SKU: CA.2680100
ISBN 9790007038496.
SKU: BA.BA05084-01
ISBN 9790006464005. 33.1 x 25.8 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.EB-7161
ISBN 9790004173152. 7.5 x 10.5 inches. German / English.
SKU: FJ.H1024
ISBN 9781619283480. UPC: 241444437070. English.
In 1725, J.S. Bach gave his second wife, Anna Magdalena, a Notenbüchlein - a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, the pieces contained no dynamics and virtually no phrasing, which is typical of baroque harpsichord music and even early 18th-century fortepiano music. Sectional dynamics have been added editorially and may be changed at the discretion of the performer. A minimal amount of phrasing and articulation has also been added for clarity. This edition preserves the original notation for appoggiaturas, where small eighth or quarter notes resolve to the principal note. Ossias have been included to show how to play them; ossias also appear when needed for ornaments such as trills and mordents.
SKU: BR.OB-4661-11
ISBN 9790004318072. 11.5 x 9 inches.
SKU: BR.OB-4661-26
ISBN 9790004318119. 9 x 12 inches.
SKU: BR.OB-4661-30
ISBN 9790004318126. 9 x 12 inches.
SKU: BR.OB-4661-15
ISBN 9790004318089. 9 x 12 inches.
SKU: BR.OB-4661-16
ISBN 9790004318096. 9 x 12 inches.
SKU: BR.OB-4661-19
ISBN 9790004318102. 9 x 12 inches.
SKU: BR.PB-4661
ISBN 9790004205020. 9 x 12 inches.
SKU: KV.3611867
Here is the performer!s edition of the last three Bach cello Suites. Notated by scholar Tim Hugh, the volume contains BWV 1010, Suite four, BWV 1011, Suite five and BWV 1012, Suite six. As in Volume One, the editor prefers to give as much variety as possible between the repeat of movements with regards to bowing, dynamics, tempo and mood. Again, a helpful CD of all three Suites is included in this must have volume.
SKU: CA.3116149
ISBN 9790007208882. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and part available separately - see item CA.3116100.
SKU: CA.3116105
ISBN 9790007113070. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score available separately - see item CA.3116100.
SKU: CA.3116119
ISBN 9790007136871. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and parts available separately - see item CA.3116100.
SKU: HL.49019712
ISBN 9790001193948. UPC: 841886020429. 9.25x12.0x0.05 inches.
Bach's famous Air has been skillfully arranged for solo instrument with piano accompaniment.