SKU: BT.DHP-1196127-404
ISBN 9789043157377. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: BT.DHP-1196138-404
ISBN 9789043157483. Spanish.
Hoy en d a, Escuchar, leer & tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos paquetes de libros y CD de metodolog a para principiantes contienencanciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del método que constituyenlos primeros de la serie, están acompañados por otros libros que contienen material complementario acordes al nivel correspondiente.
En el Libro de ópera, arias famosas, coros y oberturas se organizan en orden crecientede dificultad y se pueden utilizar junto con los tres volúmenes de la serie Escuchar, leer & tocar. Están recopiladas algunas de las melod as más hermosas jamás escritas para ópera, acompañadas de comentarios históricos queayudan a entender el contexto de las obras. La presente edición incluye partituras de acompañamiento de piano de moderada dificultad, grabadas y disponibles para ser utilizadas tanto on line como para ser descargadas.
SKU: BR.MR-2239A
ISBN 9790004487877. 9 x 12 inches.
There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.
SKU: BR.EB-8622
ISBN 9790004179703. 9 x 12 inches.
Nikolay Rimsky-Korsakovs Flight of the Bumblebee is one of those little orchestral interludes from operas, excerpts that have long since become immortal even while denying their origins; in this particular case, practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments.Practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan by Nikolay Rimsky-Korsakov. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments.
SKU: HL.48181292
UPC: 888680867157. 9.0x12.25x0.07 inches.
“Sarabande et Finale is a nice piece by Raymond Gallois Montbrun for Bb or C Trumpet and Piano accompaniment. Quite difficult, this piece is great for recitals or concert. Starting with the Piano for just six measures before the Trumpet Solo, the sarabande has a slow tempo. The finale is faster, Allegro, and features a period with solo Piano before evolving into Vivo. It features the score and parts for Bb or C Trumpet. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the Paris Conservatoire. He composed many symphonic pieces, an opera, a quartet and many pieces for Solo Piano, Violin and Piano and other instruments.”.
SKU: HL.48187101
From the Opera 'Pelleas et Melisande'.
SKU: BT.DHP-1196121-404
ISBN 9789043157315. Italian.
Ascolta, leggi and suona rappresenta oggi il testo di riferimento dedicato all??insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol??opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra i classici offre utile materiale complementare a tutti e tre i volumi dellaserie Ascolta, leggi and suona e include melodie proposte secondo un ordine di difficolt crescente. In un fantastico viaggio nella storia della musica, l??allievo incontrer i più importanti compositori classici, da TielmanSusato ad Anton n Dvo ák. Ogni volume include per ogni brano cenni storici e l??accompagnamento pianistico, arrangiato sapientemente a un moderato livello di difficolt : tale accompagnamento è anche disponibile online e può essereutilizzato per il download o in streaming.
SKU: HL.48024944
ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.
If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).