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| Romantic Guitar Anthology Vol 2: Original Works From Sor To Paganini Book/cd Guitar Classical guitar [Sheet music + CD] Schott
30 Original Works and Transcriptions. Composed by Jens Franke. Edited by Jens Fr...(+)
30 Original Works and Transcriptions. Composed by Jens Franke. Edited by Jens Franke. This edition: Saddle stitching. Sheet music with CD. Guitar. Band 2 ist fur Schuler mit ca. 4 Jahren Spielpraxis geeignet ist. Neben den gangigen Unterrichtsstucken der fuhrenden Komponisten und Gitarristen Coste und Sor aus dem 19. Jahrhundert finden sich hier auch seltenere Werke von Jaime Bosch, Franz Tucek und. Classical. Edition with CD. 52 pages. Schott Music #ED13111. Published by Schott Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Vingt Etudes Melodiques et Techniques pour Trompette Trumpet Leduc, Alphonse
[Twenty Melodic and Technical Studies for Trumpet]. Composed by Louis Julien ...(+)
[Twenty Melodic and Technical
Studies for Trumpet].
Composed by Louis Julien
Vannetelbosch. Leduc. Etude,
Instruction, Classical.
Softcover. 22 pages. Alphonse
Leduc #AL23632. Published by
Alphonse Leduc
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| To a Friend Concert band De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jac...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2021. 8 pages. De Haske Publications #DHP 1216293-140. Published by De Haske Publications (BT.DHP-1216293-140). English-German-French-Dutch. When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult.To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance justweeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Reünie Orkest Artillerie Trompetterkorps (Reunion BandArtillery Trumpet Corps) played the work for Gerard - an unknowing yet beautiful goodbye.
Wanneer je al lang samen in een orkest speelt, weet je dat muziek hoort bij de mooiste momenten in het leven, maar ook bij de diepste dalen. Samen muziek maken kan je kracht geven wanneer je het moeilijk hebt. To a Friendis een prachtig troostrijk werk voor iedereen die donkere tijden meemaakt. Jacob de Haan componeerde het werk voor zijn schoonvader, Gerard Bosch, een muzikant in hart en nieren. Een paar weken voor diens overlijden was het klaarom te worden uitgevoerd. Op een zonovergoten avond speelden zijn vrienden, de muzikanten van zijn beide muziekverenigingen Oefening Baart Kunst Otterlo en het Reünie Orkest Artillerie Trompetterkorps het voor Gerard. Eenprachtig afscheid.
Wer lange in einem Orchester gespielt hat, der weiß, dass Musik zu den schönsten Momenten im Leben gehört, aber auch zu den schwersten. Gemeinsames Musizieren kann einem in schwierigen Zeiten Kraft geben. To a Friend istein wunderbar tröstliches Werk für jeden, der eine schwere Zeit durchlebt. Jacob de Haan komponierte das Werk für seinen Schwiegervater Gerard Bosch, der Musiker durch und durch war. Das Stück wurde nur wenige Wochen vor seinemTod uraufgeführt. An einem sonnigen Abend spielten seine Freunde, die Musiker seiner beiden Musikvereine Oefening Baart Kunst (Übung macht den Meister“) Otterlo und das Reünie Orkest Artillerie Trompetterkorps (Reunion BandArtillerie Trompet Corps) , das Werk für Gerard. Ein unbewusster und zugleich schöner Abschied.
Lorsqu’on joue dans un orchestre depuis longtemps, on sait que la musique fait partie des plus beaux moments de la vie, mais aussi d’instants très ardus. Jouer ensemble peut donner de la force lorsque les choses sont difficiles.To a Friend est une œuvre merveilleusement réconfortante pour toute personne confrontée une période sombre. Jacob de Haan a composé cette pièce pour son beau-père, Gerard Bosch, lui-même musicien passionné. Elle a étécréée quelques semaines avant son décès. Lors d’une fin de journée ensoleillée, ses amis, les musiciens de ses deux sociétés musicales (Oefening Baart Kunst Otterlo et le Reünie Orkest Artillerie Trompetterkorps ), ont interprétéla nouvelle composition pour Gerard. Ils l’ignoraient alors, mais ce petit concert constitua un adieu merveilleux. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To a Friend Concert band De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216293-010. Published by De Haske Publications (BT.DHP-1216293-010). English-German-French-Dutch. When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult.To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance justweeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Reünie Orkest Artillerie Trompetterkorps (Reunion BandArtillery Trumpet Corps) played the work for Gerard - an unknowing yet beautiful goodbye.
Wanneer je al lang samen in een orkest speelt, weet je dat muziek hoort bij de mooiste momenten in het leven, maar ook bij de diepste dalen. Samen muziek maken kan je kracht geven wanneer je het moeilijk hebt. To a Friendis een prachtig troostrijk werk voor iedereen die donkere tijden meemaakt. Jacob de Haan componeerde het werk voor zijn schoonvader, Gerard Bosch, een muzikant in hart en nieren. Een paar weken voor diens overlijden was het klaarom te worden uitgevoerd. Op een zonovergoten avond speelden zijn vrienden, de muzikanten van zijn beide muziekverenigingen Oefening Baart Kunst Otterlo en het Reünie Orkest Artillerie Trompetterkorps het voor Gerard. Eenprachtig afscheid.
Wer lange in einem Orchester gespielt hat, der weiß, dass Musik zu den schönsten Momenten im Leben gehört, aber auch zu den schwersten. Gemeinsames Musizieren kann einem in schwierigen Zeiten Kraft geben. To a Friend istein wunderbar tröstliches Werk für jeden, der eine schwere Zeit durchlebt. Jacob de Haan komponierte das Werk für seinen Schwiegervater Gerard Bosch, der Musiker durch und durch war. Das Stück wurde nur wenige Wochen vor seinemTod uraufgeführt. An einem sonnigen Abend spielten seine Freunde, die Musiker seiner beiden Musikvereine Oefening Baart Kunst (Übung macht den Meister“) Otterlo und das Reünie Orkest Artillerie Trompetterkorps (Reunion BandArtillerie Trompet Corps) , das Werk für Gerard. Ein unbewusster und zugleich schöner Abschied.
