Robert Schumann's Complete Songs Vol.2: 87 Songs for Voice and Piano. Edition for High Voice edited by Friedlander.Sonntag; Der Himmel hat eine Träne geweint; DerSpielmann; Stille Liebe; Frage; Stille Tränen; Wer machte dich so krank?; Alte Laute;Ständchen; Nichts schöneres; Auf das Trinkglas eines verstorbenen Freundes; Liebesbotschaft; Sehnsucht nach der Waldgegend; O ihr Herren; Ich hab in mich gesogen; Liebste was kann denn uns scheiden?; Flügel! Flügel! um zu fliegen; Rose Meer und Sonne; O Sonn o Meer o Rose; Märzveilchen; Muttertraum; Zigeunerliedche No. 2; Dichters Genesung; Jasminenstrauch;Es treibt mich hin; Ich wandelte unter den Bäumen; Lieb Liebchen; Schöne Wiege meiner Leiden; Warte warte wilder Schiffmann; Berg' und Burgen schaun herunter; Anfangs wollt ich fast verzagen; Sag an o lieber Vogel; Wanderung; Was soll ich sagen?; VerrateneLiebe; Nur ein lächelnder Blick; Der Knabe mitdem Wunderhorn; Der Page; Der Hidalgo; Die Löwenbraut; Die Kartenlegerin; Die rote Hanne; Lust der Sturmnacht; Stirb Lieb und Freud; Dem roten Röslein; Die wandelnde Glocke; Frühlingsbotschaft; Der Soldat; Vom Schlaraffenland; Zigeunerliedchen No. 1; Des Knaben Berglied; Käuzlein; Hinaus ins Freie!; Der Sandmann; Morgens steh' ich auf undfrage; Weihnachtslied; Schmetterling; Frühlings Ankunft; Kinderwacht; Des Sennen Abschied; Er ist's; Des Buben Schützenlied; Schneeglöckchen; Lied Lynceus des Türmers; Mignon; Die Waise; Tragödie; Der Schatzgräber; Abends am Strand; Die feindlichen Brüder; Die Nonne; Sehnsucht; Auf dem Rhein; Liebeslied; Loreley; Frühlingsgruß; Das verlaßne Mägdelein; Der Abendstern; Melancholie; Geständnis; Der Kontrabandiste; Der frohe Wandersmann; Mein Garten; Geisternähe; Stiller Vorwurf; Aufträge; Belsatzar.

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

The Album Of Sacred Songs was first published in 1918 as part of the ever-popular Schirmer's Library Of Musical Classics. Since then it has been re-released and re-printed many times but the original and much-loved collection of songs it contains has remained the same. Hidden within its 100+ pages are 22 sacred works by Bizet Gounod Hiller Mendelssohn Saint-Saens and many others all arranged for High Voice and Piano. This is a volume that will be treasured and re-used many times.

The first volume of Richard Strauss' Song Album arranged for High Voice and Piano.

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 4-5 for High Voice and Piano.

Fifty songs by fourteen American twentieth-century composers on the theme of Love for High Voice and Piano.

Solvejgs Lied (Solvejg's Song) is a beautiful piece for High Voice with a simple yet effective Piano Accompaniment composed by Edvard Grieg (1843-1907).

Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146

This is a collection of 45 of Handel's Arias across 3 volumes. This is the second volume, and is arranged for High Voice and Piano, as selected and edited by Sergius Kagen.
/ Partitions classique / Vocale - chorale / Voix solo - piano / IMC

Hohe Stimme / High Voice-Walther Dürr one of the most distinguished Schubert-scientists publishes an addition to the new Urtext-edition of Schubert-songs in high middle and low range.

A superb collection of vocal music for high voice with piano accompaniment by celebrated Spanish composers. A brief introduction to the composers and their personal style is also included in English and Spanish.

An extremely expressive and beautiful piece Ave Maria has been a traditional favorite for church performance. This timeless masterpiece is an adaptation of Bach’s famous Prelude No.1 In C by Charles Gounod for Voice. Available here for High Voice with Piano accompaniment.

46 songs for High Voice with Piano accompaniment.An die LeierDer LiedlerEllen's Gesang IIWillkommen und AbschiedLied des gefangenen JägersEllen's Gesang III (Hymne an die Jungfrau)Normans GesangCoronachBootgesangEllen's Gesang IAn die untergehende SonneNacht und TräumeDie junge NonneSehnsuchtDer AlpenjägerDer PilgrimDie BergeDer SchmetterlingDer EinsameDer Wanderer an den MondIm HaineDas ZügenglöckleinDie AllmachtDas HeimwehDieRoseAuf dem Wasser zu singenDrang in die FerneDer WachtelschlagAus Heliopolis IDer WandererLied eines Schiffers an die DioskurenGesänge aus 'Wilhelm Meister' IV: Lied der MignonDu liebst mich nichtIm FreienAn den MondGesänge aus 'Wilhelm Meister' III: Lied der MignonDes Mädchens KlageHektors AbschiedDass sie hier gewesenDu bist die Ruh'Lachen und WeinenGreisengesangDithyrambeGesänge aus 'Wilhelm Meister' I: Mignon und der HarfnerGesänge aus 'Wilhelm Meister' II: Lied der MignonAn Emma