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Erik Satie: Nocturnes: Piano: Instrumental Album
Piano solo
G. Henle
With the five Nocturnes composed in 1919 Satie concluded the series of cyclical...
(+)
With the five Nocturnes composed in 1919 Satie concluded the series of cyclically organized Piano pieces which in a way constitute the backbone of his oeuvre. As his models he chose the eponymouspieces by John Field and Frédéric Chopin borrowing not only the romantic elegiac inflections but also the tripartite form and rocking movement. Totally original in turn is the harmony which he devised according to his ownsystem.Commenting on his Nocturnes Satie once said: ?This is a different expression of myself?. Indeed the pieces which are not difficult to play seem unusually serious and far removed from thenonsense parody and cabaret atmosphere that colour such a large part of his oeuvre.
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Night and Dreams: Piano: Instrumental Album
Easy Piano
[Sheet music]
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Intermediate/advanced
Schott
36 Original Piano Pieces-The music teacher and pianist Monika Twelsiek adds a ne...
(+)
36 Original Piano Pieces-The music teacher and pianist Monika Twelsiek adds a new selection of piano works around the subject of Night and Dreams to the Piano Classics series. At any time the night was a theme in literature art and music. 'Night' and 'Dream' are emotional images which evoke vastly different emotions in different people. The night is a place of peace and security of longing and love of secrets imagination and dreams. But night also means strangeness loneliness fear danger and crime. The collection 'Night and Dreams' with works from the Romantic piano literature to new contemporary sounds tries to capture all of these nightly emotions. Apart from aplethora of folk-song-like lullabies numerous fantastic dream pieces and descriptions of dangerous night scenes have been added to the collection. An alluring mixture of imagination and reality for advanced piano pupils and lovers of piano music.Content - P. Zilcher: Lullaby op. 93/4 - G. Nevada: A Little Dreamy - A. Gretchaninoff: Lullaby op. 98 - C. Gurlitt: 4 Reverie op. 210 - R. Volkmann: Night Song op. 17 - R. Schumann: Lullaby op. 124 - J. Senfter: Lullaby - F. Burgmüller: Lullaby op. 109 - P. Tschaikowsky: Sweet Reverie op. 39 - R. Fuchs: Lullaby op. 32 - E. Satie: Lullaby - K.-H. Pick: Sleeping Beauty is Sleeping - H. Regner: Phantasmagoria - B. Heller: Evening Flower - G. Nevada: When Paris Dreams - J. Turina: The Village Sleeps - E. Pütz: Sleep Well Blues - J. Kember: Midnight Blue - G. Nevada: Starry Dome - E. Grieg: Lullaby op. 38 - A. Gretchaninoff: Bed Time op. 109 - Nightly Event op. 115 - K. Slavicky: The Evil Dream - B. Martinu: The Cats' Procession in the Solstice Night - R. Schumann: Reverie op. 15 - Child Falling Asleep op. 20 - A. Rubinstein: The Night op. 44/1 - L. He: Lullaby - E. Pütz: Night of Love - J. Field: Nocturne B major op. 9/2 -
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Mike Schoenmehl: Jazz For Two 1: Piano Duet: Instrumental Album
1 Piano, 4 hands
[Sheet music]
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Beginner
Schott
Adding to his two successful editions 'Little Stories in Jazz' (ED 7186) and 'Pi...
(+)
Adding to his two successful editions 'Little Stories in Jazz' (ED 7186) and 'Piano Studies in Pop' (ED 7304) Mike Schoenmehl wrote the collection 'Jazz for Two' for piano duet. Originally published in two volumes the work was reedited in one volume in our new edition. Schoenmehl's commitment in the field of education to make rock pop and jazz music accessible to pupils in a fun way shows here too: rhythm harmony melody form and phrasing of popular music shall be imparted on the pupils by means of these fifteen entertaining jazz and pop pieces. Some of the pieces are even accompanied by exemplary exercises and educational remarks. Illustrated with funny drawings by MarcusReinheimer.