Lorsqu’on joue dans un orchestre depuis longtemps, on sait que la musique fait partie des plus beaux moments de la vie, mais aussi d’instants très ardus. Jouer ensemble peut donner de la force lorsque les choses sont difficiles.To a Friend est une œuvre merveilleusement réconfortante pour toute personne confrontée une période sombre. Jacob de Haan a composé cette pièce pour son beau-père, Gerard Bosch, lui-même musicien passionné. Elle a étécréée quelques semaines avant son décès. Lors d’une fin de journée ensoleillée, ses amis, les musiciens de ses deux sociétés musicales (Oefening Baart Kunst Otterlo et le Reünie Orkest Artillerie Trompetterkorps ), ont interprétéla nouvelle composition pour Gerard. Ils l’ignoraient alors, mais ce petit concert constitua un adieu merveilleux. $104.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Leo Brouwer: Pictures At Another Exhibition Chester
Violin, French Horn, Piano Chamber SKU: HL.14005188 Composed by Leo Brouw...(+)
Violin, French Horn, Piano Chamber SKU: HL.14005188 Composed by Leo Brouwer. Music Sales America. Classical. Book [Softcover]. Composed 2005. 70 pages. Chester Music #CH67452. Published by Chester Music (HL.14005188). ISBN 9781844499267. UPC: 884088443467. 8.25x11.75x0.356 inches. Leo's Brouwer's Pictures At Another Exhibition, with a title that tips a hat to the Mussorgsky suite of 1874, is presented here for a chamber group of Piano, Horn and Violin. The Cuban composer has created a set of programmatic musical depictions inspired by six works of art ranging from Bosch's Garden Of Earthly Delights to Rauschenberg's Pop Construction. This set consists of six Piano scores, and may be performed in any order or combination. Ideal for chamber performances, or for a smaller ensemble as part of a larger concert, the pieces offer an unusual and exciting addition to any repertoire, and are brimming with the vitality and energy of Brouwer's Cuban origins. Movements are as follows: The Garden Of Earthly Delights: Hieronymus Bosch Portrait Du Chopin: Eugene Delacroix Los Desastres De La Guerra: Francisco Goya The Jungle: Wilfredo Lam Reclining Nude: Amadeo Modigliani Pop Construction: Robert Rauschenberg. $59.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Romantic Spain Guitar Zimmermann
Guitar SKU: PR.ZM30600 20 easy pieces Brocß, Cano, Vinas, Damas, Bosc...(+)
Guitar SKU: PR.ZM30600 20 easy pieces Brocß, Cano, Vinas, Damas, Bosch, Arcas, Ferrer, Tarrega, Anonym. Koenige der Gitarre. Collection. With Standard notation. 30 pages. Zimmermann #ZM30600. Published by Zimmermann (PR.ZM30600). $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Legend of Atlantis for Oboe Trio Metropolis Music Publishers
Oboe Trio SKU: IS.OT6577EM Composed by Alex Christiaens. Woodwinds - Oboe...(+)
Oboe Trio SKU: IS.OT6577EM Composed by Alex Christiaens. Woodwinds - Oboe. Metropolis Music Publishers #OT6577EM. Published by Metropolis Music Publishers (IS.OT6577EM). ISBN 9790365065776. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Técnicas de arreglos para la orquesta moderna Volonte e Co
SKU: BT.VOLML2048 By Antoni Bosch. By Enric Herrera. Theory. Book Only. V...(+)
SKU: BT.VOLML2048 By Antoni Bosch. By Enric Herrera. Theory. Book Only. Volonte e Co #VOLML2048. Published by Volonte e Co (BT.VOLML2048). ISBN 9788485855353. Spanish. All technical orchestration for non classical Orchestra ensembles, Small Bands, Big Bands, etc. This book includes the study of styles and instruments. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 3: 14 Folk and Flamenco Pieces Guitar Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 276. Publ...(+)
Edited by Mario Martino.
Saddle stitching. Classical.
Ut Orpheus #CH 276. Published
by Ut Orpheus
$27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Organ - Advanced Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437). ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'. $28.99 - See more - Buy online | | |
| Teoría Musical y Armonía Moderna vol. 1 Volonte e Co
SKU: BT.VOLML2046 By Antoni Bosch. By Enric Herrera. Theory. Book Only. C...(+)
SKU: BT.VOLML2046 By Antoni Bosch. By Enric Herrera. Theory. Book Only. Composed 1990. 136 pages. Volonte e Co #VOLML2046. Published by Volonte e Co (BT.VOLML2046). ISBN 9788485855315. Spanish. From basic musical concepts to harmonizing a melody, Volume 1 contains basic tools to get you started in this field.
Una visión actual de la armon a no clásica. Desde los conceptos musicales más básicos hasta la armonización de una melod a. Herramienta básica para iniciar estudios de esta materia. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Volcans - Volume II (Elementary) Editorial de Musica Boileau
Guitar SKU: BO.B.3272 Composed by Narcis Bosch. Plucked Instruments. Publ...(+)
Guitar SKU: BO.B.3272 Composed by Narcis Bosch. Plucked Instruments. Published by Editorial de Musica Boileau (BO.B.3272). $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Romantic Guitar Anthology Volume 1 Book/performance Cd Guitar Classical guitar [Sheet music + CD] - Easy Schott
33 Original Works. Composed by Jens Franke. Edited by Jens Franke. This edition:...(+)
33 Original Works. Composed by Jens Franke. Edited by Jens Franke. This edition: Saddle stitching. Sheet music with CD. Guitar. Romantic Guitar Anthology Band 1 ist ein nach Schwierigkeitsgraden abgestuftes Repertoirebuch fur Schuler mit ca. 2-3 Jahren Spielerfahrung. Standardunterrichtsstucke von fuhrenden Komponisten finden sich hier ebenso wie seltene Werke. Classical. Edition with CD. 36 pages. Schott Music #ED 13110. Published by Schott Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arabesque for Flute Quartet Flute Quartet: 4 flutes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6573EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU: IS.FQ6573EM Composed by Alex Christiaens. Woodwinds - Flute. Metropolis Music Publishers #FQ6573EM. Published by Metropolis Music Publishers (IS.FQ6573EM). ISBN 9790365065738. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $19.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Mccabe: Pueblo Double Bass Music Sales
Double Bass SKU: HL.14021087 Composed by John McCabe. Music Sales America...(+)
Double Bass SKU: HL.14021087 Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #NOV955163. Published by Music Sales (HL.14021087). 8.25x12.0x0.059 inches. John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes.
