SKU: HL.234017

ISBN 9781495094514. UPC: 888680684419. 7.5x9.25x0.279 inches. Al Schmitt Metalliance Academy Presents.

In Al Schmitt on Vocal and Instrumental Recording Techniques, legendary producer and engineer Al Schmitt takes us into the studio and shares his process of selecting a microphone and shows us how to get the best sounds. Considerations such as song style, instrumentation, and the recording space itself are taken into account when making mic choices and determining the best placement for each. Schmitt demonstrates how to achieve the best sounds for a number of instruments – including drums, bass, piano, guitars (both acoustic and electric), organs, and horns – across many genres of music. Drawing on decades of experience in the studio, Schmitt brings a unique and invaluable perspective to not only making mic choices and their placement, but also the importance of interacting with musicians – taking their vision and preferences into account to create the most comfortable and effective recording experience for all involved. Also featured in Vocal and Instrumental Recording Techniques is an interview of Schmitt conducted by fellow METAlliance producer and engineer Ed Cherney.

SKU: AP.36-A269902

UPC: 659359836114. English.

Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly after he had moved to Vienna in 1781, and Mozart wrote in a letter that he made the promise before having married Constanze, a decision which his father Leopold disapproved, though he only really began the work after the marriage, completing all that he did in 1783. The work remained uncompleted from the sense of a liturgical mass, missing some of the Credo movements, all of the Agnus Dei, and parts of the Sanctus and the Benedictus, and Mozart called it a half a mass in a letter to his father. Despite this, all that was completed was performed at a liturgical mass on October 23, 1783, at St. Peter's Church in Salzburg during Mozart and Constanze's three-month sojourn there to introduce Constanze to the family. It is believed that Mozart borrowed from other works to make it complete for a liturgical performance, and it is thought likely that Constanze sang the high first soprano solo part. The work remained in this state until German musicologist Alois Schmitt's work to complete the mass was published in 1902. The Schmitt edition became the standard edition throughout the 20th century. Instrumentation: 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.14029021

ISBN 9788759852682. English.

Vorbereitende Ubungen is a collection of Preparatory Exercises by celebrated composer violinist and teacher Aloys Schmitt. This set of studies and exercises for Piano are an ideal way to help acquire the greatest possible independence and evenness of the fingers.

SKU: HL.14046119

ISBN 9788872071946. Italian.

SKU: HL.49021106

ISBN 9790001141512.

1. Stimme in B (1. Klarinette, 1. Flugelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flugelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, Baryton, 2. Posaune), 4. Stimme in C (2. Fagott, Baryton, 2. Posaune), 5. Stimme in B (Baryton, Posaune - Violinschlussel), 5. Stimme in C (Tuba), 5. Stimme in Es (Bariton-Saxophon, Tuba - Violinschlussel), 5. Stimme in B (Tuba - Violinschlussel), 5. Stimme in C (3. Fagott, Baryton, 3. Posaune).

SKU: HL.49035354

6 Stucke im Swing-Popstil mit Playback CD!

SKU: HL.49021102

ISBN 9790001141475.

1. Stimme in B (1. Klarinette, 1. Flugelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flugelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, Baryton, 2. Posaune), 4. Stimme in C (2. Fagott, Baryton, 2. Posaune), 5. Stimme in B (Baryton, Posaune - Violinschlussel), 5. Stimme in C (Tuba), 5. Stimme in Es (Bariton-Saxophon, Tuba - Violinschlussel), 5. Stimme in B (Tuba - Violinschlussel), 5. Stimme in C (3. Fagott, Baryton, 3. Posaune).

SKU: HL.49021107

ISBN 9790001141529.

1. Stimme in B (1. Klarinette, 1. Flugelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flugelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, Baryton, 2. Posaune), 4. Stimme in C (2. Fagott, Baryton, 2. Posaune), 5. Stimme in B (Baryton, Posaune - Violinschlussel), 5. Stimme in C (Tuba), 5. Stimme in Es (Bariton-Saxophon, Tuba - Violinschlussel), 5. Stimme in B (Tuba - Violinschlussel), 5. Stimme in C (3. Fagott, Baryton, 3. Posaune).

SKU: HL.49021105

ISBN 9790001141505.

1. Stimme in B (1. Klarinette, 1. Flugelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flugelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, Baryton, 2. Posaune), 4. Stimme in C (2. Fagott, Baryton, 2. Posaune), 5. Stimme in B (Baryton, Posaune - Violinschlussel), 5. Stimme in C (Tuba), 5. Stimme in Es (Bariton-Saxophon, Tuba - Violinschlussel), 5. Stimme in B (Tuba - Violinschlussel), 5. Stimme in C (3. Fagott, Baryton, 3. Posaune).