SKU: UT.QC-4
ISBN 9788881094783. 6.5 x 9.5 inches.
Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner LottThe career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys. The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition. This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.
SKU: HL.14009426
SKU: HL.14009427
SKU: FJ.FJH2204
ISBN 9781619281530. UPC: 241444363898. English.
Book 4 spotlights nine sonatinas from both the Classical and Romantic periods with works by Beethoven, Benda, Dussek, Reinecke, Biehl, Lynes, Köhler, Kuhlau, and Lichner. Every sonatina is in its original, complete form in this 84-page book. Each volume contains interesting historical information, a thematic index, a music dictionary, and information About the Pieces and Composers that can be used in program notes.
About The Festival Collection
The Festival Collection is an eight-volume series consisting of exceptional repertoire from the Baroque, Classical, Romantic, and Twentieth/Twenty-First Centuries. This series is carefully leveled from elementary through advanced repertoire, with each level covering the gamut of your repertoire needs. The Festival Collection is a companion series to the Succeeding with the Masters series, expanding upon the repertoire selections with no duplication of repertoire between the two series. Each book includes a CD recording of all the corresponding works to guide students in their interpretation.
The Festival Collection will provide teachers and students with a wide range of works that are carefully chosen for their pedagogical merit. They will be a key component for your students' success in their studies of the works by the masters!
SKU: HL.14008119
UPC: 884088855086.
SKU: HL.14046256
ISBN 9788850719990. Italian.
SKU: BR.OB-5331-19
Mendelssohn composed the Piano Concerto in A minor at the age of 12. Though it clearly betrays the influence of classical models (Hummel, Dussek, etc.).EB 8683 is printed in score form; two copies are needed for performance.
ISBN 9790004333068. 10 x 12.5 inches.
Mendelssohn composed the Piano Concerto in A minor at the age of 12. Though it clearly betrays the influence of classical models such as Hummel, Dussek, etc., it attains an individuality, especially in the central movement, which anticipates the expressive world of Romanticism.Mendelssohn composed the Piano Concerto in A minor at the age of 12. Though it clearly betrays the influence of classical models (Hummel, Dussek, etc.). EB 8683 is printed in score form; two copies are needed for performance.
SKU: BR.OB-5331-15
ISBN 9790004333044. 10 x 12.5 inches.
SKU: BR.OB-5331-26
ISBN 9790004333075. 10 x 12.5 inches.
SKU: BR.OB-5331-16
ISBN 9790004333051. 10 x 12.5 inches.
SKU: BT.ALHE33289
French.
Johann Ladislas Dussek: Solo No.1 du 2e Concerto Op.14 in F major (Piano solo).
SKU: BT.ALHE33290
Johann Ladislas Dussek: Solo No.1 du 3e Concerto Op.15 in E flat major (Piano solo).
SKU: FZ.5804
ISBN 9790230658041. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. Louis ADAM et Ludwig-Wensel LACHNITZ - Ignace PLEYEL et Johann-Ludwig DUSSEK. Table of contents: Pleyel Ignace et Dussek Johann-Ludwig: Methode pour le pianoforte - 1797. Adam Louis et Lachnitz Ludwig-Wensel: Methode ou principe general du doigte (premiere partie de la reedition de 1801). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the fortepiano.
SKU: HL.48188735
UPC: 888680954017.
Johann Ladislas Dussek: Solo No.1 du 1er Concerto Op.3 in E flat major (Piano solo).
SKU: HL.48188739
Johann Ladislas Dussek: Solo No.1 du 5e Concerto Op.22 in B flat major (Piano solo).
SKU: HL.48188738
Johann Ladislas Dussek: Solo No.1 du 6e Concerto Op.27 in F major (Piano solo).
SKU: BR.EB-8301
Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert
ISBN 9790004176160. 9 x 12 inches.
Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert.
SKU: BT.ALHE33288
SKU: BR.EB-8300
ISBN 9790004176153. 9 x 12 inches.