13.99 GBP - Sold by Musicroom UK
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Howard Ferguson: A Keyboard Anthology Third Series Book IV: Electric Keyboard:
Piano solo
-
Intermediate
ABRSM Publishing
Fifteen pieces of Grade 6 standard. Includes works by J.S. Bach John Field Fra...
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Fifteen pieces of Grade 6 standard. Includes works by J.S. Bach John Field Franz Liszt and Scriabin.
5.95 GBP - Sold by Musicroom UK
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Piano Transcriptions(3) (BACH JOHANN SEBASTIAN)
Piano solo
Schott
Par BACH JOHANN SEBASTIAN. Bach transcriptions have always been popular for the ...
(+)
Par BACH JOHANN SEBASTIAN. Bach transcriptions have always been popular for the musical brilliance of the Baroque master opens up a vast field, for composers and performers. Even the pianist and composer Emile Naoumoff who began his career at the age of 8, composed a piano concerto at the age of 10 and played it under the direction of Yehudi Menuhin is an expert and great admirer of Bach's music. The present edition contains no virtuoso 'fireworks music' but unites three slow, meditative pieces: 'O Mensch bewein dein Sünde groß' (Orgelbüchlein), the aria 'Aus Liebe will mein Heiland sterben' (St. Matthew's Passion), and the arioso 'Betrachte, meine Seel', mit ängstlichem Vergnügen' (St. John's Passion), demanding from the performer the pianistic realisation of subtle polyphony and the development of a very refined sound./ Recueil / Piano
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The Romantic Era Piano Album: Piano: Instrumental Album
Piano solo
[Sheet music]
Schirmer
51 Favorite Pieces by 12 Composers-51 pieces of Romantic Piano music by Brahms ...
(+)
51 Favorite Pieces by 12 Composers-51 pieces of Romantic Piano music by Brahms Chopin Fauré Field Grieg Liszt Mendelssohn Rachmaninoff Schubert Schumann Scriabin and Tchaikovsky. This volume includes Brahms's Rhapsody in G minor Op. 76 No. 2 Chopin's Fantaisie-Impromptu in C-sharp minor Op. 66 Liszt's Liebestraum No. 3 and more.
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Jean Sibelius: Five Characteristic Impressions Op. 103 No. 5: Piano:
Piano solo
[Sheet music]
-
Intermediate
Wilhelm Hansen
In Mournful Mood-The Piano music of Jean Sibelius ranks among the greatest of Fi...
(+)
In Mournful Mood-The Piano music of Jean Sibelius ranks among the greatest of Finnish music and his 1924 set Five Characteristic Impressions demonstrates his importance particularly in the field of Tone Poems. The fifth piece of this set In Mournful Mood is a slower piece than the others but is moving nonetheless. It is an impressionist piece that expresses imagery of reality with fabulous tonality and colour.
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Musik Aus Fruher Zeit: Piano
Piano solo
Schott
This collection provides an introduction to keyboard music of the earliest times...
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This collection provides an introduction to keyboard music of the earliest times opening up a field which until recently has been relatively closed to the amateur musician. Beginning with the oldest testimony to the medieval art of organ composition preserved in England about 1350 it focuses on music of the Renaissance and early Baroqoue of whose rich achievements it seeks to give an overall impression.
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David Lanz Solos For New Age - Piano Solo
Piano solo
[Score]
Hal Leonard
Description David Lanz: Solos For New Age Piano Since releasing his first sol...
(+)
Description David Lanz: Solos For New Age Piano Since releasing his first solo recording in 1983, David Lanz has emerged as one of contemporary music's most celebrated pianists. Songlist Behind The Waterfall/Desert Rain Medley Courage Of The Wind Cristofori's Dream Dream Field Faces Of The Forest Farewell Amparo Heart Sounds Leaves On The Seine Nightfall Song For Monet Spiral Dance Summer's Child Valencia
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Gabriel Fauré: Complete Songs Volume 2: Medium Voice: Vocal Work
Piano, Voice
Peters
33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total...
