Now it's your chance to swing along with the greatest composers of the Romantic era! This book and CD pack features 12 favourite Romantic works, with a difference - exciting, inventive arrangements by Mark Armstrong that make them appealing and fun for all ages. The CD features live jazz trio backing tracks, complete with full instrumental performances of each track. Also included on the CD are printable PDFs of the piano accompaniments which are the same for each 'Swinging Romantic Play-Along' publication for other instruments making it ideal for ensemble or solo playing ./ Recueil / Trompette

Description Wagner On Conducting Wagner initiated Romantic image of the conductor as fiery, omniscient dictator of the podium. This book has been translated by Edward Dannreuther.

in Full Score-With this great early opera Wagner achieved the first true representation of his mature style as a German Romantic composer. Reproduced directly from the limited 1896 Weingartner edition that corrected numerous errors and incorporated Wagner's revisions. In addition the text and stage directions appear in English German and Italian.Reprint of the Weingartner 1896 edition.

The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano

Accompagnement de piano par Kocsis Zoltán Instrument: Piano Genre: Romantic Pages: 8 pp Date du parution: Juin 1978

The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument

A collection of popular organ music for weddings. Includes 'Bridal Chorus' (Wagner), 'Wedding March' (Mendelssohn) and 'Alla Marcia' (Ireland). / Orgue

Music has always been a vital magical ingredient to any wedding ceremony and with The Wedding Collection all those memorable melodies arranged for solo Piano can be found in one convenient celebratory anthologyvolume.From Wagner's Bridal March and Handel's Arrival Of The Queen Of Sheba to Bach's Air On The G String and Pachelbel's Canon In D these are the classical favourites that have becomesimply synonymous with the grace and sparkle of that special day. This album is the perfect choice not only for the working pianist but for anyone wishing to capture that unique atmosphere of love romance and harmony at thePiano. Often the music is the most crucial part of anyone's big day. It's the soundtrack to the bride's big entrance the theme for signing the register the exit music and the first dance. For a bride asbeautiful and a groom as handsome the music should be just as divine and with this sheet music song book you can be sure to find something in here that fits perfectly. Whether it's the classical classics like FürElise?or Beethoven's Ode To Joy or the subtle melodies of Masenet's Meditation all of the songs here would work perfectly as part of the ceremony or simply to reminisce about the beauty of thatday.? Perfect for pianists who want to perform at weddings or just for simple practising some classical standards that have all the charm and loveliness of that most romantic celebration of love andlife The Wedding Collection is an unbeatable sheet music compilation of timeless classical pieces that put the romantic in the Romantic period!

8 Favourite Pieces Arranged for String Quartet-This unique collection of 8 pieces is the latest addition to the popular Schott String Quartet series. Arranged by Barrie Carson Turner the romantic repertoire including Wagner's 'Bridal Chorus' 'Arrival of the Queen of Sheba' by Handel and Mendelssohn's celebrated 'Wedding March' is ideal for commemorating that special day.The Schott String Quartet SeriesWith the first books in the series focusing on baroque classical and romantic styles The Schott String Quartet series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer' which features original compositions each book contains originalarrangements of well known themes which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie