Vocal Score-Its first performance at the San Carlo theatre in Naples on 26th September 1835 an acclaimed success Lucia Di Lammermoor was a real triumph for Gaetano Donizetti. The Bergamasque composer - who had returned to Naples that year where he was hailed as a maestro - had met Salvadore Cammarano and they quickly struck up good artistic relations. On the inspiration of Walter Scott's 'The Bride Of Lammermoor' Cammarano wrote a fast-moving libretto typical of a romantic ballad with a strong formal structure and boosted by first class melody. The love story as described by the two authors is beautiful yet sad and tragic. Lucia takes on an almost uniquerole in Italian Opera; a heroine completely bereft of human passion apart from her total dedication to love. The romantic female character par excellence capable of bewitching even Madame Bovary and Anna Karenina.

Par MOORE ROBERT. Les promesses qui font de fabricants et détaillants de claviers électroniques sont difficiles à maintenir. Il peut paraître musique sans effort lorsque le vendeur démontre que Super XYZ 4000, mais lorsque vous apporter Accueil vous font face à des dizaines de petits boutons et un manuel écrit en anglais incompréhensible. Robert Moore a supprimé tous les conjectures dans ce titre disponible le plus vendu de Publications de Santorella. El Teclado Electronico De La A a La Z, dans son édition de hispanique purement authentique, fournit des renseignements inestimables ' en espanol 'pour jouer et le fonctionnement des claviers électroniques. Tout novice devrait traiter le livre comme un cours de clavier autoguidées et lisent d'un bout à l'autre. Joueurs avancés devraient utiliser ce guide comme une source de référence pour tous les aspects du jeu. À suivre sont des exemples de l'information que vous découvrirez dans ce ' la méthode la plus complète 'ainsi que des explications détaillées sur son contenu pour notre auditoire parlant espagnol. / Méthode / Méthode / Clavier ou Orgue Electronique

Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Cammarano, a ete cree au Teatro di San Carlo de Naples le 26 septembre 1835. Il est reste au repertoire sans interruption comme l'un des operas les plus populaires de Donizetti tout au long de son existence de pres de 200 ans. L'edition propose comme texte principal une version de l'opera qui, en majeure partie, est aussi fidele que possible a celle donnee lors de la premiere a Naples. L'edition critique retablit les tonalites originales, conservant ainsi la conception harmonique globale de Donizetti, mais aborde les transpositions qui sont entrees plus tard dans la tradition d'interpretation et d'edition de l'opera. Nous presentons ici la reduction pour voix et piano. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence CP41689/05, cette partition de Donizetti Gaetano a pour titre Lucia Di Lammermoor Opera Chant/Piano. A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Ben Moore writes lovely lyric songs that are gratifying to perform. This collection for voice and piano includes commentary from the composer about each song.

Great folk songs of the British Isles are given a dusting down by Kevin Mayhew’s house composers. The result is a book of fantastic arrangements for Piano. The 11 improvisations on traditional folk melodies in Music OfThe Islands For Piano - Book One include Comin' thru' the rye (Moore) Early one morning (Hand) Golden slumbers (Chappell) Men of Harlech (Vann) My bonnie lies over theocean (Nixon) On Ilkley Moor baht 'at (Jordan) Shenandoah (Tambling) The ash grove (Gant) The Skye boat song (Lloyd) The floral dance (Mawby) Wi' a hundred pipers(Moore).

