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| Taneyev Sergei: Trio in D major
String Trio: violin, viola, cello [Singles]
IMC (International Music Co.)
Composed by Taneyev Sergei. Single piece for violin, viola and cello. Published ...(+)
Composed by Taneyev Sergei. Single piece for violin, viola and cello. Published by International Music Co.
(2)$31.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sunrise
Choral SATB
SATB divisi
Musica Russica
(Vos'hod solntsa). Composed by Sergei Taneyev. For SATB choir (div). Choral octa...(+)
(Vos'hod solntsa). Composed by Sergei Taneyev. For SATB choir (div). Choral octavo. Language: Russian. Published by Musica Russica
$3.05 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| The Nutcracker: Complete Ballet for Solo Piano
Piano solo [Sheet music] - Advanced
Dover Publications
By Peter Ilyich Tchaikovsky. For Piano. Piano Collection. Masterwork. Level: Adv...(+)
By Peter Ilyich Tchaikovsky. For Piano. Piano Collection. Masterwork. Level: Advanced. Book. Published by Dover Publications.
(2)$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Ah Behold - the Dark of Night
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312416160 S.A.T.B., a Cappella. C...(+)
Choral SATB choir, piano SKU: PR.312416160 S.A.T.B., a Cappella. Composed by Sergey Taneyev. Edited by Amy Kaiser. Twelve Choruses, Op. 27. Choral. Score. With Standard notation. Duration 1 minute, 20 seconds. Theodore Presser Company #312-41616. Published by Theodore Presser Company (PR.312416160). UPC: 680160049837. Key: B minor. Text: Yakov Polonsky. Yakov Polonsky. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Piano Quintet G minor op.30
Music Distribution Services
Piano, 2 violins, viola and cello SKU: M7.BRP-47 Composed by Sergei Taney...(+)
Piano, 2 violins, viola and cello SKU: M7.BRP-47 Composed by Sergei Taneyev. Sheet music. Score and parts. Op.30. MDS (Music Distribution Services) #BRP 47. Published by MDS (Music Distribution Services) (M7.BRP-47). $80.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Temple Of The Gods
Concert band [Score and Parts]
C.L. Barnhouse
Composed by Taneyev. Arranged by Andrew Glover. For concert band. Gems of the Co...(+)
Composed by Taneyev. Arranged by Andrew Glover. For concert band. Gems of the Concert Band. Grade 3.5. Score and parts. Duration 4 minutes, 03 seconds. Published by C.L. Barnhouse
$68.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| String Quartet No. 2
String Quartet: 2 violins, viola, cello
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114406980 Vista...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114406980 Vistas. Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 42 + 112 pages. Duration 25 minutes. Theodore Presser Company #114-40698. Published by Theodore Presser Company (PR.114406980). UPC: 680160010806. Shulamit Ran’s second string quartet, subtitled “Vistas,” occupies a large canvas that is cast in a traditional fourmovement mold, where the outer movements present, explore, and later return to the work’s principal musical materials, surrounding a slow movement and scherzo-type third movement with a trio. In addition to tempo-based titles, the individual movements have subtitles that are evocative of each movement’s character, as follows: I. Concentric: from the inside out II. Stasis III. Flashes IV. Vistas.
My second string quartet, “Vistas”, is a work cast in a traditional four-movement formal mold, with the outer movements, presenting and later returning to the work’s principal musical materials, surrounding a slow movement and a scherzo-type third movement.While the four movements’ “proper” names -- Maestoso con forza, Lento, Scherzo impetuoso, and Introduzione; Maestoso e grande – give some indication of the general character of the individual movements, I have also subtitled, less formally, each movement as follows: 1) Concentric: from the inside out 2) Stasis 3) Flashes 4) Vista. The images evoked by these titles tell one, I think, a bit more about the inner workings of the quartet.In the first movement, a prominently presented opening pitch (E) reveals itself, as the movement unfolds, to be a center of gravity from which ever-growing cycles of activity gradually evolve. While various important themes come into being as the movement progresses, their impact on the listener has, I believe, a great deal to do with their juxtaposition and relationship to the initial central point of gravity.Stasis is, as the name implies, a movement where activity seems, at times, almost suspended. Being also, as Webster’s Dictionary reminds us, “a state of static balance and equilibrium among opposing tendencies or forces,” it develops various materials, including ones from the first movement, without bringing them to points of resolution.Flashes is short and very fast, evoking in my mind the quick shimmer of fireflies, a “sudden burst of light”, but also a “brief time”. Perhaps, even, a “smile”?Finally, the last movement, Vista, is not only “a view or outlook”, but also “a comprehensive mental view of a series of remembered or anticipated events.” After a brief recall of the opening of the second movement, this movement brings back all the important themes of the first movement in their original order. But just as going back can never really mean going back in time, the movement is much more than recapitulatory. By cutting through previously transitory passages and presenting the main ideas in a fashion more direct yet more evolved, it also sheds new light on earlier events, offering a retrospective, synoptic view of the first movement as it brings to culmination the work as a whole. “Vistas” was commissioned by C. Geraldine Freund for the Taneyev String Quartet of what was then Leningrad. It was the first commission given in this country to a Soviet chamber ensemble since the 1985 cultural exchange accord between the Soviet Union and the United States. $285.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Evening
Choral SATB
SATB A Cappella [Octavo]
Theodore Presser Co.
