Opus 81 has long been one of the pieces of chamber music most frequently played internationally.

The present edition is based on the ?Complete Edition of the Works of Antonín Dvorák?, the new detailed foreword is by David Beveridge.

? One of the most frequently played chamber music works
? New detailed foreword by David Beveridge (Cz/Eng/Ger) / [Quintet pour Piano La Majeur Opus 81] / Classique / Partition / Agrafé /

Excellent, éditions autorité de 3 des plus belles oeuvres de musique de chambre du compositeur français: Quatuor avec piano n o 1 en ut mineur, op. 15, le Quatuor avec piano n o 2 en sol mineur, op. 45 et le Quintette avec piano n o 1 en ré mineur, op. 89. Sources en un seul volume pratique pour les étudiants en musique, les amateurs de musique de chambre, les dévots Fauré. / Partition D'Orchestre

Kvintet Opus 130 For Flute Violin Viola Violoncel and Piano by Danish composer Niels Viggo Bentzon.

Par LARCHER THOMAS. It was not until his late twenties that the pianist, Thomas Larcher, known as an expert of contemporary music, began his career as a composer. Among his most interesting works is the string quartet 'Cold Farmer'. This fifteen-minute work is characterized by moods changing in a blocklike manner. The features of minimal music can be recognized particularly in the fast repetitive sections. The two slow parts acknowledge a tonal language again and again. The first, astonishingly, begins openly in C major, the end of the string quartet fades away in C# Minor. 'Cold Farmer' is released on Larcher's second portrait CD on the renowned label ECM, as is his work 'Mumien' for violoncello and piano already available from Schott (CB 182)./ Répertoire / Quatuor à Cordes

Par BRUCE-WEBER RENATE. The World Tour' has emerged from the practical work with a budding children's orchestra. The collection consists of both well-known songs and songs from the children's home countries. It is suitable as a first introduction into chamber music playing. By using different techniques (pizzicato, con sordino, solo and tutti), a colourful string orchestra setting is created which forms a beautiful sound image for a children's orchestra. To enable the children to grasp the melodic parts as songs, the song text has been added, whenever possible./ Recueil / 2 Violons et Piano

Scott Joplin's Ragtime Favorites for Strings as performed by Zinn's Ragtime String Quartet. Published for first violin, second violin viola, cello, string bass (optional), score and piano accompaniment.

Cheryl Frances-Hoad's The Dreams That Fly from Me for solo String Quartet and String Orchestra. Score. 'The Dreams That Fly From Me is a ten minute work for solo string quartet and string orchestra. It is in two movements (one slow one fast) that are played without a break. I spent ten years at the Yehudi Menuhin School (a specialist music school for string and piano) growing up so this piece cannot help but be strongly influenced by the music I played in the school orchestra during this time. In particular the work is influenced by Elgar’s Introduction and Allegro Strauss’s Metamorphosen (fortwenty-three solo strings) and Tippett’s Concerto for Double String Orchestra although the harmonic language of the piece (which is essentially very jazzy) helps to obscure these musical references. In terms of extra musical inspiration the work was inspired by a poem by Ivan Goll called Bloodhound which includes the lines “Catch the dreams that fly off from me.... And savage the ankles of my fleeting angel” I was inspired by the idea of a “fleeting angel” which at a time when I had been having difficulties composing seemed very poignant: the angel of the poem seemed to be a poetic representation of my inspiration. The Dreams That Fly From Me was premiered by the Szymanowsky Quartet and the Northern Sinfonia (Bradley Creswick director) at Hovingham Hall on the 28th July 2013 as part of the 2013 Ryedale Festival.' - Cheryl Frances-Hoad

Selections from the number one classical album from the duet who are supporting Bryan Ferry on tour in 2004. 11 violin duets and piano accompaniment.

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

17 Klezmer Tunes. Par JOHOW JOACHIM. This edition contains klezmer tunes for 1-2 violins with piano accompaniment - sometimes lively and sweeping, sometimes soft and lyrical! Of easy to intermediate difficulty, the pieces are a valuable addition to music lessons and are suitable for both concert performances and music-making at home. If there is no pianist available, the CD can be used as a 'duo partner'. I n addition, chord symbols allow for accompaniment with the guitar or other instruments. Further editions by Joachim Johow: My Blue Violin (ED 21767), The Merry Fiddler (ED 21768), Coffee and Violin (ED 22670)./ Recueil / 1 ou 2 Violons et Piano, Contrebasse Ad. Libitum

The Concerto For Two Violins was written for Yehudi Menuhin and Alberto Lysy who gave the first performance of the work at the Bath Festival on 24th June 1962. This edition has a Piano reduction of the original score for String Orchestra.