SKU: AP.29861S
UPC: 038081348377. English.
Buckcherry's signature sound is characterized as classic rock with a fresh twist. Always on the air and with repeated play by the hottest DJ's, this Hot Pop concert band arrangement of Sorry will be a welcomed addition to your pop program, or can be used as a 'treat' for your band for a 'job well done.' Featuring solid scoring at a relaxed rock tempo, this one is a great choice that'll have them coming back for more!
SKU: BT.ALHE31779
French.
Etienne Nicolas Méhul: Ouverture de 'Le Trésor supposé' (PH277) (Orchestra).
SKU: AP.36-A494401
ISBN 9798892700726. UPC: 659359764028. English.
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vicenza, Milan, and Naples. It was later performed at His Majesty's Theatre in London in 1819, and again in New York in 1832. Rossini's mixture of opera seria and opera buffa is notable — L'italiana in Algeri tells the tale of Isabella, an Italian girl who uses her wiles to trick unwitting Mustafà , the Bey of Algiers, into freeing her and her lover, Lindoro from his palace. The opera itself fell somewhat out of favor in the 19th century but has been revived frequently since World War II with many successful productions. The sorrowful cavatina Cruda sorte! Amor Tiranno! takes place in Act I, and serves as the introductory aria of Isabella, who finds herself shipwrecked in Algiers. The aria is preceded by the chorus Quanto Roba! Instrumentation: 2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto: Mixed Chorus.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CT.CP-307
English.
Neo Romantic. Single movement with 8 contrasting variations.
SKU: LO.30-2887L
UPC: 000308132816.
Based on Isaiah's profoundly moving words--surely He has borne our griefs and carried our sorrows--this poignant anthem takes singers and listeners alike right to the cross of Christ in witness to the crucifixion. Orchestration by Brant Adams for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Pno, Harp, PErc, Timp, 2 Vln, Vla, Cello, Bass.
SKU: LO.30-2888L
UPC: 000308132823.
SKU: BT.ALHE31718
Jacques Bondon: Le Taillis ensorcelé (PH236) (Orchestra).
SKU: HL.48187886
UPC: 888680849863. 5.5x7.5x0.138 inches.
Etienne Nicolas Mehul: Ouverture de 'Le Tresor suppose' (PH277) (Orchestra).
SKU: AP.39608S
UPC: 038081454689. English.
A driving beat, infectious melody and finger snaps make this tune a real toe-tapper. This one will be an instant hit,and there is plenty of fun for all. Each section gets to play the melody ,and the percussionists will delight in providing a driving rock beat throughout (paper and scissors optional). (2:10) This title is available in MakeMusic Cloud.
SKU: CA.5463919
ISBN 9790007138448.
Score and parts available separately - see item CA.5463900.
SKU: CL.032-4665-01
What do James Brown in a Santa Suit, this chart, and an Ugly Sweater party all have in common? They make Christmastime funky! Deck the Halls With All Sorts of Funky is nothing but holiday fun. Written so it works with reduced instrumentation, it also features each section of the group spreading holiday cheer that is fun for the band and for the audience! A guaranteed holiday favorite!
SKU: HL.48024788
ISBN 9781784545314. UPC: 888680967536. 9x12 inches.
This characteristically ever-evolving, single (29-minute) movement bears the remarkable title Responses: Sweet Disorder and the Carefully Careless, which is that of a book of essays by Birtwistle's friend Robert Maxwell... The composer must not be “too precisein every part”, a frequent failing of the post-Schoenbergian serial music on which Birtwistle cut his teeth. But his own imaginationhas never subordinated itself to mathematics, and certainly doesn't in this turbulent, scherzo-like, brilliantly multilayered score (a melodic thread always on hand to lead us through the maze of invention)... the soloist-and-tutti relationship, Birtwistle's abiding concern, went into a dazzling new dimension.