SKU: CA.4070410
ISBN 9790007076856.
Score available separately - see item CA.4070400.
SKU: FG.55011-904-8
ISBN 9790550119048.
Published for the first time in 2024! Einojuhani Rautavaara's Concerto grottesco was composed in 1950 and is among his first orchestral works. With overall duration of six minutes, the work includes four movements.This product includes the full score and the set of parts:Flutes 1–2 (2nd flute also piccolo)Oboes 1–2Clarinets 1–2 in Bb & ABassoons 1–2Horns 1–2 in FTrumpets 1–2 in BbTromboneTubaTimpaniPercussion (1 performer): Tamburo rullante, piatto sospeso, triangolo, Wood blockDouble basses 1–2Einojuhani Rautavaara (1928−2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Seventh Symphony, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music works and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism.
SKU: HL.44012478
ISBN 9789043152129. UPC: 888680086381.
2 ob, 2 cl, 2 hn, 2 bn, contra.
SKU: CA.4070420
ISBN 9790007076863. Key: D major. Language: German.
SKU: M7.BRP-939
SKU: PR.ZM13560
UPC: 680160647989.
SKU: HL.50494659
Italian.
GROTTESCO A 5 VOCI DA UN MOTIVO POPOLARE SPAGNOLO.
SKU: HL.49046192
ISBN 9781540051721. UPC: 888680938741. 9.0x12.0 inches. Russian.
Mezzo-Soprano solo in Russian. Includes translations and a preface.
SKU: HL.14023161
ISBN 9780853602910. 8.5x11.0x0.148 inches.
Variations on a theme of Scott Joplin for solo piano. Based on three sections of Scott Joplin's Solace- A Mexican Serenade. First performed by John McCabe on 3 June 1985. Duration 27 minutes. Suitable for advanced pianists.
SKU: M7.BP-2789
ISBN 9790015278907.
Fröhlich gilt als der bedeutendste Schweizer Komponist der Frühromantik. Die Presse kündigte 1942 an: Es herrscht Schwung und Begeisterung in dieser Musik, vor allem das Klavier, das manchmal mit geradezu Weberscher Brillanz behandelt wird, kommt zu seinem virtuosen Recht. Freilich führt uns Fröhlich auch in sanftere, weichere Regionen. Dies kennzeichnet ihn als Romantiker, dem das Empfindsame noch mehr gilt als die getreue Befolgung traditioneller Kunstregeln.
SKU: HL.44012911
The evergreen My Way, originally a French chanson (Comme d'Habitude), was written by Jacques Revaux and Gillies Thibault and first released by Claude Francois in 1967. Paul Anka wrote the English lyrics which were used by Frank Sinatra who made it in to the American charts with his world famous interpretation in 1969. Since then the song has been covered by a variety of pop stars, including Elvis Presley. This arrangement is based on the Elvis version and within it the chorus appears in a swinging blues style. This popular song will be ideal for that spectacular ending to your concert.Wer kennt ihn nicht, den weltberuhmten Song My Way? In vielen Versionen von verschiedenen Kunstlern gesungen, bleibt vor allem die Interpretation von Frank Sinatra unvergesslich, welche auch dieser Bearbeitung zugrunde liegt. Dieser Evergreen bietet sich geradezu fur eine klangvolle Brass Band-Bearbeitung an. Uberzeugen Sie sich selbst von dem hervorragenden Arrangement von Thijs Oud.
SKU: MA.EMR-55328
1. La Cortese / 2. Canzona / 3. Canzona / 4. La Gratiosa / 5. La Rosa / 6. Canzona.
SKU: BT.DHP-0981334-216
In this stunning work French composer Christian Bouthier has created a nostalgic French chanson, a form of song popularised by the ambassador of French song Charles Aznavour. The piece is characterised by a peaceful, moving melody filled with meditative sounds that encourage a blissful dreaminess. Der Titel sagt es schon: Der französische Komponist Christian Bouthier schuf mit seiner Komposition Nostalgia ein nostalgisches französisches Chanson. Das französische Chanson - bekannt geworden durch seinen Botschafter Charles Aznavour - ist für viele immernoch das einzig wahre Ausdrucksmittel von Sehnsucht.Charakteristisch für dieses Werk ist eine friedvolle, bewegte Melodie, gefüllt mit vermittelnden Klängen, die den Zuhörer zum glückseligen Träumen geradezu auffordert.
SKU: CU.EC10126
SKU: BA.BVK01694
ISBN 9783761816943. 24 x 17 cm inches. Language: German.
Das Schutz-Jahrbuch 2016 enthalt in seinem Hauptteil die Texte der Referate des Internationalen Heinrich-Schutz-Festes Dresden 2015, in denen das Thema >>Komponierte Bilder - Glaubenspropaganda zwischen Luther und Schutz<< thematisiert wird. Die ebenso fakten- wie gedankenreichen Beitrage von Johann Anselm Steiger, Bettina Varwig, Matthias Herrmann und Christa Maria Richter bereichern die Forschung nicht nur zu Schutz. Ausserdem steuern Arno Paduch und Thorsten Schlepphorst biografische Studien zu den Schutz-Zeitgenossen Arnold Grothusius und Tobias Michael bei; Beate Agnes Schmidt widmet sich in ihrem Beitrag der Rolle, die Michael Praetorius und Heinrich Schutz in der kursachsischen Kulturpolitik spielten.
SKU: KU.GM-1945B
ISBN 9790206208140.
I wrote the composition The Iron Tetrapod for the Graham Ashton Brass Ensemble. Originally scored for four brass instruments, I rearranged the work - at the suggestion of Ingo Goritzki - for 2 oboes, bassoon and piano, which eventually led to the new version for piano quartet.
The piece combines the world of chamber music and jazz. When it comes to phrasing and rhythm the vernacular is clearly derived from jazz. At the same time the structural development of the piece roots in chamber music traditions. With a duration of somewhat more than 4 minutes, it is a relatively compact composition, sounding well in all sorts of instrumental combinations and offers new challenges in phrasing and rhythm. Hence this makes it a very suitable study piece.
SKU: BT.BWH008316
SKU: UT.TS-6
ISBN 9788881095391. 4.13 x 7.08 inches.
Perché Billy Wilder è un regista «quasi» perfetto?Certamente, come recita una sua famosa battuta di chiusura, perché «nessuno» è perfetto. Wilder lo sa bene: costretto all’esilio dal nazismo, regista americano ma ancora europeo, nella sua filmografia non si è confrontato solo con i meccanismi geometricamente perfetti e stilizzati della commedia, ma ha inseguito, con generositàe spesso a rischio dell’insuccesso, dramma, satira e grottesco, in una lunga trama di metamorfosi, travestimenti, fascinazioni e tradimenti. Nella commedia come nel dramma, da grande moralista non fa nulla per nascondere l’imperfezione dei suoi personaggi, a volte spinta fino alla mostruositàe alla dissociazione, mostrando quanto il miraggio del denaro e del successo renda ridicoli o tragici. Con rigore ma anche con ruvida simpatia e con rispetto per chi sa scegliere cosa non vuole più essere.
