SKU: CA.3115513
ISBN 9790007049492. Key: D minor / f major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Score available separately - see item CA.3115500.
SKU: BA.BA05055-41
ISBN 9790006462810. 24.5 x 17.5 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: CA.3109519
ISBN 9790007136468. Key: G major. Language: German/English.
Score and parts available separately - see item CA.3109500.
SKU: BR.OB-4529-15
ISBN 9790004313534. 9 x 12 inches.
SKU: BR.OB-4528-26
ISBN 9790004313503. 9 x 12 inches.
SKU: BR.OB-4530-11
ISBN 9790004313589. 10 x 12.5 inches.
SKU: BR.OB-4529-16
ISBN 9790004313541. 9 x 12 inches.
SKU: BR.OB-4529-30
ISBN 9790004313572. 9 x 12 inches.
SKU: CA.3111200
ISBN 9790007048266. Key: G major. Language: German/English. Text: Meuslin (Musculus), Wolfgang. Text: Wolfgang Meuslin (Musculus).
SKU: BR.OB-4529-19
ISBN 9790004313558. 9 x 12 inches.
SKU: CA.3109512
ISBN 9790007046767. Key: G major. Language: German/English.
Score available separately - see item CA.3109500.
SKU: BR.OB-4530-15
ISBN 9790004313596. 10 x 12.5 inches.
SKU: BR.OB-4538-30
ISBN 9790004314135. 9 x 12 inches.
SKU: BR.OB-4529-26
ISBN 9790004313565. 9 x 12 inches.
SKU: CA.3111319
ISBN 9790007136628. Key: B minor. Language: German/English. Text: Ringwaldt, Bartholomaus. Text: Bartholomaus Ringwaldt.
Score and parts available separately - see item CA.3111300.
SKU: CA.3108709
ISBN 9790007046026. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
Score available separately - see item CA.3108700.
SKU: BR.OB-4528-30
ISBN 9790004313510. 9 x 12 inches.
SKU: HL.49033272
ISBN 9783795705084. German.
Die Konstellation Werk und Geschichte eroffnet einen riesigen Raum der (in erster Linie) historischen Musikwissenschaft. Dass damit grosse Themen angeschlagen sind, oder dass sich mit jedem der Begriffsbestandteile wie auch mit dem Bezug zwischen ihnen Generationen von Forschern der verschiedensten Schulrichtungen befasst haben, darf weder verwirren noch entmutigen. Eines der Sujets, denen sich Rudolf Stephan immer wieder zugewandt hat, vorzunehmen, es von so vielen Seiten wie moglich zu beleuchten und seine Bearbeitung nach Moglichkeit voranzutreiben, erscheint als gute Moglichkeit, ihn zu ehren.
SKU: CF.PL1072
ISBN 9781491160244. UPC: 680160918836.
An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone.
SKU: CA.3135100
ISBN 9790007181598.
In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the cantata Ein feste Burg ist unser Gott BWV 80 the ornate opening chorus, the fifth movement Und wenn die Welt voll Teufel war, with its impressive musical depiction of the battle between heavenly and evil powers, and the final chorale Das Wort sie sollen lassen stahn are included. These are joined by the festive chorale Nun danket alle Gott from the Reformation cantata Gott der Herr ist Sonn und Schild BWV 79. The transcription of Bach's orchestral writing for organ offers performers plenty of opportunity for artistic interpretation, and enables the movements to be performed in an attractive way even with limited resources.
SKU: CA.1000119
ISBN 9790007135249. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and parts available separately - see item CA.1000100.
SKU: HF.FH-7024
ISBN 9790203470243. 8.3 x 11.7 inches.
Kantaten BWV: 2-8, 11, 14, 16-18, 21, 22, 24, 27, 29-32, 34, 35, 40-43, 45, 46, 49, 50, 54, 57, 60, 61, 63, 64, 66, 67, 69-71, 73, 75, 76, 79-81, 87, 88, 90-93, 96, 97, 103-105, 110-112, 115, 116, 119, 120, 124-126, 128-130, 133, 135-138, 140, 141, 143, 145-148, 151, 153-156, 162, 163, 165-169, 172, 174, 180-182, 186, 188, 191-199, 201, 202, 204, 205, 208-211, 213.
SKU: CA.3124418
ISBN 9790007211356. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.
SKU: CA.3135211
ISBN 9790007780203. German/English.
For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.
SKU: CA.3100219
ISBN 9790007135904. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.
SKU: CA.3100212
ISBN 9790007041359. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.