(No. 2 from Twelve Choruses, Op. 27) S.A.T.B., A Cappella. By S.I. Taneyev. Edit...(+)
(No. 2 from Twelve Choruses, Op. 27) S.A.T.B., A Cappella. By S.I. Taneyev. Edited by Amy Kaiser. Text: Yakov Polonsky. For SATB Chorus, Piano Rehearsal. Choral. Piano/Vocal Score. Opus 27. 10 pages. Duration 2:00. Published by Theodore Presser Company.
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Orchestra
Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5559...(+)
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5559-07 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07). ISBN 9790004213698. 6.5 x 9 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Temple Of The Gods
Concert band - Intermediate
C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4402-75 Composed by Taneyev. Arranged ...(+)
Concert band - Grade 3 SKU: CL.012-4402-75 Composed by Taneyev. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4402-75. Published by Opus III Wind Orchestra Publications (CL.012-4402-75). This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional! About Gems of the Concert Band A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Double bass (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Double bass (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-27 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 16 pages. Duration 44'. Breitkopf and Haertel #OB 5558-27. Published by Breitkopf and Haertel (BR.OB-5558-27). ISBN 9790004344699. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Woodwinds (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558...(+)
Woodwinds (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-30 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Set of parts. 308 pages. Duration 44'. Breitkopf and Haertel #OB 5558-30. Published by Breitkopf and Haertel (BR.OB-5558-30). ISBN 9790004344705. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $226.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Prayer [Choral octavo]
Musica Russica
(Molitva). Composed by Sergei Taneyev. For SATTB choir. Choral octavo. Language:...(+)
(Molitva). Composed by Sergei Taneyev. For SATTB choir. Choral octavo. Language: Russian. Published by Musica Russica
$3.05 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Trio in D major, Op. 21 [single piece]
IMC (International Music Co.)
Composed by Taneyev Sergei. For 2 violins and viola. Single piece. Published by ...(+)
Composed by Taneyev Sergei. For 2 violins and viola. Single piece. Published by International Music Company
$23.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Behold, Darkness Has Fallen
Choral SATB [Octavo]
Musica Russica
(Posmotri, kakaya mgla). By Sergey Ivanovich Taneyev (1856-1915). For SATB choir...(+)
(Posmotri, kakaya mgla). By Sergey Ivanovich Taneyev (1856-1915). For SATB choir. Choral octavo. Language: Russian. Published by Musica Russica Choral octavo
$2.55 $2.4225 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Piano Trio in D Major Op. 22
Simrock
Piano Trio SKU: HL.48019126 Set of Parts. Composed by Sergey Taney...(+)
Piano Trio SKU: HL.48019126 Set of Parts. Composed by Sergey Taneyev. Boosey & Hawkes Chamber Music. Classical. Simrock #M221102690. Published by Simrock (HL.48019126). UPC: 196288107200. 9.25x12.0x0.492 inches. $57.95 - See more - Buy online | | | |
| Temple Of The Gods
Concert band - Intermediate
C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4402-01 Composed by Taneyev. Arranged ...(+)
Concert band - Grade 3 SKU: CL.012-4402-01 Composed by Taneyev. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR384). Extra full score. Composed 2015. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4402-01. Published by Opus III Wind Orchestra Publications (CL.012-4402-01). This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional! About Gems of the Concert Band A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Eugen Onegin Op. 24
Deutscher Verlag für Musik
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str) SKU: BR.DV-6081 Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081). ISBN 9790200460032. 9.5 x 12 inches. Duration: full evening
Translation: German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century
Characters: Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )
There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.
Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.
Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.
Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.
Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.
The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.
In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'. $76.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Orchestra
Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5558...(+)
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5558 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558). ISBN 9790004213681. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $150.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Upon the Grave
Choral SATB
SATB
Musica Russica
By Sergey Ivanovich Taneyev (1856-1915). For SATB choir. Russian Title: Na mogil...(+)
By Sergey Ivanovich Taneyev (1856-1915). For SATB choir. Russian Title: Na mogile. Language: Russian. Op. 27, No. 1. Published by Musica Russica
$2.55 $2.4225 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-16 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-16. Published by Breitkopf and Haertel (BR.OB-5558-16). ISBN 9790004344668. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-15 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-15. Published by Breitkopf and Haertel (BR.OB-5558-15). ISBN 9790004344651. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-19<...(+)
Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-19 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-19. Published by Breitkopf and Haertel (BR.OB-5558-19). ISBN 9790004344675. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Albumleaf, Op. 33 (L. DAVIS)
Viola, Piano
IMC (International Music Co.)
By Taneyev, Sergio (1856-1915). Viola and piano. Published by International Musi...(+)
By Taneyev, Sergio (1856-1915). Viola and piano. Published by International Music Co.
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Symphony No. 5 in E minor Op. 64
Breitkopf & Härtel
Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-23 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-23. Published by Breitkopf and Haertel (BR.OB-5558-23). ISBN 9790004344682. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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