Gerhard Graf-Martinez est un guitariste de flamenco passionné et un enseignant. La richesse de sa connaissance est capturée dans cet ouvrage en deux volumes, qui reflète aussi précieuse expérience acquise de ses activités comme un tuteur aux séminaires nationaux et internationaux et / Guitare

Les guitaristes classiques et flamenco bénéficieront de ces études car elles comblent le fossé entre les études mécaniques traditionnelles et le matériel de pratique et de concert. Bien qu\'elles soient relativement courtes, quelques-unes de ces études peuvent être combinées dans un medley pour former une suite ou un ensemble efficace. En outre, quatorze des vingt études sont accompagnées d\'accords pour l\'analyse harmonique, l\'improvisation ou l\'interprétation avec un professeur ou un second guitariste. L\'accompagnement audio en ligne de ce livre a été magistralement enregistré par l\'auteur à l\'aide d\'une guitare flamenca pour rendre de manière authentique les techniques typiques de picado, double-arpeggio, arpeggio-legato et horquilla, ainsi que le tremolo flamenco quintuplet. Les éléments classiques traditionnels tels que les études d\'octaves, d\'intervalles et d\'arpèges sont également explorés en profondeur, avec un morceau en accord drop-D, le tout avec une saveur flamenco. En plus d\'accomplir sa mission d\'offrir un nouveau régime d\'études pratiques attrayantes, la caractéristique vraiment unique de ce livre est que tout, de la technique de base à l\'harmonie exotique et aux échelles modales, a été aflamencado ou flamencoïsé . À cette fin, un glossaire complet de la terminologie flamenco est fourni, ainsi que la notation standard et la tablature pour chaque morceau. En bonus pour ceux qui découvrent le genre flamenco, ou pour les aficionados ou audiophiles sérieux, une généreuse liste d\'écoutes recommandées est incluse. Des citations d\'éminents guitaristes de différents styles complètent cette collection exceptionnelle, avec un accès à l\'audio en ligne. / Partitions variété - pop - rock / Musique du monde / / MEL BAY

Par MARTIN JUAN. Four exciting concert solos for flamenco guitar from Juan Martín's best-selling album 'The Andalucian Suites'. This is the first of the four suites on the album. These suites are transcribed into standard notation and flamenco tablature (cifra), with introductory playing notes by Juan Martín. The four solos on the accompanying CD are performed by Juan. The complementary and contrasting variety of styles and rhythms of the four solos provide a brilliant display of Juan's artistry and the expressive capabilities of the flamenco guitar. Each solo is complete in itself. A powerfully evocative Zambra Mora is followed by the much-requested rumba 'La Feria', then a gently melancholic Milonga and finally a thrilling Bulerías, which combines modern elements with pure gypsy falsetas from Moron del la Frontera. These solos provide an exceptional opportunity to learn and enjoy the music of a master flamenco guitarist, whose two volumes of graded 'Solos Flamencos' are already Mel Bay best-sellers. / Niveau : Intermédiaire / Flamenco - Solos / Tablatures / Guitare Tablatures Classique

With Online Audio-Teach yourself Flamenco Guitar with this easy to understand step-by-step method. This comprehensive guide brings the colourful and exciting world of Flamenco Guitar to life. You Can Teach Yourself FlamencoGuitar is written in standard notation and tablature with audio tracks available to downloads online. Contents include: History How to Play Flamenco Guitar The Capo Tablature Rasgueado Triplets Malaguena Sevillanas I II III and IV Fandangos de Huelva Verdiales Rumba Soleares Bulerias Farruca and Alegrias Golpe Picado Ligato Arpeggio and Tremolo.

Par WORMS CLAUDE. Pour les guitaristes qui nous auront fait l'amitié de suivre pas à pas nos précédents recueils d' initiation, cette suite dédiée à Michel Sadanowsky propose trois compositions (Granaína / Serrana / Petenera) développées sur la structure des solos flamencos traditionnels (' falsetas ', ' paseos ', ' remates '?). Les techniques de main droite sont adaptées à la technique classique (sauf le trémolo ' flamenco ' : p / i / a / m / i), mais nous avons respectés scrupuleusement les cycles métriques (' compás ') des différentes formes, et approfondi l'étude de l'harmonie flamenca contemporaine (dissonance de secondes et neuvièmes mineures avec cordes à vide, modulations?). / Niveau : Assez Difficile / Contemporain / Date parution : 2006-01-01/ Répertoire / Guitare Flamenco

Dans le vocabulaire du flamenco, le terme compás désigne à la fois un cycle métrico-rythmique et un mode mélodique associé à des harmonisations traditionnelles. Les guitaristes flamencos utilisent pour chaque mode des positions d?accord particulières (posturas) qui déterminent tout autant l?identité musicale de chaque palo (forme) que le strict cadre rythmique. Pour travailler les compases, il est donc également indispensable d?étudier les voicings flamencos. Les apprentis tocaores (guitaristes flamencos), fascinés à juste titre par la richesse des compositions (falsetas) que nous ont léguées depuis plus d?un siècle les grands maîtres du genre, oublient trop souvent que leur premier devoir est d?intérioriser les compases, au sens large, jusqu?à ce qu?ils deviennent une seconde nature. Cet ouvrage a pour objectif de vous aider à maîtriser les compases, et à « jouer » avec eux, de manière naturelle, jusqu?à ne plus avoir à « compter les temps ». Nous apprendrons donc à « hacer compás » (à produire du compás), non seulement en rasgueados, mais aussi en variant rythmiquement et harmoniquement les motifs codifiés qui articulent aussi bien les solos que les dialogues entre chanteurs, danseurs et guitaristes (introductions, paseos, llamadas et remates). Ce sont ces cinq groupes de séquences que nous étudierons dans cet ouvrage, appliquées à un palo emblématique, la soleá. Le CD joint à la méthode propose la totalité des exemples musicaux au format mp3, pour en faciliter la compréhension et donc aussi l?assimilation. / Partitions variété - pop - rock / Musique du monde / / PLAY MUSIC PUBLISHING

