SKU: HL.49006631

ISBN 9783795721688. German.

Musikwissenschaft und Neue Musik - Neue Musik als historische Kategorie - Fortschritt und Avantgarde - Avantgarde und Popularitat - Musikalischer Funktionalismus - Die Neue Musik und das Problem der musikalischen Gattungen - Moderne Orgelmusik und das 19. Jahrhundert - Probleme des Rhythmus in der Neuen Musik - Der Tonalitatsbegriff in der Neuen Musik - Schonbergs musikalische Poetik - Schonberg und die Programmmusik - Musikalische Prosa - Emanzipation der Dissonanz - Schonberg und Schenker - Uber das Analysieren Neuer Musik. Zu Schonbergs Klavierstucken op. 11/1 und 33a - Schonbergs Lied Streng ist uns das Gluck und sprode - Schonbergs Orchesterstuck op. 16/3 und der Begriff der Klangfarbenmelodie - Das obligate Rezitativ - Ausdrucksprinzip und Orchesterpolyphonie in Schonbergs Erwartung - Was ist eine Zwolftonreihe? - Schonberg und Bach - Rhythmische Strukturen in Weberns Orchesterstucken op. 6 - Analytische Instrumentation. Bachs sechsstimmiges Ricercar in der Orchestrierung Anton Weberns - Schreker und die Moderne. Zur Dramaturgie des Fernen Klang - Struktur und Expression bei Alexander Skrjabin - Asthetische Probleme der elektronischen Musik - Notenschrift heute - Pladoyer fur eine romantische Kategorie. Der Begriff des Kunstwerks in der neuesten Musik - Uber den Zerfall des musikalischen Werkbegriffs - Das musikalische Kunstwerk als Gegenstand der Soziologie - Thesen uber engagierte Musik - Politische und asthetische Kriterien der Kompositionskritik - Probleme der Kompositionskritik - Adornos Begriff des musikalischen Materials - Form - Erhard Karkoschka und die Dialektik der musikalischen Form - Uber Sinn und Sinnlosigkeit in der Musik - Komposition und Improvisation - Neue Formen der Vermittlung von Musik - Vom Missbrauch der Wissenschaft - Bibliographie samtlicher Schriften von Carl Dahlhaus.

SKU: PE.030076216X

ISBN 9790300762166. English.

Original item: EP68299A-CMPSET.

SKU: CA.751019

ISBN 9790007135232. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and parts available separately - see item CA.751000.

SKU: CA.751049

ISBN 9790007229696. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

SKU: CA.751015

ISBN 9790007229689. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

SKU: CA.751014

ISBN 9790007229672. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

SKU: CA.751013

ISBN 9790007229665. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

SKU: CA.751003

ISBN 9790007016265. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.

SKU: CA.760603

ISBN 9790007126384. Language: German.

Konig Tejas Begrabnis (1899) shows how Schreker was influenced by his work with the Doblinger Mannergesangverein, of which he was a member. In this work he set a text by Felix Dahn from Dahn's historical novel, Ein Kampf um Rom (1876), which dealt with the collapse of the eastern Goths in the sixth century. The four-verse chorus, Gebt Raum, ihr Volker, unserm Schritt, is a verse taken from the last chapter of the novel. It describes how the last surviving Goths bring their fallen King Teja back to the mythical homeland of Thule. It is true, that the majestic work for four men's voice is accompanied by a large orchestra, however the orchestral means are used sparingly, whether to support the choir, to provide a background (with string tremoli and timpani), or to play fanfares with horns and trombones. Score available separately - see item CA.760600.

SKU: CA.2708905

ISBN 9790007187101. Language: Latin.

Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his Missa phrygica, written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker. Score available separately - see item CA.2708900.

SKU: CA.760600

ISBN 9790007112998. Language: German.

Konig Tejas Begrabnis (1899) shows how Schreker was influenced by his work with the Doblinger Mannergesangverein, of which he was a member. In this work he set a text by Felix Dahn from Dahn's historical novel, Ein Kampf um Rom (1876), which dealt with the collapse of the eastern Goths in the sixth century. The four-verse chorus, Gebt Raum, ihr Volker, unserm Schritt, is a verse taken from the last chapter of the novel. It describes how the last surviving Goths bring their fallen King Teja back to the mythical homeland of Thule. It is true, that the majestic work for four men's voice is accompanied by a large orchestra, however the orchestral means are used sparingly, whether to support the choir, to provide a background (with string tremoli and timpani), or to play fanfares with horns and trombones.