Grade 3-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 3 flautist and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 3 Flute players includes the pieces Picnic by Steve Pogson Hornpipe by George Frideric Handel Magnetic Rag by Scott Joplin and more.Janet Way: Grade By Grade Flute (Grade 3) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Chester Music's best-selling series The Easy Piano Collection Gold features some of the most famous classical music composers ranging from J.S. Bach to Scott Joplin. Each of the albums highlights a particularcomposer's essential works containing original piano music as well as transcriptions of other pieces. Best Of Gold presents a selection of the finest music from the series.

21 Pieces by 12 Composers-Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Intermediate edition features 20 pieces by 12 composers including: Carl Philipp Emanuel Bach: Sofeggio in C minor H. 220 · Johann Sebastian Bach: Invention No. 1 in C Major · Johann Sebastian Bach: Invention No. 8 in F Major · Ludwig van Beethoven: Bagatelle in G Major Op. 126 No. 5 · Ludwig van Beethoven: Bagatelle in A minor Für Elise WoO59 · Ludwig van Beethoven: Sonatina No. 2 in F Major Anh. 5 No. 2 · Frédéric Chopin: Mazurka in A minor Op. 68 nO. 2 · Frédéric Chopin: Prelude in B minor Op. 28 No. 6 · Frédéric Chopin: Prelude in A Major Op. 28 No. 7 · Frédéric Chopin: Prelude in D-flat Major Raindrop Op. 28 No. 15 · Claude Debussy: La fille aux cheveux de lin · Claude Debussy: Le petit nègre · Scott Joplin: The Entertainer · Franz Liszt: Consolation No. 5 · Felix Mendelssohn: Venetian Boat Song No. 2 from Songs Without Words Op. 30 No. 6 · Erik Satie: Gymnopédie No. 1 · Franz Schubert: Moment Musical in F minor D. 780 No. 3 · Franz Schubert: Scherzo in B-flat Major D. 593 No. 1 · Robert Schumann: The Happy Farmer from Album for the Young · Pyotr Il'yich Tchaikovsky: Morning Prayer from Album for the Young.

Teacher's Book (Revised Edition)-This new edition of Treble Recorder from the Beginning is a complete course in playing Treble Recorder and is particularly suitable for Descant players who are progressing to the Treble Recorder. The coursecontains a wide selection of tunes that combine some old favourites with some new additions including music from Latin America Scott Joplin compositions classical pieces and folk songs!

Additional books to complement the tutor for adults and young people Play the Piano! Levels 1 & 2 are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand here is the chance for players to explore and enjoy more beautiful music in a variety of styles confident that the technical levels are within their capabilities. Includes popular classics by Purcell Handel Bach Mozart Grieg Humperdinck Schumann Chopin Rimsky-Korsakov Brahms Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy Latin and Ragtimepieces by Scott Joplin Mike Cornick and Duke Ellington.

Par COCKER JERRY. Revised edition. Since 1900, when jazz - a uniquely American music form - began to evolve, much of its allure and artistic growth has depended on the creative freedom and expressive force that improvisation allows its performers. Jerry Coker, himself a teacher, composer/arranger, and noted saxophonist, has written How To Listen To Jazz to fill the need for a laymans guide to understanding improvisation and its importance in the development of this artistically rich yet complex musicform. Without relying on overly technical language or terms, Jerry Coker shows how you can become a knowledgeable jazz listener - whether you are an aspiring musician, student, jazz aficionado, or new listener. In addition to looking at thestructure of jazz and explaining what qualities to look for in a piece, the author provides a complete chronology of the growth of jazz, from its beginnings in the rags of Scott Joplin, the New Orleans style of the 1920s made famous by Bessie Smith, Bix Beiderbecke and Louis Armstrong, the Swing Era with Benny Goodman, and Art Tatum, Be-Bop, post Be-Bop, to the greats of Modern Jazz, including Miles Davis, Herbie Hancock, Freddie Hubbard, and Wes Montgomery. Also including a list of suggestedrecordings, a section on the improvised solo, and a complete glossary of jazz terms, How To Listen To Jazz offers you a complete introduction to the entire jazz experience. . . the music and those who make it. / Librairie en anglais / Théorie / Livre

Juste quelques-uns des merveilleux sites à voir dans l'Arizona sont représentés dans cette suite. Incroyable Arizona!, Le premier mouvement, est un hommage à l'Etat dans son ensemble avec un son grandiose et majestueux. Le deuxième mouvement, Painted Desert Jazz, peint aux couleurs du désert avec une improvisation de blues-comme. Sons de la forêt pétrifiée, le troisième mouvement, crée un son mystérieux avec quintes à vide et gammes chromatiques, le tout dans une tonalité mineure. Grand Canyon Rag, le dernier mouvement, les sons et se sent comme un classique chiffon de Scott Joplin et a, un son énergique joyeuse. / Piano

Par BAY MEL. Ragtime music has a character all its own. While it lends itself ideally to a variety of settings and moods, it always maintains its unique joyful feeling. The banjo is an instrument ideally suited for ragtime. The bright crisp banjo sound truly adds a new dimension to the ragtime feeling. Mel Bay and Roy Smeck have teamed together in arranging a variety of Scott Joplin and some original rags. All of the music contained herein can be played by tenor, plectrum, or 5-string banjo. It is with great pleasure that we present the joyful sound of Ragtime Banjo! Standard notation only. / Ragtime - Solos / Recueil / Banjo Ténor et Plectre

Joplin was the undisputed master of ragtime and this is one of the best-known examples of the genre arragend in this edition for piano solo.

String Quartet-First published in 1901 this rag has remained one of the most popular of Joplin's distinctive ragtime pieces. This version for string quartet is fun to play and will make a delightful concert encore item.

Joplin was the undisputed master of ragtime and this is one of the best-known examples of the genre arragend in this edition for string quartet.

A simple arrangement of Joplin's famous Rag for recorder ensemble suitable for elementary players.