Pueblo is an off-shoot of a series of compositions inspired by desert country, and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous, falling into several sections, and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close. It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham, published by Thames and Hudson: 'Clouds, high and flat, were now building up in thesky, the wind was settling to silent calm, the weather was very cold, and the stream through the center of the pueblo was almost frozen across, the Indians chipping out ice to melt down for water.' The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works, this belongs to this family of compositions, along with another Banham setting, written for the King's Singers, Scenes In America Deserta. - John McCabe
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To a Friend Concert band De Haske Publications
Concert Band (SCORE) - Level 2.5 SKU: HL.4007158 Composed by Jacob De Haa...(+)
Concert Band (SCORE) - Level 2.5 SKU: HL.4007158 Composed by Jacob De Haan. De Haske Concert Band. Concert. Softcover. Duration 220 seconds. De Haske Publications #031831. Published by De Haske Publications (HL.4007158). UPC: 840126965681. When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult. To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance just weeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies -- Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Reünie Orkest Artillerie Trompetterkorps (Reunion Band Artillery Trumpet Corps) -- played the work for Gerard -- an unknowing yet beautiful goodbye. $22.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To a Friend De Haske Publications
Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4007157 Composed by Jacob ...(+)
Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4007157 Composed by Jacob De Haan. De Haske Fanfare Band. Concert. Softcover. Duration 220 seconds. De Haske Publications #031831. Published by De Haske Publications (HL.4007157). UPC: 840126965674. When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult. To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance just weeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies -- Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Reünie Orkest Artillerie Trompetterkorps (Reunion Band Artillery Trumpet Corps) -- played the work for Gerard -- an unknowing yet beautiful goodbye. $108.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La nuit, le forêt se réveille for Flute Quartet Flute Quartet: 4 flutes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6575EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU: IS.FQ6575EM Composed by Alex Christiaens. Woodwinds - Flute. Metropolis Music Publishers #FQ6575EM. Published by Metropolis Music Publishers (IS.FQ6575EM). ISBN 9790365065752. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $19.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Et le Roi danse for Flute Quartet Flute Quartet: 4 flutes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6574EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU: IS.FQ6574EM Composed by Alex Christiaens. Woodwinds - Flute. Metropolis Music Publishers #FQ6574EM. Published by Metropolis Music Publishers (IS.FQ6574EM). ISBN 9790365065745. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $19.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dance at Half Moon for Oboe Trio Metropolis Music Publishers
Oboe Trio SKU: IS.OT6576EM Composed by Alex Christiaens. Woodwinds - Oboe...(+)
Oboe Trio SKU: IS.OT6576EM Composed by Alex Christiaens. Woodwinds - Oboe. Metropolis Music Publishers #OT6576EM. Published by Metropolis Music Publishers (IS.OT6576EM). ISBN 9790365065769. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| K.M.K. mars Concert band Tierolff Muziekcentrale B.V. | | |
| Hommage a Hieronymus Bosch: Symphonic Fantasy Hal Leonard
(Study Score) SKU: HL.49017228 Study Score. Composed by Svatopluk ...(+)
(Study Score) SKU: HL.49017228 Study Score. Composed by Svatopluk Havelka. PANTON. Hal Leonard #P1826. Published by Hal Leonard (HL.49017228). $24.99 - See more - Buy online | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 1: 26 Easy to Intermediate Pieces Guitar - Easy Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 274. Publ...(+)
Edited by Mario Martino.
Saddle stitching. Classical.
Ut Orpheus #CH 274. Published
by Ut Orpheus
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| To A Friend Full Score Concert band Hal Leonard
(Score) SKU: HL.4007186 De Haske Concert Band. Softcover. Hal Leonard #03...(+)
(Score) SKU: HL.4007186 De Haske Concert Band. Softcover. Hal Leonard #031834. Published by Hal Leonard (HL.4007186). UPC: 840126966350. $17.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To a Friend Concert band Hal Leonard
(Score & Parts) SKU: HL.4007185 De Haske Concert Band. Softcover. Hal Leo...(+)
(Score & Parts) SKU: HL.4007185 De Haske Concert Band. Softcover. Hal Leonard #031834. Published by Hal Leonard (HL.4007185). UPC: 840126966343. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gitaar Starter deel 2 Guitar [Sheet music + CD] Alsbach
Guitar SKU: BT.ALB10655 Composed by Cees Hartog. Tuition. Book with CD. 6...(+)
Guitar SKU: BT.ALB10655 Composed by Cees Hartog. Tuition. Book with CD. 64 pages. Alsbach #ALB10655. Published by Alsbach (BT.ALB10655). ISBN 9789043145305. Dutch. Following on from the material in Gitaar Starter 1, this book/CD set covers even more techniques that are vital for the beginning guitarist to learn. It discusses, amongst other topics, playmaking, legato, positionchanges, harmonics and chords. In addition to the individual exercises, the techniques are mainly used in the playing materials, which contains pieces in many different styles from all around the world. When thewhole Gitaar Starter series has been worked through, the student will have mastered the most important basics of Guitar playing. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Silly Walk of the Goblins for Oboe Trio Metropolis Music Publishers
Oboe Trio SKU: IS.OT6578EM Composed by Alex Christiaens. Woodwinds - Oboe...(+)
Oboe Trio SKU: IS.OT6578EM Composed by Alex Christiaens. Woodwinds - Oboe. Metropolis Music Publishers #OT6578EM. Published by Metropolis Music Publishers (IS.OT6578EM). ISBN 9790365065783. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 5 Fragments Sc Based On Paintings Of H Bosch Sikorski
SKU: HL.50482926 Composed by A. Schnittke. Study Score. 40 pages. Sikorsk...(+)
SKU: HL.50482926 Composed by A. Schnittke. Study Score. 40 pages. Sikorski #SIK1923. Published by Sikorski (HL.50482926). 6.0x8.25x0.148 inches. $28.95 - See more - Buy online | | |
| Soirée Parisienne for Flute Quartet Flute Quartet: 4 flutes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6572EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU: IS.FQ6572EM Composed by Alex Christiaens. Woodwinds - Flute. Metropolis Music Publishers #FQ6572EM. Published by Metropolis Music Publishers (IS.FQ6572EM). ISBN 9790365065721. Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment . $19.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Strange Visions Of Hieronymus Bosch Organ Curci
Solo Organ SKU: PR.513008840 Composed by Jacob Gilboa. Full score. With S...(+)
Solo Organ SKU: PR.513008840 Composed by Jacob Gilboa. Full score. With Standard notation. Israel Music Institute #513-00884. Published by Israel Music Institute (PR.513008840). $16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| Jerome Bosch-Symphonie
Partition Français Orchestra [Sheet music] Billaudot
Cette partition JEROME BOSCH-SYMPHONIE PARTITION de Nigg Serge a été éditée ...(+)
Cette partition JEROME BOSCH-SYMPHONIE PARTITION de Nigg Serge a été éditée par les éditions Billaudot. La référence de cette partition de musique est MRB1081. Cette oeuvre d'une durée de 00:25:00 est idéale pour les musiciens pratiquant Orchestre. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Musique Symphonique / Partition
38.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Lexikon Orgelbau (BOSCH
MICHAEL / DOHRING KLAUS /
KALIPP WOLF) Divers [Sheet music] Barenreiter
Par BOSCH MICHAEL / DOHRING KLAUS / KALIPP WOLF. / Livre / Divers
55.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Louis Julien
Vannetelbosch: 20 Etudes
Mélodiques et
Techniques: Trumpet:
Study Trumpet Leduc, Alphonse
Belgian born Louis Julien Vannetelbosch (b. 1920) is an established composer c...(+)
Belgian born Louis Julien Vannetelbosch (b. 1920) is an established composer conductor and Trumpet player. His expertise combined have led him to publish 25 successful studies for Trumpet the majority of which have been compiled in Twenty Melodic and Technical Studies. Vannetelbosch studied at the Leuven and Brussels Conservatoires where he won many prizes. His professional career gained him success with many orchestras and he later went on to conduct and judge competitions. Vannetelbosch's Twenty Melodic and Technical Studies for Trumpet are in a variety of styles and address aspectsincluding rhythm time signatures breath control tonality tempo range dynamics articulation phrasing and ornamentation among many other musical elements. For all advanced trumpeters Twenty Melodic and Technical Studies compiled by Louis Julien Vannetelbosch a master of the instrument himself is essential to aid progression to a high technical standard.
