SKU: ST.MB86

ISBN 9790220221439.

This is the first published version of a sparkling comic opera written in 1786 for Vienna's Burgtheater, to a Da Ponte libretto adapted from Shakespeare's The Comedy of Errors. A pupil of Mozart, Stephen Storace was a major figure in English opera of the late 18th century, and Gli equivoci is a unique testament to his versatility and promise. The work is issued in a reduction for voices and keyboard, with an English singing translation.

The full score and performing material are available for rental.

SKU: HH.HH531-SOL

ISBN 9781914137280.

Mozartâ??s final three symphonies were composed, according to Mozartâ??s autograph VerzeichnüÃ?, in the space of a few weeks, from late June to early August 1788. During that year the 11-year-old Hummel was a resident pupil of Mozart and would have been a daily witness to the creation of these foundational works of the Western musical canon. There is an almost total lack of documentary evidence concerning the circumstances of these works, however, which has led to considerable speculation as to their origins, early performances and reception. There are three plausible scenarios for the genesis of these symphonies: that they were written for a series of subscription concerts scheduled for autumn 1788; that Mozart wrote them with the (unfulfilled) intention of publication as an opus; that they may have been prepared in advance of Mozartâ??s projected visit to London with his British friends the Storace family, Thomas Attwood and Michael Kelly (again unfulfilled). A contemporaray review in The Harmonicum (1823) of Hummelâ??s piano arrangements of these works notes, approvingly, that they show his perfect knowledge of the instrument and his nice [= fastidious] discrimination in selecting the most effective parts from the score in those places where the whole could not be taken.

SKU: ST.LC5

ISBN 9790220200274.

In its day The Castle of Andalusia by Dr Samuel Arnold (1740-1802), with its gothic sentimentality and wild romantic action, was a novelty. The castle, the forest, the cave-in-rock, the bandits, mistaken identities and sudden recognitions were to become the stock-in-trade of the Romantic movement and its poetry. In this facsimile edition, first published by John Bland in 1782, Robert Hoskins introduces us to a composer, who, like his near contemporaries Arne, Boyce, Storace and Hook (to name a small selection) had no interest in the extremes represented by the fire and languor of the Italians, the sophisticated artificialities of the French or the intellectual and emotional complexities of the Germans. The English style was fresh and direct, lyrical and 'airy' and its most characteristic manifestation is in entertainment music.

SKU: HH.HH532-SOL

ISBN 9790708185444.

Mozart’s final three symphonies were composed, according to Mozart’s autograph Verzeichnüß, in the space of a few weeks, from late June to early August 1788. During that year the 11-year-old Hummel was a resident pupil of Mozart and would have been a daily witness to the creation of these foundational works of the Western musical canon. There is an almost total lack of documentary evidence concerning the circumstances of these works, however, which has led to considerable speculation as to their origins, early performances and reception. There are three plausible scenarios for the genesis of these symphonies: that they were written for a series of subscription concerts scheduled for autumn 1788; that Mozart wrote them with the (unfulfilled) intention of publication as an opus; that they may have been prepared in advance of Mozart’s projected visit to London with his British friends the Storace family, Thomas Attwood and Michael Kelly (again unfulfilled). A contemporaray review in The Harmonicum (1823) of Hummel’s piano arrangements of these works notes, approvingly, that they show his perfect knowledge of the instrument and his nice [= fastidious] discrimination in selecting the most effective parts from the score in those places where the whole could not be taken.

SKU: ST.Y342

ISBN 9780852499559.

Libretto by Lorenzo da Ponte after Shakespeare's The Comedy of Errors, with an English singing translation by Brian Trowell.. . Italian text with parallel English translation on facing pages.. Pages: 102. . Further inform.