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33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.
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Les Classiques favoris Vol.3: Piano
Français
Piano solo
Lemoine, Henry
BACH : Gavotte en Sol min. - Prélude n°3 - BEETHOVEN : Bagatelle en Mi b - Min...
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BACH : Gavotte en Sol min. - Prélude n°3 - BEETHOVEN : Bagatelle en Mi b - Minuetto (Sonate n°18) - Rondo en Ut - CHOPIN : Mazurka en Sib maj. Op.7 - Mazurka en La min. Op. posthume - COUPERIN : Les Petits moulins à vent - DAQUIN : Le Coucou - FIELD : 5e Nocturne - HAENDEL : Prélude en Sol maj. - HAYDN : Ariette et variations en La maj. - Finale (Sonate n°16) - MENDELSSOHN : Romance en Mib - MOZART : Finale (Sonate n°12 en Fa maj.) - Menuet en Sib maj. - REISSIGER : Dernière pensée musicale de Weber - SCARLATTI : Pastorale - SCHUBERT : Impromptu hongrois - Scherzo en Sib maj.
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Yann Tiersen: Yann Tiersen: Eusa: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate
Chester
Eusa is a unique collection of 10 original Piano pieces made in direct collabora...
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Eusa is a unique collection of 10 original Piano pieces made in direct collaboration with the composer inspired by his travels around the island he calls home - Eusa. Thisbeautiful book of new music by the critically-acclaimed composer Yann Tiersen illustrates the journey with full-colour photography by his fiancée Emilie Quinquis and personal notes to accompany the music.Eusa is a musical map of Tiersen's home an aural exploration of a place as well as a representation of space in sound. Check out the official video below to see andhear Yann Tiersen perform Porz Goret filmed and recorded on location at Porz Goret on the island of Ushant. Stunning. The accompanying photography and texthelp to make this aesthetically-pleasing collection even more personal and help orient the pianist in the world of Eusa while the field recordings that have been linked to will let the listener experiencethe natural sounds of the island. The inspiration for Eusa reportedly came from an unnerving experience Tiersen had while cycling on holiday which led him to wantto discover more about his own place in the world and in the process to find out more about who he is.
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Gabriel Fauré: Nocturne No 6 In D Flat Major Op 63 Piano: Piano: Instrumental
Piano solo
G. Henle
Fauré?s 13 Nocturnes form the most significant group of piano character pieces ...
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Fauré?s 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title which places them in the tradition of John Field and Frédéric Chopin Fauré here develops a genre all of his own.These are no dreamy scenes of the night but carefully structured iridescent pieces that alternate between lyrical elegance and passionate drama. Fauré composed the 6th Nocturne in 1894 while spending the summer at the house ofhis parents-in-law. With its strong contrasts of tempo metre and harmony it is by far the most significant and best-known of his Nocturnes. In a letter that he wrote after completing it Fauré wrote: ?Modern piano music that isa little interesting is an extremely rare thing? a state of affairs that seems to have been a good enough incentive for him to enrich the repertoire with his Nocturne op. 63!
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Nocturnes (Recueil) (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, dest...
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Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Sources La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir: 1) Autographes, copies 2) Premières éditions 3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982) 4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966) / Niveau : Intermédiaire / classique / Répertoire / Piano
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Poligrajki (MOLODYNSKA-WHEELER MARTA) (MOLODYNSKA-WHEELER MARTA)
1 Piano, 4 hands
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par MOLODYNSKA-WHEELER MARTA. The name of this collection reflects the diverse c...