17.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Vannetelbosch: Debutant
Trompettiste 2: Trumpet:
Study Français Trumpet [Sheet music] Leduc, Alphonse
Belgian born Louis Julien Vannetelbosch (b. 1920) is an established composer c...(+)
Belgian born Louis Julien Vannetelbosch (b. 1920) is an established composer conductor and Trumpet player. His accumulated expertise has led him to publish 25 successful studies for Trumpet including Le Débutant Trompettiste. Vannetelbosch studied at the Leuven and Brussels Conservatoires where he won many prizes. His professional career gained him success with many orchestras and he later went on to conduct and judge competitions. The second volume of Vannetelbosch's Le Débutant Trompettiste addresses aspects including rhythm time signatures breath control tonality tempo range dynamics articulation phrasing and ornamentation amongst many other musical elements. For all beginner trumpeters  Le Débutant Trompettiste compiled by Louis Julien Vannetelbosch a master of the instrument himself is essential to aid progression to a high technical standard.
22.50 GBP - Sold by Musicroom UK | |
| Cosi Fan Tutte (MOZART /
BOSCHOT) Français Piano, Voice [Sheet music] Choudens
Par MOZART / BOSCHOT. Version Française/ Répertoire / Chant et Piano
27.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 23 Etudes De Concours
(VANNETELBOSCH LOUIS
JULIEN) Trumpet Schott
Par VANNETELBOSCH LOUIS JULIEN. 23 Contest Studies/ Etude / Trompette ou Cornet ...(+)
Par VANNETELBOSCH LOUIS JULIEN. 23 Contest Studies/ Etude / Trompette ou Cornet et Hunting Cor, Cor, Cor Alto,
17.21 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| The Four Last Things:
Chamber Ensemble: Score University Of York Music Press
The Four Last Things for Clarinet Percussion and Cello. Composed 2014 publishe...(+)
The Four Last Things for Clarinet Percussion and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 8 minutes. The Four Last Things takes its title from Hieronymus Bosch’s painting ‘The Seven Deadly Sins and The Four Last Things’ a work of art that depicts its religious subject matter in the visceral style associated with its artist. Bosch’s work has always fascinated me: its detail immediacy and sometimes grotesque subject matter keep me coming back to it. There is no direct parallel with the painting in this piece but inspiration has been taken from the manner in which Bosch juxtaposes images whilst creating consistency and continuity between individual parts. The simultaneous discreteness and dependency of separate elements is mirrored in the treatment here of instruments as both soloists and part of the group. Each player has moments of overt dominance but even whilst providing more of an accompanying role they still present material that is striving to be heard above the rest. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.
8.95 GBP - Sold by Musicroom UK | |
| The Four Last Things:
Chamber Ensemble: Parts University Of York Music Press
The Four Last Things for Clarinet Percussion and Cello. Composed 2014 publishe...(+)
The Four Last Things for Clarinet Percussion and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 8 minutes. The Four Last Things takes its title from Hieronymus Bosch’s painting ‘The Seven Deadly Sins and The Four Last Things’ a work of art that depicts its religious subject matter in the visceral style associated with its artist. Bosch’s work has always fascinated me: its detail immediacy and sometimes grotesque subject matter keep me coming back to it. There is no direct parallel with the painting in this piece but inspiration has been taken from the manner in which Bosch juxtaposes images whilst creating consistency and continuity between individual parts. The simultaneous discreteness and dependency of separate elements is mirrored in the treatment here of instruments as both soloists and part of the group. Each player has moments of overt dominance but even whilst providing more of an accompanying role they still present material that is striving to be heard above the rest. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.
14.95 GBP - Sold by Musicroom UK | |
| Pictures At Another
Exhibition Cor Violon Po
(BROUWER LEO) French horn [Sheet music] - Intermediate Chester
Par BROUWER LEO. Leo Brouwer Tableaux d'une autre exposition, avec un titre qui ...(+)
Par BROUWER LEO. Leo Brouwer Tableaux d'une autre exposition, avec un titre qui fait pencher d'un chapeau à la suite de Moussorgski de 1874, est présenté ici pour un groupe de chambre de piano, cor et violon. Le compositeur cubain a créé un ensemble de programmes représentations musicales inspirées par six oeuvres d'art allant de jardin Bosch des Délices à la construction Pop de Rauschenberg.
Cet ensemble se compose de six partitions pour piano, et peut être effectuée dans n'importe quel ordre ou combinaison. Idéal pour les spectacles de chambre, ou pour un ensemble plus petit dans le cadre d'un vaste concert, les morceaux offrent une plus insolite et passionnante à tout répertoire, et regorgent de la vitalité et l'énergie d'origine cubaine de Brouwer.
Les mouvements sont comme suit:
Le Jardin des Délices: Hieronymus Bosch
Portrait Du Chopin: Eugène Delacroix
Los Désastres De La Guerra: Francisco de Goya
La Jungle: Wilfredo Lam
Nu couché: Amadeo Modigliani
Construction Pop: Robert Rauschenberg / Niveau : Intermédiaire / Rép Classique / Répertoire / Cor
59.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Leo Brouwer: Pictures At
Another Exhibition: Piano
Trio: Score Violin, Horn, Piano Chamber [Sheet music] - Intermediate/advanced Chester
Leo's Brouwer's Pictures At Another Exhibition with a title that tips a hat to ...(+)
Leo's Brouwer's Pictures At Another Exhibition with a title that tips a hat to the Mussorgsky suite of 1874 is presented here for a chamber group of Piano Horn and Violin. The Cuban composer has created a set ofprogrammatic musical depictions inspired by six works of art ranging from Bosch's Garden Of Earthly Delights to Rauschenberg's Pop Construction.This set consists of six Piano scores and may be performed in anyorder or combination. Ideal for chamber performances or for a smaller ensemble as part of a larger concert the pieces offer an unusual and exciting addition to any repertoire and are brimming with the vitality and energy ofBrouwer's Cuban origins.Movements are as follows:The Garden Of Earthly Delights: Hieronymus BoschPortrait Du Chopin: Eugene DelacroixLos Desastres De La Guerra: Francisco GoyaThe Jungle: WilfredoLamReclining Nude: Amadeo ModiglianiPop Construction: Robert Rauschenberg
39.99 GBP - Sold by Musicroom UK | |
| Yellow After The Acid
Rain (DE HAAN JACOB) Marching band [Score] De Haske Publications
Par DE HAAN JACOB. Lorsqu?on joue dans un orchestre depuis longtemps, on sait qu...(+)
