Par HAAS GEORG FRIEDRICH. / Date parution : 2023-03-21/ Répertoire / 6 Voix (Soprano, MezzoSoprano, Alto, Tenor, Baryto

This ethereal transcription as recorded by Bobby McFerrin provides a new and different setting for this cherished Psalm. The very free almost chant-like rhythms and repetitive harmonies of this a cappella piece coupled with an original paraphrase of the text produce a very contemporary perspective on the well-known words of assurance. Especially useful for Good Shepherd Sunday. Available: SATB a cappella.

Quattro liriche su versi di Cristina Alziati, per mezzosoprano e pianoforte. Par BOCCADORO CARLO. Italian / Niveau : Intermédiaire / Répertoire / Mezzo-Soprano et Piano

Aus: Zwei Gesänge. Par RHEINBERGER JOSEF GABRIEL. Tonalité : A-Dur - Opus : 75 #2 - MacFarren, Natalia (Trad.) -/ Répertoire / Choeur SATB et Piano

Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.

Description Carl Maria Von Weber: Der Freischutz (Vocal Score) Weber had always been attracted to the common Central European tale of the free-shooter.' This is the Schirmer edition of the Vocal Score, in the original German with an English translation by Natalia Macfarren. Songlist Der Freischutz

'Lucia di Lammermoor' was one of the biggest triumphs of Donizetti's career and remains as his outstanding masterpiece. The libretto was written by Salvatore Cammarano based on Sir Walter Scott's novel 'The Bride of Lammermoor'. The story runs as follows: Lord Enrico Ashton is outraged to find that his sister Lucia is in love with his mortal enemy Edgardo. He tricks Lucia into believing Edgardo unfaithful and insists she marry Lord Arturo Bucklaw. The wedding takes place disrupted by Edgardo who curses Lucia. Lucia begins to lose her mind and when Enrico challenges Edgardo to a duel Lucia kills Arturo then collapses and dies herself. On hearing the tragicnews Edgardo kills himself. This is the Schirmer edition on the Vocal Score and contains an English version by Natasha Macfarren as well as an essay by E. Irenaeus Stevenson.

Natura Morta In Un Atto per Voce (mezzosoprano), Violoncello e Pianoforte. Par SCIARRINO SALVATORE. Natura Morta In Un Atto Per Voce (Mezzosoprano), Violoncello E Pianoforte / Musique contemporaine / Date parution : 1905-06-09/ Répertoire / Voix Moyenne, Violoncelle et Piano

for mezzosoprano, flute, viola and violoncello. Par SCHULHOFF ERWIN. Der dreiteilige Zyklus des späten Schulhoff für Mezzosopran, Flöte, Viola und Violoncello enthält die Vokalkompositionen Wiegenlied und Der Bettler sowie das kurze Instrumentalstück Die Drähte. Die Vokalwerke basieren auf sozialkritischen Texten von Jindrich Horejs?i´ und Joseph Hora in tschechischer Sprache, eine deutsche Übersetzung ist unterlegt. / Date parution : 2016-11-20/ Répertoire / Mezzo-Soprano, Flûte Traversière, Alto et Violonce

Cantata N. 2 Per Mezzosoprano, Flauto, Viola, Harp, Armonium, Percussioni. Par CANINO BRUNO. Cantata N. 2 Per Mezzosoprano, Flauto, Viola, Harp, Armonium, Percussioni / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Voix et Ensemble Mixte

Minerva by Jan Van der Roost was composed on the commission of the German ?Musikverein Braunshausen? on the occasion of the 75th anniversary of the orchestra. The composition first performed on September 17 1999 is not a street march but a concert march just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio on the other hand is characterized by a broad melodic approach using large intervals. This theme wreathed by high woodwinds is heard one more time after a contrasting newpart but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!