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Par MOLODYNSKA-WHEELER MARTA. The name of this collection reflects the diverse character and international provenance of the pieces. Each of them is a ?representative? of a different country and a different musical culture, and therefore provides an excellent opportunity for performers to face different musical genres. Poligrajki are intended for young pianists who want to improve their skills in the field of playing in a piano duo. When writing them, my aim was to create compositions where the technical and interpretation requirements will be well-suited for the abilities of piano students in music schools and will constitute a teaching material referring to the theoretical knowledge of the stylistic differences across the countries. I hope the performers will enjoy Poligrajki and that their sounds will reach every corner of the world! Marta Molodynska-Wheeler / Date parution : 2022-12-12/ Recueil / Piano 4 Mains
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Noah Baerman: Big Book Of Jazz Improvisation: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Alfred Publishing
Outstanding jazz performer and eduactor Noah Baerman has made a major contributi...
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Outstanding jazz performer and eduactor Noah Baerman has made a major contribution to the field of jazz piano with The Big Book Of Jazz Piano Improvisation. By Organising topics into three main categories - scales modes and other source material; practical application; and conceptual issues - Baerman's approach develops the skills you need to channel your improvisational techniques into great solos. Complex subjects are taught with an engaging and friendly style so topics such as patterns and rhythmic displacement are easy and enjoyable to learn.
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Nocturne Op. 72 #1 En Mi Min. (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, dest...
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Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la 'Nuit de Mai' d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques, l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords prisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Nouvelle Edition revue et corrigée (1993) sous la direction de Dominique Geoffroy. / Niveau : Intermédiaire / classique / Répertoire / Piano
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Classiques Favoris Vol.4 - Piano
Français
Piano solo
-
Intermediate
Lemoine, Henry
Partition pour pianoCollection : Les Classiques favorisNombre de pages : 136 Niv...
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Partition pour pianoCollection : Les Classiques favorisNombre de pages : 136 Niveau : 3Contenu :Bach C.P.E.: Air varié - Beethoven: Adagio sostenuo (Sonate Op.27 n°2) - Marche funèbre (Sonate Op.26) - Menuet (Sonate Op.10 n°3) - Presto (Sonate Op.79) - Scherzo (Sonate Op.2 n°2) - Chopin: Mazurka Op.7 n°2 - Mazurka Op.24 n°3 - Valse Op.64 n°1 - Valse Op.69 n°1 - Cramer: Allegro (Sonate en Fa) - Finale (Sonate en Si b) - Daquin: L'Hirondelle - Field: 1e Nocturne - Haendel: Air varié L'Harmonieux forgeron - Passacaille - Haydn: Fantasia - Mendelssohn: Barcarolles 1 et 2 - Caprice - Chanson de printemps - Mozart: Variations sur Lison dormait - Paradisi: Toccata - Rameau: La Victoire - Le Rappel des oiseaux - Scarlatti: Capriccio - Gigue - Schumann: Berceuse - Rêverie
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Your Favorite Spirituals - Volume 1: Medium Voice: Vocal Album
Piano, Voice
[Sheet music]
-
Easy
Shawnee Press
The spirituals created by the American Negro constitute one of the most beautifu...
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The spirituals created by the American Negro constitute one of the most beautiful folk song literatures in the world. Indeed in several respects the spirituals stand by themselvesâ- by reason of their sheer nobility of their melodies picturesque imagery the religious exaltation frequently evident in both text and music but it is the energy but it is the vitality of the rhythm that draws admirers and worshippers. This second collection contains 17 Spirituals all chosen to include both the most admired songs in this field and a representation of the widely divergent styles and their rhythms. Every song has been arranged here for Voice and Piano with optionalGuitar chords and Harmonica included in the notation.
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Album : Nocturnes Vol.1
Piano solo
[Sheet music]
Peters
by Liszt, Tchaikovsky, Field, Chopin, Grieg & Debussy /
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Tango Classics: Cello: Score and Parts
Cello, Piano
-
Intermediate
Barenreiter
for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tang...
