Acoustic Guitar Solos. Par GARCIA JERRY. Jerry Garcia, le guitariste, chanteur et chef présumé du Grateful Dead, est devenu une icône des années 60 mouvement de jeunesse. C'est bien connu que Jerry était un grand fan et probablement se considérait comme un joueur, d'Old-Time American music, musique fiddle et banjo de montagne, de ballades anglais, jug band musique bluegrass et blues, et le plus. Sur les enregistrements de ' Shady Grove ', on peut entendre que le profond engagement, respect et amour Jerry avaient pour cet américain de musique traditionnels. Il est très fidèle à la musique des artistes originaux. C'est peut-être surprenant si vous attendez davantage d'axé sur un ego approche ' ma version ' d'un plus grand rocher étoiles jamais. Vous avez ici est une collection vibrante de merveilleuses chants traditionnels américains, d'une grande variété de genres, joué dans un style étroitement basé sur leurs sources traditionnelles. Bien entendu, au sein de ces paramètres, nous entendons lectures merveilleuses et personnelles de la musique à la fois Jerry et mandoliniste David Grisman. Dix Bruce a soigneusement transcrit... / Niveau : Débutant à Intermédiaire / Old Time - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Play-Along Tracks For Developing Your Rhythm And Lead Blues Guitar. Par GARCIA JOHN. Blues Guitar Play-Along Trax, within the School of the Blues Lesson Series, is an exciting play-along that contains the most common grooves used in blues bands today. Notated examples are also provided to give you an idea of how you can approach accompanying a vocalist or instrumentalist. Along with the 12 jam tracks, the book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music. / Niveau : Débutant / Blues - Play Along / Recueil / Guitare

SATB-Jose Mauricio Nunes-Garcia's Requiem Mass for SATB choir with Piano accompaniment. Edited by Dominique-Rene de Lerma.