Par DE HAAN JACOB. Lorsqu?on joue dans un orchestre depuis longtemps, on sait que la musique fait partie des plus beaux moments de la vie, mais aussi d?instants très ardus. Jouer ensemble peut donner de la force lorsque les choses sont difficiles. To a Friend est une ?uvre merveilleusement réconfortante pour toute personne confrontée à une période sombre. Jacob de Haan a composé cette pièce pour son beau-père, Gerard Bosch, lui-même musicien passionné. Elle a été créée quelques semaines avant son décès. Lors d?une fin de journée ensoleillée, ses amis, les musiciens de ses deux sociétés musicales (Oefening Baart Kunst Otterlo et le Reünie Orkest Artillerie Trompetterkorps ), ont interprété la nouvelle composition pour Gerard. Ils l?ignoraient alors, mais ce petit concert constitua un adieu merveilleux. / Date parution : 2021-11-03/ Répertoire / Fanfare
20.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Meine ersten Popsongs (DE
HAAN JACOB) Marching band [Score and Parts] De Haske Publications
Par DE HAAN JACOB. Lorsqu?on joue dans un orchestre depuis longtemps, on sait qu...(+)
Par DE HAAN JACOB. Lorsqu?on joue dans un orchestre depuis longtemps, on sait que la musique fait partie des plus beaux moments de la vie, mais aussi d?instants très ardus. Jouer ensemble peut donner de la force lorsque les choses sont difficiles. To a Friend est une ?uvre merveilleusement réconfortante pour toute personne confrontée à une période sombre. Jacob de Haan a composé cette pièce pour son beau-père, Gerard Bosch, lui-même musicien passionné. Elle a été créée quelques semaines avant son décès. Lors d?une fin de journée ensoleillée, ses amis, les musiciens de ses deux sociétés musicales (Oefening Baart Kunst Otterlo et le Reünie Orkest Artillerie Trompetterkorps ), ont interprété la nouvelle composition pour Gerard. Ils l?ignoraient alors, mais ce petit concert constitua un adieu merveilleux./ Répertoire / Fanfare
98.59 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Mantovani Bruno -
L'autre Cote - Soli,
Choeur, Orchestre - Chant
and Piano Soli, Mixted choir and accompaniment Soli, mixted choir and piano Lemoine, Henry
Commanditaire L'Etat et l'Opéra National du Rhin Notice Un opéra fantastique...(+)
Commanditaire L'Etat et l'Opéra National du Rhin Notice Un opéra fantastique d'après le roman d'Alfred Kubin, Die andere Seite Le livret a été tiré de L'Autre côté d'Alfred Kubin, traduction française de Robert Valençay revue par Christian Hubin (José Corti, 2000) Musique de Bruno Mantovani Livret de François Regnault (avec la collaboration de Bruno Mantovani) J'avais lu il y a longtemps L'Autre côté d'Alfred Kubin, dont le titre m'intriguait. J'avais dû voir des illustrations étranges, visiblement expressionnistes, audacieuses et cauchemardesques de l'artiste, et je m'étonnais qu'il eût écrit un roman. Le roman, assez vite, me saisit, puisqu'il racontait comment le héros, qui semble bien n'être autre que l'auteur, car il est comme lui dessinateur et a comme lui vécu à Salzbourg, se fait inviter par un ancien camarade de lycée dans un empire en lointaine Asie dont il est devenu le chef, et qu'il s'en va donc de l'Autre Côté, où commencent les aventures... On me fit rencontrer Bruno Mantovani, qui avait la commande d'un opéra, de la part de Nicholas Snowman, pour l'Opéra du Rhin. Nous nous sommes vus ensuite à plusieurs reprises, et je n'eus pas de mal à m'entendre avec ce compositeur moderne, dont les oeuvres que j'ai écoutées de lui me plaisent, qui connaît comme pas un - et de l'intérieur - toute l'histoire de l'opéra - et qui, en outre, comptait bien éviter quelques-uns des écueils sur lesquels nous tombions d'accord que l'opéra parfois s'échoue : sans mépris pour qui que ce soit, mais sans fausse modestie non plus. J'aimais l'opéra, depuis que j'avais vu Maria Callas en chanter deux, et depuis ma participation cinq ans comme dramaturge, ou ne je sais quoi, avec Patrice Chéreau à Bayreuth, et j'avais écrit un livret pour Georges Aperghis, avec qui j'ai eu le bonheur de travailler plusieurs fois. Sans parler d'un autre livret pour un autre opéra à venir. Mais étant essentiellement introduit dans le théâtre, je mesurai combien Mantovani sait que l'amour du théâtre, dont il est un excellent spectateur, est bien souvent le schibboleth qui départage les grands compositeurs d'opéra des autres. Le sujet On ne trouve pas forcément tout de suite un sujet de livret, et ensuite, on ne trouve pas forcément le livret de ce sujet. Nous envisagions quelques pistes, nous nous y engagions, et puis nous n'allions pas loin, ou c'était sans issue. D'entrée de jeu, nous étions convenus d'éviter la reprise d'un mythe ancien, fût-il grec ou amérindien, nous mesurions l'extrême difficulté de trouver un mythe moderne - cela ne s'invente pas - et nous répugnions aussi à prendre un sujet qui s'appliquât à l'actualité politique, faute de certitudes, ou plutôt par la conviction qu'on ne traite pas aisément des malheurs du monde, ou du moins, pas aussi frontalement que certains se l'imaginent. Les Soldats de Zimmermann, par exemple, parviennent à une telle portée esthétique et politique parce qu'il est passé par une pièce de Lenz, qui raconte des événements du XVIIIe siècle, Helmut Lachenmann est parvenu à une oeuvre poignante et d'une extrême beauté avec sa Petite Marchande d'allumettes pour parler du gauchisme, à partir d'un écrit de Gudrun Ensslin, parce qu'il est passé par un conte d'Andersen et par des textes de Léonard de Vinci. Je me suis alors souvenu de L'Autre côté, que j'ai relu, et Bruno et moi sommes vite tombés d'accord que cette oeuvre pouvait d'autant plus fortement nous inspirer que l'atmosphère d'inquiétante étrangeté, de fantastique et de décrépitude, très réussie, dans laquelle l'oeuvre est plongée, était au service d'une cause imaginaire, fabuleuse, invraisemblable, mais qui pouvait fonctionner comme une grande et terrible allégorie politique : l'Empire du Rêve, créé de toutes pièces par un richissime illuminé, Claus Patera, condisciple, donc, du dessinateur, constitué par des restes ramassés ou aux quatre coins du monde, dans une région nauséeuse et miasmatique, dont l'idéal promis au début se révèle vite une imposture, sans qu'on sache à qui la faute, car on apprendra que le dictateur lui-même, qu'on ne voit presque jamais, n'y croit plus guère, et combine dans sa personne les traits d'une adolescence angélique, d'une sénilité précoce et d'une espèce de déphasage complet d'avec ce qui se passe dans son Empire. Et pourtant, ce n'est pas faute qu'il n'ait des partisans fanatiques dans la population bizarre de la ville de Perle, capitale de l'Empire. Lorsqu'un Américain tout aussi richissime viendra prendre le défi de le renverser et de s'arroger le gouvernement de l'Empire, peut-être convient-il que vous n'y voyiez pas aussitôt quelque arrangement d'événements récents, non seulement parce que ce roman fut écrit en 1908, avant même ceux de Kafka (que Kubin rencontra d'ailleurs plusieurs fois, et qui restait perplexe devant L'Autre côté), mais aussi parce que l'imaginaire fantastique et la vision poétique de l'auteur viennent hanter le récit de formes et de couleurs venues d'un autre monde : des profondeurs de l'inconscient, sûrement, à