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for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tangos for Cello with Piano accompaniment. Among them are such classics as El choclo gems by Eduardo Arolas and Rosendo Mendizabal and lesser known titles such as El d a que me quieras by Carlos Gardel simple but effective for the cellist concise and stylistically apt for the pianist.The arranger George A. Speckert is a composer writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles.- The loveliest tangos for Cello and Piano.- Effective recitalpieces.Contents:Pantaleon; Libertango [Astor Piazzolla]El Enrerriano [Rosendo Mendizábal]Odeon [Ernesto Nazareth]Derecho viejo [Eduardo Arolas]El choclo [Ángel Villoldo]El d a que me quieas [Carlos Gardel]
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Bryan Kelly: Somerset Preludes: Piano: Instrumental Album
Piano solo
Spartan Press
Solo Piano-Bryan Kelly's six Somerset Preludes for solo Piano.'The Piano was my ...
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Solo Piano-Bryan Kelly's six Somerset Preludes for solo Piano.'The Piano was my first study as a student at the Royal College of Music. I taught the Piano for some years and gave many recitals as a soloist and as an accompanist. Oddly I have not written much for the instrument and this set of pieces is my first venture in the field for a long while. I live in Somerset where these preludes were composed hence the title.' - Bryan Kelly
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The Absolutely Complete Klezmer Songbook: Melody Lyrics and Chords: Mixed
C Instruments
[Sheet music + CD]
Transcontinental Music Publications
Renowned ethnomusicologist documentarian and klezmer musician Yale Strom teame...
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Renowned ethnomusicologist documentarian and klezmer musician Yale Strom teamed up with Transcontinental Music to create an exhaustive compilation of nigunim horas bulgars and more. This songbook features melody lines and chords for 313 songs including many collected from the field by Strom himself in Eastern Europe and published here for the first time plus a number of exclusive out-of-print lost treasures not available anywhere else. Strom also provides a thorough extensive written history and perspective of klezmer complete with a glossary and archival photos. The CD includes 36 of the songs found in the book recorded by Strom and his band Hot Pstromi.
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Frauen Komponieren: Piano: Instrumental Album
Piano solo
Schott
For a long time the prejudice has prevailed that women cannot compose since the...
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For a long time the prejudice has prevailed that women cannot compose since they allegedly lack the requisite creative talent. It is indeed true that they have been less active in the field of musical composition than their male contemporaries but reasons for this can be found in the social circumstances of the still recent past. In the late eigtheenth and nineteenth centuries the ages of the Enlightenment and the highflowering of great achievement in music women were denied the education and encouragement which would have made possible individual accomplishment beyond the limits of domestic music making. In spite of these hindrances there were highly giftedwomen who overcame the hurdless and were able to submit their talent for composition to proof. Of course these belonged to the well-to-do middle and upper classes or were women from musical families who were able to receive a thorough training.This selection comprising 19 women composers from eight countries cannot claim to be completely representative both because there is as yet no systematic catalogue of the autographs and printed editions in archives an libraries and because it is limited to the period from the eighteenth century to the present. Yet the editiors are convinced that the present publication is worthwhile and justified and that each of the pieces can speak for itself.Women composers have made their way in the face of prejudice and opposition; they will now pursue that way amid a manifest change in society's view of women and its attitude towards them.
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Unknown: Slave Songs of the United States: Piano Vocal and Guitar: Mixed
Piano, Vocal and Guitar
Hal Leonard
One of the first documentary collections of Negro folk songs was compiled in 186...
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One of the first documentary collections of Negro folk songs was compiled in 1867 by William Francis Allen Charles Pickard Ware and Lucy McKim Garrison. Under the title Slave Songs of the United States this collection of136 authentic folk songs of the Negro people revolutionized America's understanding of this music. The book which contains spirituals work songs field hollers soldier songs of Civil War days and freedom songs has become aclassic of its kind. These songs provide the basis for subsequent expressions of gospel music blues and jazz. In 1965 composer Irving Schlein created sensitive and useful piano settings for every song from the original edition.Chords for guitar have also been added to the musical notation. The result is a magnificent and practical volume of songs of great historical value designed for contemporary use.
