partition Style/Genre : classique Date de parution : mars-07 Nombre de pages : 7

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.