Étude Méthodique des positions – 1er cahier was created by Maurice Hauchard (1870-1957) a French violinist composer and music teacher. This is the first in a series of four constituting a renowned progressive method for beginners/intermediate violinists to learn the different positions. Étude Méthodique des positions – 1er cahier particularly offers methods and exercises to master the third position in violin. The quality and the efficiency of Maurice Hauchard’s methods make this book a key series to have for a Violin player. In addition tothese series the composer also created nine additional methods for strings.

G.F.Handel (1685-1759) is considered as one of the greatest composers to have ever lived. Therefore when violinist Georges Catherine arranged Petite Marche for Violin and Piano it was very well-received. G.F.Handel was a German-born baroque composer who spent the majority of his life in England. His works remain ever popular to this day and Catherine's transcription of Petite Marche for Violin and Piano ensure that the composer's much loved works are more accessible. For all violinists this Catherine arrangement of Handel's PetiteMarche is essential.

Violin Part and Piano Acc.-Suzuki Solos For Young Violinists Volume 5. Selections from the Student Repertoire. Compiled and edited by Violinist Barbara Barber.

Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell?Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l?Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori ?storicamente informati?. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L?Arte dell?Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all?azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell?opere del Maestro delle Nazioni anche se grazie all?instancabile lavoro di Sergio Durante e con l?istituzione del ?Comitato Tartini 2020? si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti ?tradizionali? che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo

Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.

Mit seinem umfassenden und vielseitigen Repertoire gewährt Ihnen dieses Lehrbuch Zugang zu den erlesensten Werken der Klassik an der Violine. Damit sollten gleich drei Ziele erreicht werden: dass Sie Ihren musikalischen Horizont erweitern dass Sie Ihre Spieltechnik verbessern aber auch schlicht und einfach Spaß beim Spielen bekannter Arien auf Ihrer Violine haben. Alle großen Komponisten sind in diesem Lehrbuch vertreten ? mit einem oder sogar mehreren Werken. Geboten werden Ihnen Konzerte Symphonien Sonaten Lieder Arien und Ouvertüren Renaissance-Tänze Orchesterstücke Walzer Ballette aber auchInstrumentalstücke wie etwa Präludien Nokturnen Etüden Märsche Gymnopädien u.v.m. Und damit die Freude am Üben derjenigen auch wirklich Freude bleibt wird jede Partitur von 2 Audio-Aufnahmen begleitet die Sie auf der dem Lehrbuch beiliegenden MP3-CD vorfinden. In der ersten Aufnahme wird der Violinen-Part zu der dazugehörigen musikalischen Begleitung gespielt. In der zweiten Aufnahme hingegen wird Ihnen lediglich ein Playalong (die musikalische Begleitung) geboten damit Sie die Möglichkeit haben die Partitur an Ihrer Violine selbst zu übernehmen. Insgesamt handelt es sich um 174 Aufnahmen mehr als 6 h Musikunterricht die Ihnen hiermit zur Verfügung stehen(!)

1er cahier - 1ère position-Methodical Study of the Double String – Book 1 was created by Maurice Hauchard (1870-1957) a French violinist composer and music teacher. This is the first of a series of two constituting a renowned progressive method for intermediate-beginner violinists to learn how to properly play two string at the same time. Methodical Study of the Double String – Book 1 particularly offers methods and exercises to master a good sonority when playing two strings together. The quality and the efficiency of Maurice Hauchard’s methods make this book a key series to have for a Violin player. In addition to these series the composer also created nine additional methods for strings.

Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book

RV580-Performed by Bojidara Kouzmanova violinAccompaniment: Tempi Concertati Chamber OrchestraConductor: Nayden TodorovThis wonderful and unique Baroque concerto features four magnificent violin parts withstring orchestra. A masterpiece in Vivaldi's oeuvre and a great learning tool as each of the four violin solo parts is of varying difficulty. You pick the part that's right for you and we supply the rest. We've even included aversion minus all violins so you can get together with a group and make great music! Tremendous fun with a sumptuously beautiful classic! This deluxe 2CD set includes a slow-tempo practice version of each accompaniment to help youget up to speed. Includes a newly-engraved edition of the concerto on high-quality ivory paper edited by Ms. Kouzmanova; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and allsoloists; then an additional performance minus you the soloist for each of the four violin solo parts as well as a bonus version minus all violins. Contains a second compact disc featuring -20% reduced-tempo versions of eachaccompaniment for practice purposes.

14 solos or duets for the beginner violinist-A fun book for beginner violinists which concentrates on both aspects of violin playing - pizzicato and bowing. The volume can be used as a solo or a duet book and combines both techniques in an imaginative and enjoyable way.

Méthode Élémentaire – 2ème cahier was created by Maurice Hauchard (1870-1957) a French violinist composer and music teacher. This is the second in a series of three books constituting a renowned progressive method for beginners/intermediate players. This second book of Méthode Élémentaire focuses on tonalities major and minor other than G C D Major. It proposes different exercises which involves fingers crossing extensions chromaticism scales and arpeggios. The violinists are also introduced to some melodic extracts from renowned composers. The qualityand the efficiency of Maurice Hauchard’s methods make this book a key series to have for a Violin player. And in addition to this series the composer also created nine additional methods for strings.

Selections from the Student Repertoire-Solos For Young Violinists selections from the student repertoire volume 3. Performed by violinist Barbara Barber with pianist Trudi Post.

Music Minus One Violin Deluxe 2-CD Set-Three beautiful Baroque concerti from the master composer Antonio Vivaldi all part of his famous 'L'Estro Armonico.' Glorious Venetian Baroque music rewarding to study and play. The wonderful 'Double' Concerto includes printed parts for both primo and secondo violin and includes accompaniments with orchestra minus primo violin as well as with orchestra only (minus both violins) for you and a fellow violinist to perform. Suitable for a variety of technical levels. Includes a high-quality printed music score and 2 compact discs with complete and stereo accompaniment recordings. Performed by Geoffrey Applegate violin Lenore Sjoberg 2nd violin Accompaniment: ClassicChamber Orchestra Conductor: Emil Kahn

Für Violine Solo BWV 1001-1006. Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument ? the violin. The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition ? Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries. The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.