une époque où on lui en supposait encore - du fond d'une Angoisse dont on devine que l'auteur est incessamment traversé - mais surtout d'une capacité plastique de rêverie qui franchit constamment la barrière supposée étanche entre l'écriture et le dessin - et si Kubin ne manque pas d'illustrer son propre livre, lui aussi, d'inquiétants dessins étranges, on admire d'autant plus sa virtuosité que les deux techniques qu'il pratique ici de conserve se défendent très bien chacune indépendamment l'une de l'autre. Comme Holbein illustrant Erasme, comme le Goethe du Voyage d'Italie, comme Kipling s'illustrant ses Histoires comme ça, rares exemples. Le livret Je me suis vite dit que ce serait évidemment à la musique de prendre en charge l'imaginaire et le fantastique, et que les indications scéniques du livret, issues toutes du livre, ne seraient là que pour suggérer ce que le compositeur pouvait lire aussi bien que moi dans l'ouvrage. Mais je me suis dit aussi que puisqu'il y aurait des personnages - nous en avons réduit le nombre - et qu'ils parleraient, c'est-à -dire chanteraient, il fallait prendre le plus grand soin qu'avec assez peu de paroles, on puisse suivre exactement l'histoire, la psychologie des personnages principaux (et ici j'utilise à dessein le vocabulaire le plus conventionnel, non pas pour rassurer le réactionnaire et inquiéter l'avant-gardiste, mais parce que chanter des paroles est la matière même de l'opéra), le cours des événements, en même temps que les transformations, métamorphoses, catastrophes et l'apocalypse d'un Empire démoniaque, suscitées sans doute, au-delà de son tyran, par des forces innommables. Si je lui faisais parfois part des représentations musicales ou rythmiques de certaines scènes qu'il avait la gentillesse d'écouter et de transposer dans son art, Bruno Mantovani était en retour plus qu'attentif à la moindre des répliques à mettre en musique, entendant d'une oreille de théâtre ce qui peut se dire, se chanter, se mi-dire, etc. (il y a bien des façons, depuis longtemps, dans l'opéra ou dans le théâtre musical, de dialectiser en musique la différence du parler et du chanter, opposition qui reste opératoire dans son principe, mais qui s'ouvre depuis au moins Schönberg à des variations infinies). Pour la composition d'ensemble, je sais combien l'harmonie, le contrepoint éventuel (il y a un choral !), le rythme, les timbres peuvent, chez un musicien exigeant, s'engendrer, sinon se déduire, à partir de structures simples ou complexes, de sorte que l'écriture, et, donc aussi la perception, consciente ou inconsciente, d'une oeuvre ne se fassent pas au seul fil du récit, ni en fonction du seul effet, même si, au dire de plusieurs compositeurs que j'admire, l'opéra, par sa nature théâtrale, sa spatialité et sa temporalité spécifiques, demande moins de rigueur apparente que d'autres formes d'écriture. Aussi n'ai-je pu m'empêcher, même dans ce qui n'est que le livret, de suivre ou de m'imposer des structures, elles, fort simples, dans l'organisation des scènes, de leurs rapports de ressemblance ou de dissemblance, de leurs correspondances thématiques, - contrastes, répétitions, citations, allusions - d'autant que la fable principale conte la substitution symétrique, jusque dans son affrontement corporel, entre le Maître de l'Empire et l'Américain qui le renverse. L'hybride Il était aisé, en ce sens, de diviser l'oeuvre en deux actes (même si le roman a davantage de parties et de nombreux chapitres), avec un Prologue et un Epilogue : grandeur et décadence de l'Empire du Rêve, conclura-t-on, même si l'intérêt de ce conte est justement de montrer que tout est déjà pourri dans le Royaume de Perle, et que le salut venu d'ailleurs ne fait que liquider la pourriture ! Oui, l'oeuvre de Kubin, aussi bien dessinée qu'écrite (il a écrit plusieurs autres nouvelles), est foncièrement pessimiste. Lorsqu'il a constaté, moins l'horreur du monde que la capacité qu'a le sommeil de la raison d'enfanter des monstres, pour reprendre la formule de Goya, un peintre qu'il aimait, il lui reste à les lâcher en les dessinant. Si Dieu a créé le monde, Claudel pensait qu'il fallait le lui restituer en louange et en poésie, ou en drames dans lesquels le pire ne fût pas toujours sûr. Si le Diable a fait le monde, dirai-je que Kubin pense qu'il faut lui restituer l'histoire de ses calamités et lui tendre le miroir de ses immondices ? La dernière phrase de L'Autre Côté nous donne une étrange réponse : Le démiurge est un être hybride. Tout un roman de quelques centaines de pages pour parvenir à cette phrase peu claire, digne des Gnostiques des premiers siècles du Christianisme ! Mais la phrase peut aussi bien s'éclairer de ce qu'on a dit : puisque le monde semble mauvais, il faut au moins, pour que le pire n'en soit pas toujours le plus sûr, muni de son carnet de croquis, en faire le relevé régulier, en tenant par l'art le malheur à distance, et en mesurant constamment que le démiurge qui a raté le monde, ne pouvait pas faire mieux, qu'il y a en lui du meilleur et du pire, en bref qu'il est hybride ! Mais hybride après tout comme l'homme lui-même, sa victime et son destinataire - ou plutôt, son dessinateur ! Claus Patera, est en effet un personnage dont on ne sait s'il a gardé son innocence ou s'il est déjà complètement abîmé, intrinsèquement, physiquement et spirituellement hybride, à mi-chemin entre le réel et l'irrationnel, habité de forces obscures ou de pulsions obscènes et morbides, mais l'Américain Hercule Bell, un peu décrit comme un Américain digne de Jules Verne, est pris lui aussi dans une dangereuse oscillation entre le philanthrope vantard et le tyran sanguinaire ! Si donc a lieu le Jugement dernier, car aucune apocalypse n'est à écarter, à défaut de nos fautes, nous montrerons nos pulsions, et pour défendre notre prochain ne sachant dessiner, nous arborerons les illustrations par nous de ce monde où nous avons été jetés. Et si le feu ou le déluge anéantissent toutes choses, peut-être restera-t-il au moins quelque part un trait sur le papier, carbonisé ou délavé. A l'ancien camarade de classe, au dictateur hybride, à cet Américain sauveur lui-même si douteux, et qui font couple à la fin dans une espèce de répugnant coït, s'ajoutent donc le couple principal, Kubin - nous l'avons appelé ainsi, bien que l'auteur de le nomme pas - et sa femme. Nous avons, autour d'eux, réduit à trois les personnages qui les entourent, le Coiffeur-philosophe, qui leur sous-loue un appartement, l'Editeur qui passe un contrat avec le dessinateur, et le médecin Lampenbogen, qui soignera Madame Kubin et accompagnera le mari veuf jusqu'à la fin. Les autres personnages sont des comparses, mais il y a le Choeur, qui a une grande importance, et qui compose le peuple entier de Perle, versatile, monstrueux, prêt à tout, morbide et orgiaque, auxquels s'ajoutent mammifères, serpents et insectes, qui sont peut-être des hallucinations, mais dans un monde fantastique, le cauchemar et la réalité se confondent. Le dessinateur La fin de l'aventure se solde