A beautiful illustrated collection containing over 100 folksongs from the British Isles. Songs of longing, of love, of the Irish and Scottish rebellions, as well as lullabies, children's songs, and even a few composed songs which have become part of the folk heritage can be found in this collection. Easily played piano and guitar accompaniments are provided, and not only translated lyrics, but phonetic transcriptions are also included so that songs may be sung in their original language. England: Hares On The Mountain; Allan Water; My Boy Willie; When Cockleshells Turn Silverbells; The Banks Of The Sweet Primroses; I?m Seventeen Come Sunday; Greensleeves; The Trees Are Geting High; On Ilkla Moor Baht? At; O Waly, Waly; Weel May The Keel Row; The Three Ravens; Early One Morning; O No, John!; A May Day Carol; The Oak And The Ash; Lavender?s Blue; Blow The Wind Southerly; The Cherry Tree Carol; The Green Bushes; Over The Mountains; Gently, Johnny, My Jingalo; Two Maidens Went Milking One Day; Cock Robin; Died For Love; Buttercup Joe; Ireland: Down By The Salley Gardens; Let Erin Remember The Days Of Old; The Crusikeen Lawn; Shule Aroon; The Little Red Fox; When Pat Came Over The Hill; The Bold Fenian Men; The Parting Glass; Bendemeer?s Stream; The Mountains O? Mourne; The Wearing Of The Green; The Rising Of The Moon; The Lark In The Clear Air; I Wish I Had The Shopherd?s Lamb; O?Donnell Aboo; She Moved Through The Fair; Mrs. McGrath; Lilli Burlero; Monday, Tuesday; Farewell! But Whenever You Welcome The Hour; Kevin Barry; Kilgary Mountain; Oft In The Stilly Night; Molly Brannigan; John O?Dywer Of The Glen; The Time I?ve Lost In Wooing; The Croppy Boy; The Banks Of Roses; The Bard of Armagh; ?Tis Pretty To Be In Balinderry; Whack Fol The Diddle; Scotland: Green Grow The Rashes, O!; Wae?s Me For Prince Charlie; The Wark O? The Weavers; Flow Gently, Sweet Afton; The Blue Bells Of Scotland; Baloo Baleerie; Is There For Honest Poverty; Corn Rigs Are Bonnie; Can Ye Sew Cushions?; A Hihgland Lad My Love Was Born; Ho Ro My Nut-Brown Maiden; Robin Adair; Awa?, Whigs, Awa?; My Love is Like a Red, Red Rose; Weaving Lilt; Turn Ye To Me; To The Beggin? I Will Go; Ye Banks And Braes O? Bonnie Doon; Scots Wha Ha?e Wi? Wallace Bled; Charlie Is My Darling; Oh Rowan Tree; Will Ye No? Come Back Again?; The Piper O? Dundee; Leezie Lindsay; The Road To The Isles; An Eriskay Love Lilt; Wales: The Bells Of Aberdovey; To See Swainson; Robin Redbreat; David Of The White Rock; The Kind Old Man; Men Of Harlech; Fairest Gwen; Over The Stone; Cuckoo Dear; Megan?s Fair Daugher; Little Saucepan; The Ash Grove; Rise, Rise, Thou Merry Lark; Lullaby; All Through The Night; Joy Upon The Bright Cheek Dances; Idle Days In Summertime; Counting The Goats; The Dove; Welsh National Anthem.

45 favourite songs Instrument : Voice and Piano Type : song book Nombre de Pages : 96 The edition is part of the ABRSM syllabus (grade 1,2,3,4) Content : Billy Boy - Come Lasses and Lads - Drink to Me Only With Thine Eyes - Heart of Oak - I Gave My Love a Cherry - My Bonnie is Over the Ocean - O Waly Waly - On llkley Moor Baht'at - Robin Hood - Rule Britannia - The Candlelight Fisherman - The Derby Ram - The Rio Grande - Barbara Allen - Begone Dull Care - Blaydon Races - Blow Blow thou Winter Wind - Bobby Shaftoe - Dashing Away With the Smoothing Iron - Early One Morning - Greensleeves - Johnny Todd - Maa Bonny Lad - Ould John Braddlum - Polly Oliver - Sally In Our Alley - Scarborough Fair - Song of the Westem Men - Sweet and Low - The Bailiff's Daughter - The British Grenadiers - The Drummer and the Cook - The Girl I Left Behind Me - The Keel Row - The Leaving of Liverpool - The Lincolnshire Poacher - The Mermaid - The Miller of the Dee - The Oak and the Ash - The Vicar of Bray - The Water of the Tyne - The Wraggle Taggle Gypsies - What Shall We Do With the Drunken Sailor? - Widdicombe Fair - Windy Old Weather

Hawkes Pocket Scores HPS 1468-Originally a ballet score this 30' work is scored with strings and consists of three movements:'cumnock fair': A 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful rustic archaic ungainly dreamy boisterous stately brutal and grotesque to mysterious and unnerving.'shambards'': Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti’s Lucia di Lammermoor based on the novel by Walter Scott.'shamnation'. Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunesand following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys.

Features 20 of the great French master's finest piano works, some long out of print: Impromptu (1873), Valse (1878), Ronde champêtre (1870's), 10 Pièces pittoresques (1880), Aubade (1883), Habanera (1885), Joyeuse marche (1888), Ballabile, Caprice and Feuillet d'album (1880's), and Bourrée fantasque (1891). Edited by pianist and musical scholar Roy Howat. Content : Chabrier's Tempos Souces and Variants Impromptu Ronde champêtre • Rustic round Petite valse • Little waltz Pièces pittoresques • Picturesque pieces 1. Paysage • Landscape 2. Mélancolie • Melancholy 3. Tourbillon • Whirlwind 4. Sous bois • In the woods 5. Mauresque • In Moorish style 6. Idylle • Idyll 7. Danse villageoise • Village dance 8. Improvisation 9. Menuet pompeux • Festive minuet 10. Scherzo-valse • Scherzo-waltz Aubade • Dawn serenade Habanera Ballabile • Dancelike Caprice Feuillet d'album • Albumleaf Joyeuse marche • Joyous march Bourrée fantasque • Fantastic bourrée