Best Traditional Folk Solos. Par GANGEL WILLIAM. La série Fingerstyle MBGU est conçue pour fournir des guitaristes fingerstyle intermédiaire à avancé avec une grande variété de pièces solos attrayants pour ajouter à leur répertoire. Les documents contenus dans ces volumes sont idéal pour la performance aux engagements professionnels-dates de concerts, cocktail parties ou club. Ces solos peuvent être également utilisées à des fins éducatives et dont bénéficient les étudiants et les enseignants. MBGU Fingerstyle : Best Traditional/Folk est une collection de beaux arrangements des airs folkloriques traditionnels ainsi que quelques pièces contemporaines composées dans le style folk. Notation standard de la guitare classique et la tablature sont fournis tout au long de pour la commodité de ceux qui sont plus à l'aise de lecture dans un style ou d'une autre. Tous les morceaux du livre est inclus sur le CD. / Niveau : Intermédiaire / Acoustic Music - Solos / Tablatures / Guitare Tablatures

Arr. Shu-Han. Par TRADITIONNEL. 8'00 / Niveau : 3 / Orchestre / Répertoire / Folklore et tradition

Arr. Jean Pascal Beintus. Par TRADITIONNEL. 3'16 / Niveau : 3 / Orchestre / Répertoire / Folklore et tradition

The Balkans - where Europe meets Asia...All the cultural diversity of the Balkans is reflected in its varied and colourful music. Hidan Mamudov's selection of pieces from the region, in arrangements for ensemble and separate play-along editions for solo instruments, will provide new experiences for middle-grade players and beyond?The pieces are selected from Turkey, Hungary, Croatia, Bulgaria, Macedonia, Serbia and Bosnia-Herzegovina. Included are fascinating historical notes about the music and descriptions of traditional instruments. Special playing techniques are explained and performance tips will help players achieve an authentic sound. All this, together with the CDs of demonstration performances and play-along tracks is sure to be inspirational. / Violon

Traditional Songs from Québec for English-Speakers is a collection of 25 hand-picked powerful and gorgeous songs. They range from rousing and rollicking to exquisite and heartbreaking and from widely-known to rare gems of therepertoire. Each song is presented in French as well as in singable English with well-crafted lyrics and each is accompanied by an introduction that adds to an appreciation and understanding of its background. Additionally each song includes transcriptions of the melody as well as two interlocking optional harmonies that can be used singly or together. Both singers and a wide variety of instrumentalists can use these beautifularrangements (and may find helpful the 100 free recordings of them with the melody and harmonies together and separately on the web.) The book's introduction gives a brief historical overview of Québécois traditionalsongs as well as a guide to the use of the book and playing of the songs. In the back of the book you'll find lists of all the recordings and books referenced within plus lists of festivals camps and gatherings where you canenjoy hear learn and share in some of Québec's rich store of traditional music.

Both a dedicated carol singer and an authority on the history of English music Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.For over fifty years he has sung edited and composed carols each Christmas and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword the book does not pointlessly duplicate what can be found in many other carol books but has a personality and purpose of its own.Twenty-two fresh and practical arrangements include carols from Austria France Germany Mexico Poland and the USA alongside music both rare and familiar from the rich heritage of the English carol tradition. As well as eight of his personal favourites from J. S. Bach to Charles Ives the author includes seven new compositions of his own settings of medieval and traditional texts that reveal his skill as a choral composer whose command of style ranges from the humorous to the profound.In addition to sample programmes and translations there are invaluable notes on the performance and history of individual items plus an historical summary of the genre as a whole: everything in fact to make Christmas is Coming an indispensable companion for singers who wish to enrich the seasonal repertoire for concerts churches and traditional Yuletide carolling.

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

Leichte Bis Mittelschwere Folksongs Aus Schottland, Irland, Wales, Dem Cornwall und Der Bretagne. Martin Tourish is an accordion specialist from Ireland whose own history is steeped in the tradition of Celtic Music. In his ground-breaking publication ?CELTIC?, he explored, in arrangements for solo, standard-bass accordion, music from Ireland, Scotland, Wales, Cornwall and Brittany. In this new book, he opens the world of Celtic music to flautists who can explore this music in equal partnership with an accordion player. He offers his expert insight into no less than thirteen pieces in accessible arrangements for intermediate players./ Recueil / Flûte et Accordéon Basse

A Quality Selection Of Intermediate-Level Arrangements. Klezmer music is a continually evolving style yet with firm traditional roots in the past. It is full of catchy tunes while allowing for a wide range of interpretations that cannot always be written down in all their subtleties. In 'Klezmer Flute Duets”, Michael Lösch has made arrangements, for two flutes, of his personal selection from this huge repertoire of traditional pieces and added five of his own compositions inspired by this evocative music./ Recueil / 2 Flûtes Traversières

Par ONGARELLO ANTONIO. by Antonio Ongarello. Learn and play 16 traditional songs arranged for Jazz Guitar./ Recueil / Guitare

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile à Intermédiaire / Recueil / Trompette