Par BOELLMANN LEON. / Date parution : 2022-03-08/ Répertoire / 3 Hautbois, 1 Hautbois d'amour, 2 Cors anglais, 1

Brégant Mélanie. Par BOELLMANN LEON. / Date parution : 2023-03-21/ Répertoire / Accordéon

Description 27 scintillating works for Church or Concert performance. Songlist Capriccio, 'La Caccia' (Polibio Fumagalli) Carillon (Leo Sowerby) Carillon From 'Douze Pieces', Op.16 (Leon Boellmann) Carillons From 'Dix Pieces', Op.7 (Emile Bourdon) Carillon-sortie (Mulet) Fanfare D'orgue (Harry Rowe Shelley) Festival Toccata [Fletcher, Percy E.] Humoresque, 'L'organo Primitivo' (Pietro Yon) Les Carillons De Saint-paul D'orleans (Adolphe Marty) Rondo Con Imitatizione De' Campanelli (Giovanni Morandi) Roulade From 'Six Pieces', Op.9 (Seth Bingham) Scherzo (Gaston Dethier) Scherzo In E Major From 'Dix Pieces' (Eugene Gigout) Scherzo In G Minor Op.49 No.2 Toccata (Symphony No.5) [Widor, Charles-Marie] Toccata And Fugue In D Minor- Bwv565 (J.S Bach Ed. Lemare) Toccata From 'Suite Gothique (Leon Boellmann) Toccata In A Major Op.67, No.2 (Georges Macmaster) Toccata In B Minor From 'Dix Pieces' (Eugene Gigout) Toccata In B Minor From 'Suite De Morceaux' (Charles Tournemire) Toccata In D Minor From 'Trois Pieces' (Alphonse Mailly) Toccata In D Minor Op.108, No.1 (Albert Renaud) Toccata In E Major (Remigio Renzi) Toccata In E Minor (Joseph Callaerts) Toccata In G Major From 'Douze Pieces' (Theodore Dubois) Tu Es Petra From 'Equisses Byzantines' (Henri Mulet) Veritables Preludes Flasques

Partition pour piano Nombre de pages : 27 Niveau : 2 Contenu : Absil: Ronde paysanne - Le Ruisselet - Albéniz: España n°1 (Prélude) - Boellmann: Verset n°8 - Boulnois: Aria - Charles-Henry: Little Fats - Goedicke: Miniature Op.8 n°4 - Grieg: Feuille d'album - Kabalevski: Le Clown - Maykapar: Berceuse - Mignan: Le Rouet capricieux - Mouquet: Chanson angoumoise - Mulder: Sarabande - Prokofiev: Historiette - Puig-Roget: J... comme jardinier - Sancan: Princesse lointaine

J'ai conçu ces pièces dans le but qu'elles ne soient pas trop difficiles techniquement, et qu'elles puissent servir pour la liturgie, De même, l'esthétique des pièces est souvent très épurée, de manière à pouvoir toucher un large public, et notamment les jeunes générations, Enfin, la Toccata finale sera source de progrès et motivera les jeunes élèves à l'instar de celles de Eugène Gigout, ou Léon Boellmann, - Procession (02'30'')- Bourdon (04'00'')- Dolce (04'30'')- Communion (05'30'')- Toccata (05'00'') / Orgue

A valuable collection of 30 pieces for the church organist. Works by Bach Mendelssohn Parry Boellmann Brahms Karg-Elert and Handel and more all arranged for manuals and pedals.

Lo Sweep Picking, chiamato anche Economy Picking o Speed Picking, è sicuramente una delle tecniche chitarristiche più innovative degli anni '80, periodo in cui grazie ad alcuni esponenti della sei corde (F. Gambale, P. Gilbert, Y. Malmsteen, V. Moore, S. Vai, J. Satriani e altri ancora) si è sviluppata ai massimi livelli. Grazie a questo tipo di approccio il chitarrista moderno è ora in grado di eseguire virtuosismi altrimenti impossibili e lo stesso strumento si è così 'parificato? ad altri dove i medesimi 'passaggi? risultavano molto più praticabili ed accessibili. Nicola Balliana (direttore del Modern Music Institute di Treviso e autore di altri due dvd: 'La Plettrata Alternata? per questa stessa collana e '50 Fraseggi Blues? per la collana 'Videofraseggi?), è uno dei chitarristi più qualificati nel campo e in questo dvd vi aiuterà a studiare e perfezionare lo Sweep Picking dalle basi fino ai livelli più alti, insegnandovi ad applicarlo con un suono pulito e sicuro. / Guitare

Gabriel Fauré
Sonate pour violoncelle n° 2 en sol mineur op. 117
Fabian Kolb (Editeur)
Markus Bellheim (Doigtés)
David Geringas (Doigtés violoncelle)
Edition Urtext, reliure paperback
partie de corde avec ou sans indications de doigté
À l’inverse de la première Sonate pour violoncelle composée quatre ans plus tôt (HN 1357), cette seconde Sonate, sensiblement plus séduisante et plaisante à jouer a obtenu dès le début un grand succès auprès du public et des critiques. Son ami et compagnon de route Vincent d’Indy écrivit à Fauré, le lendemain de la création en mai 1922: «Je veux te dire combien je suis encore sous le charme de ta si belle Sonate. J’ai trouvé là-dedans: La Musique que l’on semble oublier à présent». Il n’est donc guère étonnant que cette sonate ait rapidement figuré au répertoire des concerts, où elle tient aujourd’hui solidement sa place. Pour les indications de doigtés, nous avons pu compter sur le duo David Geringas et Markus Bellheim. / Partitions classique / Cordes / Violoncelle / HENLE VERLAG

Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volumi-I Puritani is the last work of Vincenzo Bellini: composed in nine months from April 1834 to January 1835 (a gestation unusually long for that time) was performed for the first time in Paris Théâtre Italien 24 January 1835. During this period the dramatic structure suffered radical transformations: initially structured in two acts the work was divided into three acts just before the premiere but on the eve of the first performance and immediately after that theexcessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo whose protagonist had to beMaria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century.The new Critical Edition is based on the autograph on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo at the Museo Civico Belliniano in Catania at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version; it consists of three-score volumes- introduced by a detailed reconstruction of the historical context - and of a ?Apparati? volume with a description of the Sources and the Critical Commentary to the musical text.