Music from the Motion Picture Soundtrack. Par PASEK BENJ / PAUL JUSTIN. 11 chansons de la bande originale du film à succès, dont 'The Anonymous Ones' et 'A Little Closer', écrites exclusivement pour le film. Toutes les chansons sont arrangées pour le piano, la voix et la guitare avec les grilles d'accords et les paroles complètes. La mélodie est incluse dans la partie de piano. Sommaire : The Anonymous Ones - For Forever - If I Could Tell Her - A Little Closer - Only Us - Requiem - Sincerely, Me - So Big/So Small - Waving Through a Window - Words Fail - You Will Be Found. / Date parution : 2021-12-09/ Recueil / Piano/Vocal/Guitare (PVG)

This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · ARRANGEMENTS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves (arr.Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).

editor: Bernard Thomas arranger: Bernard Thomas Dance Music Instrumentation: 3-5 recorders (SAT/SATB/SSAT/SAATB/SATTB) Edition: performance score The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations. Anonymous: La Danse de Cleves (SAT) Anonymous: Pavana in passo e mezzo (SATB) Anonymous: Saltarello La barca del mio amore (SATB) Anonymous: Pavana La fasane (SATB) T. Susato: Bergerette Dont vient cela (SATB) J. d'Estrées: Basse danse Bernadine (SSAT) E. du Tertre: Pavane & Gaillarde (SAATB) E. du Tertre: Branle de la guerre (SATB) E. du Tertre: Branle (simple) (SATB) E. du Tertre: Branle (simple) (SATB) P. + B. Hessen: Allemande Jamais n'aymeray masson (SATTB) C. Othmayr: Ein beurisch Tanz (SSAT) Anonymous: Polish Dance (ATTB) G. Mainerio: Putta nera ballo furlano (SATB) G. Mainerio: L'arboscello ballo furlano (SATB) Anonymous: Pavan with Divisions (SSATB) A. Holborne: Pavan (SAATB) A. Holborne: (Nowell's) Galliard (SATTB) C. Negri: Barriera (SATB) C. Negri: Bianca fiore (SATB) G. Zanetti: Passo e mezzo (SATB) G. Zanetti: Ballo de colla (SATB) G. Zanetti: Pavaniglia (SATB) G. Zanetti: La bella pedrina (SATB) P.F. Caroubel: Branle gay I (SAATB) P.F. Caroubel: Branle gay II (SAATB) P.F. Caroubel: Branle gay III (SAATB) M. Praetorius: Ballet (SATB) M. Praetorius: Ballet (SATB) M. Praetorius: Ballet des matelotz (SATB) M. Praetorius: Volte (SAATB) W. Brade: Courante (SSATB) after Playford: Grimstock (SATB) after Playford: Goddesses (SATB) after Playford: Heart's Ease (SATB)

This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Adoramus Te (We Adore Thee) (Palestrina) * Amen (Stainer) * Cherubim Song (Archangelsky) * Chorale (Bach) * Deep River (Anonymous) * Gloria Patri (Purcell) * Go Down, Moses (Anonymous) * God Of Our Fathers (Warren) * Missa Apostolorum (Cavazzoni) * Old Hundredth (Bourgeois) * Onward, Christian Soldiers (Sullivan) * The Quest (Marianlieder) * Shir Hamaalot (Anonymous).

Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon.Programme note: 'Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on 'traces of instruments' - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone!'Bent Sørensen

Get to know the soul of Klezmer!As Julian Rachlin writes in his preface to this new publication from Aleksey Igudesman: ?Users of this book are bound to have a stimulating challenging and above all enjoyable journey through Aleksey?s own world of Klezmer?The quality of these compositions is simply superb.?Again Igudesman inspires informs and entertains from his unusual arrangement of the all-time Klezmer classic Hava Nagila to his own compositions stylistically based on Klezmer?s Eastern European roots. Added notes on the piecesand helpful basic guidelines for playing Klezmer are provided. This volume is a feast of fun for violin duos and their audiences. Contents: Traditional: Hava Nagila · Igudesman Aleksey: Lena Malaja · Igudesman Aleksey: In the Woods · Igudesman Aleksey: The Crazy Bride · Igudesman Aleksey: Wedding Thing · Igudesman Aleksey: La Petite Valse · Igudesman Aleksey: Be Jewish Why Don't You? · Igudesman Aleksey: Richard Won't Like It! · Anonymous: Dancing With the Rabbi · Anonymous: Klezmer's Freilach

Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer.The composer says: 'Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated.''Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it.'       - James L Montgomer RSCM review

Edited by Thurston Dart and William Oxenbury. A collection of 25 dances by Italian composers, originally printed in Venice, 1551. Transcribed from the copy in the Liceo Musicale, Bologna.ANONYMOUSGagliarda 'Cathaccio'; Gagliarda 'Comadrina'; Gagliarda 'El Poverin'; Gagliarda 'Fantina'; Gagliarda 'Fornerina'; Gagliarda 'Gamba'; Gagliarda 'Gonelia'; Gagliarda 'La Canella'; Gagliarda 'La vien dal porto'; Gagliarda 'L'herba fresca'; Gagliarda 'Lodesana'; Gagliarda 'Mezza notte'; Gagliarda 'Moneghina'; Gagliarda 'Tu te parti'; Gagliarda 'Venetiana'; La Forze d'Hercole; Passamezzo antico I; Fassamezzo antico II; Passamezzo antico III; Passamezzo nuovo I; Passamezzo nuovo II; Passamezzo nuovo III; Pavana 'Fusi'; Saltarello 'A la O'; Saltarello del Re

Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng).Optimum page turns.Includes a glossary (Fr/Ger/Eng).Ravel?s Valses Nobles Et Sentimentales created a stir when they were anonymously premiered in Paris?s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály!For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the ?uvres Complètes de Gabriel Fauré has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianistAlexandre Tharaud one of today?s leading interpreters of Ravel?s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.

for Tenor Alto Three Female Voices and Piano-Janácek?s intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces.This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda.The cycle also contains theatrical elements such as the alto entrance and exit cues and lighting effects. Composed in 1917-19 the ?Diary? was premièred in Brno in 1921 from a manuscript prepared by Gustav Homola.The same manuscriptserved as a basis for the first edition which was issued by the Brno publisher Oldrich Pazd rek in 1921 as well as for this current first Urtext edition.First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorSinging translations in German (by Max Brod) and English (by Bernard Keefe)Numbers IX to XI which include the alto and three female voices also available online

Full Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati.Orchestra2 HornsTraversa2 OboesBassoonStringsBasso Continuo

Vocal Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati.Please note that this piano score does not contain a realisation of the figured bass. The left hand of the piano part is the figured basso continuo of the opera with occasional octave transpositions and the incorporation of some of the viola part. The right hand is a reduction of the main orchestral material. Item numbering and bar numbering accord with the full score and parts.