pour Kubin par un rapatriement suivi d'un internement. Il serait alors aisé d'en conclure, comme on le fait souvent dans des cas semblables, que toute cette aventure n'aura été qu'une immense hallucination. Outre que ce n'est pas l'idée d'Alfred Kubin, l'auteur réel du livre, cela ne changerait guère la représentation qui en résulterait sur la scène d'un opéra, où ce qu'on voit, que ce soit la vision d'un Faust ou celle d'un Hoffmann, passe forcément pour réel. Le public ne croit que ce qu'il voit et ce qu'il entend, plus qu'ailleurs, il croit tout ce qu'il voit et tout ce qu'il entend, et c'est lui qui a raison. Surtout, j'aime fort que les dernières paroles de Kubin reviennent à dire que désormais, il passe ses meilleures heures avec du papier, des crayons et des bâtons d'encre de Chine... plus proche de l'artiste rêveur, du voyant... Et ce qu'il représentera désormais s'inspirera donc de cette espèce de cosmologie duelle qu'il évoque à propos de Patera : L'attraction et la répulsion... les pôles de la terre... le jours et la nuit... le blanc et le noir... Le blanc et le noir ! Voilà tout le manifeste esthétique de l'illustrateur expressionniste à qui nous devons, disséminées dans des musées et des livres, ces gravures, reconnaissables entre toutes, devant lesquelles nous nous défendons mal d'un malaise devant les souffrances aisément devinables d'un artiste plus écorché que les autres - la guérison par l'art ? Sa vie, racontée par Kubin lui-même ne nous incite pas à conclure ainsi. Là où nous sommes confrontés à la névrose étrangère et toute constituée, écrit Freud à peu près à l'époque même où Kubin écrit L'Autre côté, dans la vie nous appellerons le médecin et tiendrons la figure pour inapte à la scène. Pourtant, sans remontrer à Jérôme Bosch, à Goya, en tout cas à tous ceux que Kubin admira, jusqu'à Odilon Redon et James Ensor, une bonne partie des oeuvres offensives du XXe siècle n'ont-elles pas consisté, malgré les réticences de Freud, à tirer un peu de jouissance de beaucoup de souffrance, et sans réveiller en nous forcément sadisme et masochisme, à nous inviter, à défaut de pâmoisons devant la beauté, ou de complaisances avec la douleur, à de la compassion devant cette souffrance ? L'oeuvre de Kubin n'est pas exempte de bonté lorsqu'il prend pour finir pitié de son persécuteur moribond, et qu'il va jusqu'à trouver de la beauté à son cadavre : L'image d'un dieu antique ! Comme il est beau ! - mais il y a encore, dans cette oeuvre, une autre source de plaisir dont nous souhaitons que l'opéra la fasse aussi sourdre pour le spectateur, c'est une espèce d'humour rocambolesque et glauque qui rend souvent les pulsions des personnages burlesques, leur sexualité, franchement saugrenue, leurs extases, ridicules ! Telles sont quelques-unes des questions que le musicien et le librettiste se sont d'abord posées, avant le metteur en scène Emmanuel Demarcy-Mota, qui a si intimement adhéré au projet aussitôt qu'il l'a connu et qui y a fait entrer de plain pied ses collaborateurs - telle est cette étrange entreprise qu'il nous plaît à tous trois de regarder encore aujourd'hui comme risquée. Vérifier que le public voudra bien courir le risque avec nous est notre plus cher désir. François Regnault Presse Bruno Mantovani aborde, à bientôt trente-deux ans, son premier opéra avec l'ambition de rendre au fantastique du roman d'Alfred Kubin (1877-1959) sa force originale et son étrangeté narrative. L'Autre côté, fable sans morale, met en scène l'Empire du rêve, absurde refuge contre tout progrès, qui plonge dans le chaos après avoir été soustrait à la dictature de son chef Patéra. Récit admirable et visionnaire, accompagné par l'auteur d'effrayantes illustrations, il a marqué l'Europe centrale littéraire et artistique du début du XXe siècle. Bruno Mantovani, associé au dramaturge François Regnault et au metteur en scène Emmanuel Demarcy-Mota, cherche à rendre le mouvement perpétuel de cet effondrement. L'orchestre y est vaste et brillant, incluant six percussions dont le rôle est d'élargir l'espace sonore. Le choeur - cette masse grouillante proche des images apocalyptiques de Kubin - mobilise et anime la scène. Les rôles solistes enfin se répartissent autour du narrateur, Alfred Kubin lui-même, personnage central emporté dans ce drame sans fin. Cette création mondiale constitue l'élément fédérateur du portrait consacré au jeune compositeur français par Musica, en collaboration avec l'Opéra national du Rhin. Musica Antoine Gindt
71.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Orgelsinfonie No. 16
(SCHNEIDER ENJOTT) Organ Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.
The composer describes the five movements of the symphony as follows:
'1st movement:
Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.
2nd movement:
In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.
3rd movement:
The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air.
4th movement:
The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air.
5th movement:
The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
25.53 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Library of Easy Classical
Guitar Solos: Guitar:
Instrumental Album Guitar notes and tablatures Classical guitar - Easy Music Sales
Library of Easy Classical Guitar Solos. A superb collection of easy and rewardin...(+)
Library of Easy Classical Guitar Solos. A superb collection of easy and rewarding classical guitar solos, each one carefully selected and arranged in modern notation and tablature for the beginning guitarist. Turn these pages to enjoy the greatest guitar music of the Renaissance, Baroque, classical, and Romantic periods. Excerpts from essential guitar methods by Aguado, Carcassi (Op. 60), Carulli, Giuliani (Opp. 50, 51) and Sor (Opp. 60, 48): traditional settings of timeless classics by Bach, Pachelbel, Beethoven, Paganini, Wagner and Mendelssohn: and recital and audition favorites by Galilei, Tárrega and Satie are all contained within these pages. Early masterpieces by Milan, Dowland, Sanz and de Visée are represented here, as well as rarer but equally delightful works by Bosch and Coste.
25.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jens Franke: Romantic
Guitar Anthology Vol. 2:
Guitar: Instrumental
Album Guitar Classical guitar [Sheet music + CD] - Intermediate Schott
30 Original Works & Transcriptions-Romantic Guitar Anthology Vol.2 is a graded r...(+)
30 Original Works & Transcriptions-Romantic Guitar Anthology Vol.2 is a graded repertoire book suitable for students of around grades 3-4 playing standard. Standard teaching pieces by the 19th Century’s leading composer-guitarists Coste and Sor are presented alongside more rarely available works by Jaime Bosch Franz Tucek and José Vinas. Original pieces by Berlioz and Paganini are included as are carefully selected transcriptions of works by Rossini Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included together with a CD recording of all of the works in the anthology performed by Jens Franke.