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Erik Satie: Satie Piano Works Vol.3: Piano: Instrumental Album
Piano solo
Schott
This collection provides an introduction to keyboard music of the earliest times...
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This collection provides an introduction to keyboard music of the earliest times opening up a field which until recently has been relatively closed to the amateur musician. Beginning with the oldest testimony to the medieval art of organ composition preserved in England about 1350 it focuses on music of the Renaissance and early Baroqoue of whose rich achievements it seeks to give an overall impression.
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Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1: Piano: Instrumental
Piano solo
G. Henle
The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin?s first Nocturne ...
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The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin?s first Nocturne to be written and his 19th to be published. The Nocturne was composed in 1827 and was published after Chopin?sdeath in 1855.In his book The Life and Death of Chopin Casimir Wierzyknski explains more about the history of the piece:?Up until then this form [the nocturne] had been the exclusive domain of John Field anIrish-born composer. But his Nocturne in E minor did not satisfy him [Chopin] and was published only posthumously.?This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering byHans-Martin Theopold.
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Night And Dreams - Piano
Piano solo
Schott
36 Original Piano Pieces Instrument : piano Nombre de Pages : 72 The music tea...
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36 Original Piano Pieces Instrument : piano Nombre de Pages : 72 The music teacher and pianist Monika Twelsiek adds a new selection of piano works around the subject of Night and Dreams to the Piano Classics series. At any time, the night was a theme in literature, art and music. 'Night' and 'Dream' are emotional images which evoke vastly different emotions in different people. The night is a place of peace and security, of longing and love, of secrets, imagination and dreams. But night also means strangeness, loneliness, fear, danger and crime. The collection 'Night and Dreams' with works from the Romantic piano literature to new contemporary sounds tries to capture all of these nightly emotions. Apart from a plethora of folk-song-like lullabies, numerous fantastic dream pieces and descriptions of dangerous night scenes have been added to the collection. An alluring mixture of imagination and reality, for advanced piano pupils and lovers of piano music. Content : P. Zilcher: Lullaby, op. 93/4 - G. Nevada: A Little Dreamy - A. Gretchaninoff: Lullaby, op. 98 - C. Gurlitt: 4 Reverie, op. 210 - R. Volkmann: Night Song, op. 17 - R. Schumann: Lullaby, op. 124 - J. Senfter: Lullaby - F. Burgmüller: Lullaby, op. 109 - P. Tschaikowsky: Sweet Reverie, op. 39 - R. Fuchs: Lullaby, op. 32 - E. Satie: Lullaby - K.-H. Pick: Sleeping Beauty is Sleeping - H. Regner: Phantasmagoria - B. Heller: Evening Flower - G. Nevada: When Paris Dreams - J. Turina: The Village Sleeps - E. Pütz: Sleep Well Blues - J. Kember: Midnight Blue - G. Nevada: Starry Dome - E. Grieg: Lullaby, op. 38 - A. Gretchaninoff: Bed Time, op. 109 - Nightly Event, op. 115 - K. Slavicky: The Evil Dream - B. Martinu: The Cats' Procession in the Solstice Night - R. Schumann: Reverie, op. 15 - Child Falling Asleep, op. 20 - A. Rubinstein: The Night, op. 44/1 - L. He: Lullaby - E. Pütz: Night of Love - J. Field: Nocturne B major, op. 9/2 - Nocturne E major, op. 72/1 - E. Grieg: Notturno, op. 54 - C. Debussy: Reverie - W. Killmayer: Nocturne III - P. Hindemith: Fantastic Duet of Two Trees at the Window, op. 15
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