SSAA and Piano

SKU: BT.OUP193426474

Composed by Alan Bullard. Book with CD. Banks Publications #OUP193426474. Published by Banks Publications (BT.OUP193426474).

ISBN 9780193426474.

By Alan Bullard (1947-). For SATB choir, a cappella. This edition: X463. Mixed Voices. Christmas Choral Leaflet. Vocal score. 8 pages. Duration 3'

By Alan Bullard (1947-). For Flexible forces. Mixed Voices. Christmas Choral Collection. Paperback. 288 pages

By Alan Bullard (1947-). For SATB choir and organ/piano/small orchestra/chamber group (1. With org/piano, using the accompaniment printed in the vocal score. 2. With small orchestra or chamber group: 1 flute, 1 Ob, 1 clarinet in A, 1 bassoon/Bass clarinet,

By Alan Bullard (1947-). For Descant doubling sopranino/treble/tenor recorder, and piano or guitar. Moderate to Advanced. Published by Forsyth Publications

(A Fresh Approach to Piano Sight-Reading). Composed by Alan Bullard (1947-). For piano. Education. Joining the Dots. Method book. Published by ABRSM (Associated Board of the Royal Schools of Music)

Composed by Alan Bullard (1947-). Secular. Vocal score. 8 pages. Duration 2.5'. Oxford University Press #9780193526358. Published by Oxford University Press

(10 Shakespeare settings for mixed voices). Edited by Bob Chilcott. For SATB choir accompanied and a cappella. Vocal score. 80 pages. Published by Oxford University Press

By Alan Bullard. For Mixed Choir Unaccompanied. A462. Published by Oxford University Press.

SSA choir and piano (Upper Voices - 3 parts or more) - Easy to Moderately Difficult

SKU: OU.9780193522978

Composed by Alan Bullard. Secular Choral - Upp. Voices. Songbird. Vocal score. 20 pages. Duration 5'. Oxford University Press #9780193522978. Published by Oxford University Press (OU.9780193522978).

ISBN 9780193522978. 10 x 7 inches.

For SSA and piano This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style, with catchy melodies and jazz-inspired harmonies.

About Songbird

Songbird presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing, the series includes songs in a variety of scorings, from SA voices with piano to SSAA and percussion. With a range of distinctive musical styles - and warmth, flair, and character in abundance - this is upper-voice choral music at its very best.

Composition

SKU: FP.FTJ06

Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06).

ISBN 9780951479537.

Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.

By Ange Flegier; Eugene Cowles; Frederick Field Bullard; Gustav Hasse; Harvey B. Gaul; Ludwig Fischer; Robert Braine; Wolfgang Amadeus Mozart. Edited by Heinrich Kiehl; Martin Mason. Text: Alfred De Vigny; Alma M. Coombs; Arthur Macy; Carl Muchler; Eugene Cowles; Maxwell Struthers Burt; Monte Wellings; Richard Hovey; Schikaneder; Thomas Moore. For Bass. Piano/Vocal Score. 94 pages. Published by Theodore Presser Company.

By Bullard. For Mixed Choir & Piano. X442. Published by Oxford University Press.