SKU: HL.14007923
ISBN 9780853601661.
From Le Carnaval Des Animaux, 1886. Edited for cello or viola and piano by Robin De Smet.
SKU: AP.36-50703008
ISBN 9781621562887. UPC: 746241204127. English.
Six masterpieces from the Romantic era are beautifully arranged in a variety of styles for the grade four to five string quartet, a versatile collection for any string ensemble's library! Titles include: Menuetto No. 1 and No. 2 from Serenade for Orchestra, Op. 11 (Johannes Brahms); Polonaise Op. 40, No. 1 (Frederic Chopin); Andante (Franz Schubert); Selections from L'arlesienne Suite No. 1 (Georges Bizet); Fugue Op. 161, No. 1 (Camille Saint-Saens) and Alla tedesca from Symphony No. 3 (P.I. Tchaikovsky).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CA.2706000
ISBN 9790007181697. Language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition.
SKU: CA.2706019
ISBN 9790007199784. Language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.
SKU: CA.2706014
Text language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.
SKU: CA.2706005
ISBN 9790007187095. Language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score available separately - see item CA.2706000.
SKU: CA.2706049
ISBN 9790007199791. Language: Latin.
SKU: CA.2706003
ISBN 9790007187088. Language: Latin.
SKU: CA.2706009
ISBN 9790007199777. Language: Latin.
SKU: CA.2706012
SKU: CA.2706011
