Sans, Arnaud. Par COSTE NAPOLEON. / Niveau : Intermédiaire / Répertoire / Guitare Seule

S'il est avant tout une anthologie des grandes études pour guitare du XIXème siècle, ce recueil a un objectif pédagogique affirmé, Il propose une classification ordonnée des difficultés techniques, regroupées par famille. Ce choix méthodologique offre l'avantage inédit de construire rationnellement la progression musicale de l'élève de façon mesurée et maîtrisée. Les points forts de ce nouvel outil pédagogique : - annotations biographiques et techniques - doigtés - classification des difficultés techniques - partitions aérées et spirales. Recueil de 67 études des plus grands pédagogues : Tarrega, Carulli, Aguado, Sor, Carcassi, Kuffner, Coste, Giuliani, Molino, Diabelli, Marescot, Meissonier, Cano, Horetzky...

Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

12 Original Works & Transcriptions-The fourth and final volume in this successful series 'Romantic Guitar Anthology' is a graded repertoire book suitable for advanced students of c. 8-10 years of playing experience. Well-established teaching pieces by leading 19th Century composers Sor and Coste are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. This volume includes several pieces which would make effective and charming concert pieces.Composer biographies and extensive teaching notes on each piece are included together with a CD recording of all the works in the anthology performed by the series editor Jens Franke.Also available: Baroque GuitarAnthology: Vol 1 – ED 13357 Vol 2 – ED 13437Vol 3 – ED 13446Vol 4 – ED 13489Romantic Guitar Anthology: Vol 1 – ED 13110 Vol 2 – ED 13111 Vol 3 – ED 13112Bewährte Unterrichtsstücke der führenden Komponisten Sor und Coste aus dem 19. Jahrhundert finden sich darin ebenso wie seltenere Werke von José Ferrer und Johann Kaspar Mertz. Dieser Band enthält mehrere Stücke die sich als wirkungsvolle und reizvolle Konzertstücke eignen würden.Ergänzt wird die Ausgabe durch Komponistenbiografien und umfangreiche Unterrichtshinweise zu jedem Stück sowie eine CD mit allen Werken dieser Sammlung in einer Einspielung des Herausgebers der Reihe Jens Franke.

Partition pour guitareNombre de pages : 64Choisies, revues et doigtées par Oscar Cacérès.Contenu :Sor F.: Etudes Op.31 n°1 - Op.35 n°3, 4 et 6 - Op.44 n°1 - Op.60 n°5, 7, 8, 14 et 19 - 2 Etudes - Aguado D.: Méthode, 1ère partie (études 11 et 18) - Méthode, 2ème partie (études n°1 à 4, 6, 7,11, 12, 15, 19 et 20) - Cano A.: 5 Etudes - Carulli F.: 10 Etudes - Giuliani M.: 2 Etudes Op.50 - 3 Etudes - Etudes Op.43 n°1 - Op.100 n°2 - Op.139 n°4 - Carcassi M.: 3 Etudes Op. 59 - Etude - 5 Etudes Op.21 - Coste N.: 7 Etudes

'L'encouragement est, avec le Souvenir de Russie, Les deux amis et la Fantaisie op. 54, parmi les compositions en duo les plus exigeants de sa journée. La principale source de cette édition est la version éditée par Napoléon Coste (1805-1883) . dans celle-ci les deux instruments autre voix si souvent qu'ils sont égaux efficacement et à mon avis il est aussi musicalement plus impressionnant que la version antérieure de Fernando Sor '.Olaf van Gonnissen / 2 Guitares

This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Seven classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbook willhelp you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes attractive pieces by a wide range of composers including Dowland Praetorius Bach Sor Carcassi Coste Tarrega and Pujol making it ideal for those who wish to improve their playing to a high level and extend their musical range and knowledge.

Niveau intermédiaire-avancé. Présente 16 solos soigneusement écrit et édité pour construire la technique. Idéal pour les spectacles solos et récitals, ce volume contient des oeuvres de Carcassi, Sanz, J.S. Bach, DORS, Tarrega, Coste, Diabelli et Aguado. Tous les solos sont écrites en notation et tablature. / Guitare / 32 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11,75 X 8,75

Une sélection des plus importantes études guitare par Aguado, Cano, Carcassi, Coste Giuliano, DORS et d'autres pour advanced guitaristes, avec doigtés et des informations sur la façon d'étudier les oeuvres. Chaque étude traite de certains problèmes techniques et musicales sorte / Guitare

Required Studies for Classical Guitar. All the essential and required studies for classical guitar are collected here in one handsome volume for classical guitar students and instructors. The studies contained herein appear on nearly every syllabus from any respected university classical guitar program. Newly engraved from early editions, with centuries-old errors now corrected and with minimal editorial annotations, this clear, uncluttered, easy-to-read reference book will be used every day for a lifetime of study. A one-stop shopping repertoire book for every classical guitarist. Includes selected studies by Sor (Opp. 6, 29, 31, 35, 44, 60), Giuliani (Opp. 48, 51, 139), Aguado (from his Nuevo Método para Guitarra) and Carulli (Op. 333), as well as complete editions of Carulli's 24 Preludes, op. 114: Giuliani's 120 Studies for Right-Hand Development, op. 1a: Carcassi's 25 Melodic and Progressive Études, op. 60: and Coste's 25 Études de Genre, op. 38. Of special interest to the student is the inclusion of carefully chosen audition and recital pieces from Bach, Milán, Tárrega, and Albéniz.

A Wholistic Perspective of Technique Through Repertoire. As the title of his book attests, guitarist and musicologist Martín Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitar performance with the individual player?s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others? illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author?s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist?s library would be complete without this landmark book! The author?s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player?s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day ? emphasize the wholistic nature of this book. Readers