15.99 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| John McCabe: Pueblo:
Double Bass: Instrumental
Work Double Bass [Sheet music] Novello & Co Ltd.
John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo i...(+)
John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo is an off-shoot of a series of compositions inspired by desert country and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous falling into several sections and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close. It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham published by Thames and Hudson: 'Clouds high and flat were now building up in thesky the wind was settling to silent calm the weather was very cold and the stream through the center of the pueblo was almost frozen across the Indians chipping out ice to melt down for water.' The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works this belongs to this family of compositions along with another Banham setting written for the King's Singers Scenes In America Deserta. - John McCabe
6.50 GBP - Sold by Musicroom UK | |
| Kevin Volans: Turning
Point: Ensemble: Score Chester
Kevin Volans' Turning Point was commissioned by the Stellenbosch International C...(+)
Kevin Volans' Turning Point was commissioned by the Stellenbosch International Chamber Music Festival. The first performance took place on 5 July 2013 given by Demarre McGill (flute) Ferdinand Steiner (clarinet) FrankStadler (violin) Jeff Bradetich (double bass) Luis Magalhaes (piano 1) and Nina Schumann (piano 2) as part of the Stellenbosch International Chamber Music Festival.Duration: c.15 minutes
19.99 GBP - Sold by Musicroom UK | |
| Kevin Volans: Turning
Point: Ensemble: Parts Chester
Kevin Volans’ Turning Point was commissioned by the Stellenbosch Internatio...(+)
Kevin Volans’ Turning Point was commissioned by the Stellenbosch International Chamber Music Festival. The first performance took place on 5 July 2013 given by Demarre McGill (flute) Ferdinand Steiner (clarinet) FrankStadler (violin) Jeff Bradetich (double bass) Luis Magalhaes (piano 1) and Nina Schumann (piano 2) as part of the Stellenbosch International Chamber Music Festival.Duration: c.15 minutes. Parts for flute clarinet violin double bass & two pianos.
42.50 GBP - Sold by Musicroom UK | |
| Hinkel, Volker /
Freudentha, Peter : Lemon
Tree
De Haske Publications 41.05 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Hinkel, Volker /
Freudentha, Peter : Lemon
Tree Accordion De Haske Publications 13.70 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Madrigali. Libro I
(Venezia 1587) Choral SSATB Ut Orpheus
14. Usciam, Ninfe, Omai Fuor Di Questi Boschi/ Recueil / 5 Voix (SSATB)
5.99 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Le Piano A La Carte -
Vol.1/ 32 Pièces
Originales Pour Les
Premières
Années De Piano
Vol.1 Français Piano solo Delatour France
Voilà un recueil simple et non simpliste, attractif car toujours musical et int...(+)
Voilà un recueil simple et non simpliste, attractif car toujours musical et intelligemment conçu par Olivier, Carole et Fabrice. C'est le parcours d'un apprentissage structuré, ingénieux et varié, qui garantit aux pianistes des premières années le plaisir mélodique, rythmique, bien dosé et 'dans le vent qui décoiffe.' Dégustez-le, chers amis, a piacere e allegrammente. - Hélène Boscheron - / Piano
32.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Wolfgang Amadeus Mozart:
Cosi Fan Tutte Edition Choudens
Mozart 's Cosi Fan Tutte a comic opera in two acts that was first performed in...(+)
Mozart 's Cosi Fan Tutte a comic opera in two acts that was first performed in 1790 in Vienna. The opera is now one of the most performed in the standard repertoire around the world. This features a French translation by Adolphe Boschot in an arrangement for Voice and a Piano reduction for accompaniment.
22.50 GBP - Sold by Musicroom UK | |
| Jan Bosveld: Brabantia
Aeterna: Concert Band:
Score & Parts Concert band [Score and Parts] Gobelin Music Publications
In 2006 Brabant will be celebrating it’s 900th anniversary. On May 13th 110...(+)
In 2006 Brabant will be celebrating it’s 900th anniversary. On May 13th 1106 the count Van Leuven was appointed duke of Brabant. This was the birth of the duchy of Brabant. For centuries this duchy situated in the heart of the Netherlands was the primary of the seventeen provinces in the Lowlands. Brabant formed with it’s capital cities Brussels Leuven Antwerp and ‘s-Hertogenbosch the focal point for politics culture and economy. The revolution against Spain (1566-1648) caused a fracture between the North and South. The old duchy was divided into a Dutch and Belgian part. Even though each had their own historical background the bond forged in the past was partially keptalive. To this day we still have a duke of Brabant. Brabantia Aeterna takes you on a musical journey through 900 years of Brabant history. A fascinating journey portraying war and peace love and grief prosperity and adversity development and deterioration. Listen to how monks chanted bells tolled and churches were built. Or take the thirteenth and fourteenth centuries with their bustling markets builders of cities or the bleating of countless sheep across the heather. The plague tribulations soldiers and political bickering in the following centuries. Hear how the industrialisation of the nineteenth and twentieth centuries provided prosperity for the region and how to this day the following saying still applies: ‘the road to Brabant leads to a warmer world’ Brabantia Aeterna was commissioned by the Brabantse Bond van Muziekverenigingen (Brabant Music Society) in honour of its fifth anniversary.
270.99 GBP - Sold by Musicroom UK | |
| Jan Bosveld: Brabantia
Aeterna: Concert Band:
Score Concert band Gobelin Music Publications
In 2006 Brabant will be celebrating it’s 900th anniversary. On May 13th 110...(+)
In 2006 Brabant will be celebrating it’s 900th anniversary. On May 13th 1106 the count Van Leuven was appointed duke of Brabant. This was the birth of the duchy of Brabant. For centuries this duchy situated in the heart of the Netherlands was the primary of the seventeen provinces in the Lowlands. Brabant formed with it’s capital cities Brussels Leuven Antwerp and ‘s-Hertogenbosch the focal point for politics culture and economy. The revolution against Spain (1566-1648) caused a fracture between the North and South. The old duchy was divided into a Dutch and Belgian part. Even though each had their own historical background the bond forged in the past was partially keptalive. To this day we still have a duke of Brabant. Brabantia Aeterna takes you on a musical journey through 900 years of Brabant history. A fascinating journey portraying war and peace love and grief prosperity and adversity development and deterioration. Listen to how monks chanted bells tolled and churches were built. Or take the thirteenth and fourteenth centuries with their bustling markets builders of cities or the bleating of countless sheep across the heather. The plague tribulations soldiers and political bickering in the following centuries. Hear how the industrialisation of the nineteenth and twentieth centuries provided prosperity for the region and how to this day the following saying still applies: ‘the road to Brabant leads to a warmer world’ Brabantia Aeterna was commissioned by the Brabantse Bond van Muziekverenigingen (Brabant Music Society) in honour of its fifth anniversary.
37.50 GBP - Sold by Musicroom UK | |
| Les Plaisirs De La Harpe
Vol.3 (GELIOT HUGUETTE) Français Harp Lemoine, Henry
Par GELIOT HUGUETTE. / classique / Répertoire / Harpe
30.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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