Modal Improvisation and Melodic Construction in the Flamenco Environment-The definitive comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas.This volume deals with the main flamenco modes extracted from the Arabic modal system Maqam. First the concept of tetrachordal modal construction is introduced. The ten main flamenco modes are explained and the concept of advanced horizontal left-hand fingerings for guitar is introduced. Since modern flamenco harmony is heavily influenced by jazz the concept of harmonic substitutions is introduced. Different types of harmonicsubstitutions are analysed and four types of cadences are explained. The use of ???add chords??? in flamenco tonalities is presented and various examples of traditional flamenco forms are harmonized with a detailed explanation of the harmonic substitutions being applied. Appendix I contains 55 licks in the main flamenco modes. These licks are harmonized and each come with complete guitar fingerings. Appendix II is a complete thesaurus of the flamenco modes in all of their vertical and horizontal guitar fingerings and are written in every flamenco tonality.

In this easy-to-follow book and DVD set Juan Martin and Patrick Campbell provide a thorough introduction to flamenco Guitar.What are the essential elements and techniques of flamenco Guitar playing?How does one capture the real essence of authentic flamenco Guitar? These are questions that Juan Martin celebrated virtuoso flamenco guitarist and teacher addresses in this first book of a projected three-volumeseries.This method is designed for the complete beginner and requires no prior knowledge of the Guitar or flamenco music. It also provides invaluable insights and material for more advanced players who want to capture theessential sounds rhythms and emotional power of true flamenco.The series begins with in-depth demonstrations of how the basic building blocks of flamenco Guitar technique are used in actual flamenco music. The materialthen progresses to a detailed exploration of the individual rhythmic forms - the palos.In this book the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas- the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer.In Essential Flamenco Guitar: Volume 1 the music is transcribed in standard notation andtablature (cifra). The two DVDs contain over 3.5 combined hours of explanation and demonstrations.The first DVD provides a detailed introduction to basic techniques using examples of authentic flamenco to show thesetechniques in action. The second DVD progresses to demonstrations of the Solea and Alegrias including music for the soloist and the Guitar accompanying the dancing and singing.

Juan Martin's internationally-acclaimed series which reveals the art of playing the flamenco Guitar. A video series of six lessons is now presented on two DVDs with a total duration of three hours.Juan Martin explains and demonstrates the essential techniques and rhythmic forms of flamenco Guiar playing in six lessons designed for all players from beginning to advanced.The lessons show you in detail many varieties of basic rhythms which form the foundation of flamenco Guitar styles. They also give a wealth of traditional and modern flamenco solos accurately transcribed into music notation and easy-to-follow 'cifra' tablature all presented in a video series of sixlessons. In this way you learn not only how to play but also what to play as the lessons build into a substantial repertoire of flamenco music.Juan Martin is a Guitarist in the great tradition of flamenco. From early beginnings immersed in the flamenco culture of Andalucia he mastered the skills of accompanying flamenco singers and dancers before his emergence as an innovative soloist who is now an internationally-celebrated concert and recording artist with many albums to his credit.

A Fun and Comprehensive Overview of Flamenco Guitar Playing By Jonathan Juanito Pascual The Total Flamenco Guitarist is an exciting journey into the world of flamenco guitar playing, a style loved by the world for its explosive techniques and depth of emotion. This book and CD kit is a complete curriculum for beginning to advanced flamenco guitarists. The lessons are based on a three-pronged approach of technique, rhythm, and listening. The material is organized according to the major rhythmic families: fandango, tango, solea, siguiriyas, and more. You?ll learn popular styles including rumba, bulerias, and sevillanas, and lots of authentic flamenco techniques such as rasgueado, arpeggio, picado, and tremolo. Whether you want to be a flamenco guitarist, or just incorporate some of these techniques into your own music, The Total Flamenco Guitarist is the book for you!

Written in both English and Spanish this book is the most authoritative method available on flamenco Guitar technique. The author Juan Serrano is one of the world's premier flamenco concert soloists and is aseasoned teacher and performer in this vibrant colourful musical genre. The text describes the history and development of flamenco music; teaches basic music theory; presents developmental studies on flamenco Guitar techniquessuch as rasgueado and tremolo; and offers 14 exciting flamenco Guitar solos.Flamenco Guitar Basic Techniques is written in notation and tablature and includes access to online audio.

Par WORMS CLAUDE. plus Audio MIDI HARMONIZING FLAMENCO from the Guitar (I)This book is aimed at all musicians who want to learn about flamenco harmony through the flamenco instrument par excellence, the guitar. This book analyses 166 falsetas (variations) from numerous eras, compriswide range of 'palos' - soleá, tangos, bulerías, siguiriyas, fandangos and more - from the most emblematic guitarists in the history of flamenco. It is not only a vital tool for understanding and transcribing the music of the great maestros of the get also provides clear, comprehensible explanations of flamenco composition. Countless classical composers have explored flamenco guitar harmony since the nineteenth century and incorporated some of its twists into their own music, including Glinka, RKorsakov, Ravel, Debussy, Albéniz, Turina, Falla and many more./ Méthode / Guitare