for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johann Sebastian Bach, originally for piano solo, is now available for string orchestras because of Shirl Jae Atwell\'s musical arrangement. Sinfonia No. 15 arranged in the original key of B minor, with an altered time signature from 9/16 to 9/8, is much more friendly for student musicians. Bach\'s Sinfonia No. 15, arranged by Atwell, is a great addition to string orchestra programs through dance-like eighth notes and flashy sixteenth-note arpeggiated sections creating an exciting Baroque experience. Teachers will love exploring the key of B minor, arpeggios galore for all instruments, bow distribution with 1/16ths as well as sustained notes, and the overall Baroque style found in this string orchestra arrangement by Atwell. Sinfonia No. 15 treats orchestras and audiences to the allure of the Baroque Era. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

J.S. Bach’s wonderful composition arranged for String Orchestra by Christopher Bunting and is suitable for String quintet.

The First Violin part of J.S. Bach’s wonderful composition arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

(from Concerto for Two Violins and Piano)-One of the all-time favorites in string pedogogy literature here is the Bach Double superbly arranged for string ensemble retaining the original violin parts and now supported by well-scored ensemble parts (with optionalkeyboard). Larry Moore's arrangement is a welcome edition for today's string ensembles.

Bach's exquisite melodies give teachers a great opportunity for teaching important musical concepts and to provide delightful concert material for developing groups. Here's one of his most famous tunes skillfully placed into asetting that gives students confidence and learning success. Dur: 2:25

The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores study scores and performance material available for salefor all 6 concertos.

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.

From Bach's The Well-Tempered Clavier Book II comes this fine adaptation for strings arranged by Robert Longfield. The piece stays true to the original version throughout. An excellent way to teach your ensemble one of the baroque classics.

Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux avec qui C.Ph.E. Bach avances plus éloignée dans le nouveau motif en musique. Contraste et surprise ainsi que le changement permanent d'affection est les principes essentiels de cette musique. / Orchestre A Cordes

Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux avec qui C.Ph.E. Bach avances plus éloignée dans le nouveau motif en musique. Contraste et surprise ainsi que le changement permanent d'affection est les principes essentiels de cette musique. / Orchestre A Cordes

Le présent arrangement est d'une utilité pratique pour les ensembles de petite chaîne en particulier à l'étude de la polyphonie de Bach. / Orchestre A Cordes

Offenbach's Can Can has been a popular tune for years among young string students. Elliot has expanded the version found in most method books to create a superb arrangement with plenty of teaching potential while keeping student excitement high. Strongly consider this work!

Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]

After performing at many educational conferences like the TMEA and NYSSMA conferences, the creators of BARRAGE had many requests for printed, published versions of their music. Many young string players sent letters and e-mails asking that BARRAGE do something to help bring the 'cool element' to their school string program. In response, SWATH Publishing is pleased to be able to offer an exciting string orchestra arrangement of the BARRAGE favorite 'Mountain Spring'. Composed by Dean Marshall (Artistic Director of BARRAGE) and arranged by Arthur Bachmann (violist - The Calgary Philharmonic Orchestra), this piece is a guaranteed crowd pleaser for any school orchestra concert! Appropriate for the intermediate to advanced string orchestra, the piece comes with a full set of string parts (885555), conductor's score, and piano score. *BARRAGE is an internationally acclaimed violin ensemble that presents the violin in a unique and innovative way. BARRAGE combines diverse musical styles with dazzling choreography to produce a show that is truly spellbinding! / Orchestre A Cordes / 82 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9