An Anthology-An Anthology. The largest most comprehensive collection of Israeli folksongs in print! Culled from 10 acclaimed music books and dozens of audio recordings this collection is a broad overview of the beloved classic folksongs from pre-State to present times. Includes melody line chords full Hebrew texts transliterations and annotations for more than 165 songs.

Classic Hassidic and Israeli Melodies-A wonderful stand-alone collection of 100 Hassidic and Israeli favorites arranged for voice/2-part singing.

A New Musical - Vocal Selections-Winner of the 2018 Tony Awards for Best Musical Best Original Score and eight others  The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name and features music and lyrics by David Yazbek. This folio features 11 songs with Vocal lines and Piano accompaniment. Songs include: 'Answer Me' 'The Beat of Your Heart' 'Haled's Song About Love' 'It Is What It Is' 'Itzik's Lullaby' 'Omar Sharif' 'Papi Hears the Ocean' 'Something Different' 'Soraya' 'Waiting' and 'Welcome to Nowhere'.

Who Will Give Me Wings-This beautiful Israeli song is presented here in a masterful setting by Audrey Snyder unfolding in a rich and sonorous choral tapestry. Optional violin oboe or other melody instrument. Available: SATB SAB 2-Part. Performance Time: Approx. 3:00.

This is a wonderful collection of Klezmer music inspired by the Jewish dances and songs of the Klezmorim from Eastern Europe: from the lyrical Hora to the fast compelling Frielach. Also audible is the influence of more recent Israeli folk music a la Giora Fiedman.

Carol Matz's Famous and Fun Jewish Songs, Book 2 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli, and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method and have optional duet parts for teacher or parent. / Piano

Carol Matz's Famous and Fun Jewish Songs, Book 4 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method. / Piano

Suite of Israeli Folk Songs-The long history of Jewish folk song has resulted in a rich and varied repertoire of songs which deal with religion history festival and celebration. The melodies featured in Shalom! reflect this panoply of subjects and range widely in mood from lament to rejoicing.

This volume contains favourite Israeli Hassidic and liturgical songs as well as selections for the Sabbath and Festivals. The arranger Albert Rozin has created sensitive settings which are easy to play but which do notsacrifice the flavour of the original harmonies. Organists and guitar players will find little difficulty in playing the songs harmonically by using the chord symbols indicated in the music. Complete with lyrics.

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Par SCHOENBERG ARNOLD. Schönberg?s Suite op. 25 of 1923 refers to pre-classical forms in its movement titles Präludium, Gavotte?Musette, Intermezzo, Menuett?Trio and Gigue, yet at the same time it was the first work to be based entirely on a twelve-tone row. But anyone who believes that emotions can be left out of this completely new-sounding music is mistaken: Schönberg requires the player?s full commitment, reflected in a whole palette of new articulation markings which he added to the musical text in order to ensure a nuanced and expressive performance. A challenge for all pianists! In the Henle Urtext edition, the Israeli-American pianist Shai Wosner, a true connoisseur of the Suite, provides indispensable assistance with the fingering to help decode this magnificent work. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano