20 Intermediate to Early Advanced Pieces with Practice and Performance Tips-The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8 The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8

The Exploring Piano Classics series pairs motivating performance repertoire with thoughtful technical studies. Each level contains a Repertoire book with recordings and a Technique book both with convenient page-by-page correlation. When used together the books give students a deep understanding of the art of music performance practices and the necessary skills to play the piano with technical ease. The Repertoire books include pieces from the major style periods selected and graded based on festival competition and examination lists from the United States Canada and the United Kingdom. Background information on each style period its instruments composers andthemusic itself is included.Level 6 includes online recordings of the repertoire performed by internationally known clinician and teacher Nancy Bachus. These provide an indispensable tool for appropriate musical interpretation. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature Nancy Bachus has performed solo recitals across the United States Canada and Italy and appeared in the original 'Monster Concerts' in venues such as Lincoln Center and the White House. Titles: Allegro in C Major (Pescetti) - Aria (Reichardt) - Arietta Op. 12 No. 1 (Grieg) - Bagatelle No. 1 Op. 5 No. 1 (Tcherepnin) - Bourr?e in A Minor TWV 32:12 (Telemann) - German Dance in B-flat Major K. 600 No. 3 (W. A. Mozart) - Lustig--Traurig WoO 54 (Beethoven) - Menuet in G Minor (St?lzel) - Menuet Trio di J. S. Bach (Prelude in G Minor) BWV 929 (J. S. Bach) - Opening of the Children???s Ball Op. 81 No. 4 (Kullak) - Prelude in C Minor Op. 8 No. 1 (Pachulski) - Sarabande HWV 437 (Handel) - Sommerabend Op. 71 No. 2 (Grieg) - Sonata in G Major (Cimarosa) - Sonatina in A Minor (Benda) - Souvenir Op. 10 No. 1 (Karganov) - Vals poetico No. 3 (Granados) - Valse miniature Op. 10 No. 10 (Rebikov) - Vision fugitive No. 10 Op. 22 No. 10 (Prokofiev) - Waltz in A Minor Op. posthumous (Chopin).

This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons. The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956) providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces there are also easy sonatas and sonatinas by Haydn Cimarosa Clementi Mozart and Beethoven. Complete with fingerings tempo suggestions in the form of metronome numbers and notes on the execution of ornaments the collectionwith its modern readable typeface is ideal not only for lessons but also for the private music-making of every music lover. This album represents superb value for money!

The World's Great Classical Music-The World's Great Classical Music. 49 piano pieces and 16 transcriptions for piano from C.P.E. Bach J.C. Bach Beethoven Benda Cimarosa Clementi Diabelli Dittersdorf Dussek Haydn Hummel Kuhlau Mozart and Turk. The 16 transcriptions for piano include symphony movements and concerto movements. The amount of music and the quality of the edition make this an excellent value.

Avec la nouvelle série Urtext Primo, Wiener Edition Urtext l'intention de combler le fossé entre l'étude d'une méthode de piano et de prendre des leçons supplémentaires. À partir d'un niveau de performance qui est décrite par des morceaux tels que le Menuet de Bach G (BWV Anh. 116), le menuet de Mozart à F (KV 5) ou Wilder Reiter de Schumann (Op. 68/8), fonctionne par trois compositeurs différents sont sélectionnés pour chaque volume de la série, avec l'objectif d'offrir aux élèves de piano (ou même des adultes qui veulent reprendre le jeu de piano) une large gamme de pièces de répertoire sur la base de laquelle ils peuvent améliorer leurs compétences techniques et musicales. La gamme de niveaux de difficulté des pièces de relativement étroit de telle sorte que le volume peut être utilisé en continu sur une période d'environ deux ans. C'est ce qui distingue l'approche Urtext Primo de presque toutes les anthologies communs. Le répertoire sélectionné prend en compte non seulement les pièces du canon classique des leçons, mais aussi des oeuvres moins connues qui sont en aucune façon moins importante pour des leçons de piano. Les volumes Primo Urtext sont publiés dans la norme internationalement reconnue des éditions Wiener Urtext. Les explications contenues dans chaque volume sont contribuera à approfondir la connaissance des styles musicaux, histoire de la musique et jouer du piano. Un tableau de répertoire à la fin de chaque volume donne un aperçu approximatif des niveaux de difficulté des morceaux choisis.Le volume 1 contient deux oeuvres éducatives fréquemment joué par Bach et moindres morceaux les plus connus de Haendel et Scarlatti, Volume 2 compositions de Haydn et de Mozart ainsi que musicalement et culturellement morceaux attrayants par Cimarosa. Volume 3 (publication prévue à l'été 2013) contient des morceaux de Beethoven, Schubert et Hummel, Volume 4 (publication prévue au début de 2014) des oeuvres de Schumann, Brahms et Theodor Kirchner. D'autres volumes sont prévus. / Piano

Partition pour piano Nombre de pages : 79 Niveau : 3 Contenu : Albéniz: Rumores de la caleta - Barber: Nocturne - Beethoven: Bagatelle - Benda: Presto - Bowen: Prélude n°6 - Cimarosa: Sonate n°12 - Debussy: Nocturne - Ellington: Mood Indigo - Franck: Adagio - Danse lente - Granados: Danse de la rose - Valse poétique - Janâ?ek: La Madone de Frydek - Joplin: The Easy Winners - Lekeu: Valse oubliée - Liszt: 4 petites pièces pour piano - Martin?: La Poupée nouvelle - Mozart: Gigue KV 574 - Thème et 2 variations - Prokofiev: Gavotte - Rachmaninov: Polka italienne - Satie: Le Piccadilly - Scriabine: Prélude n°4

The most beautiful classical sonatinas by Muzio Clementi Thomas Attwood Ludwig van Beethoven Daniel Gottlob Türk Christian Louis Heinrich Köhler Domenico Cimarosa and Wolfgang Amadeus Mozart.For lessons and for concert lovers edited by Wilhelm Ohmen und Hans-Günter Heumann.

Contents from Volume 2:- D. Cimarosa: Sonatina in G maj /- J. H. Voøíšek: Rondo in G maj op. 18/1 /- M. Clementi: Sonatina in D maj op. 36/6 /- F. Kuhlau: Sonatina in C maj op. 55/3 /- N. W. Gade: Scherzo in E maj ( from: Aquarelles- T. Kirchner: Sonatina in B-flat maj op. 70/5- C. Reinecke: Sonatina in A min op. 98/2 (1st- J. Mysliveèek: Sonata in D maj (1st movt.) /- J. A. P. Schulz: Sonatina in E maj ( from: Six- J. W. Häßler: Sonata in C maj /- W. A. Mozart: Sonata in F maj (Allegro and Allegretto K.1 Anh. 135 [K.6:547a])

from opus 170 - Edizione a cura di Luca Ciammarughi. Par CASTELNUOVO-TEDESCO MARIO. Mario Castelnuovo Tedesco composed 52 Greeting Cards for various instruments between 1953 and 1967, collectively catalogued as opus 170, which he developed in a non-systematic manner up to the year before his death. These pieces were conceived as gifts for his interpreters and students, whom the author meant to gratify with these pleasant little vignettes. Composed between 1953 and 1964, the 18 Greeting Cards for piano (17 for piano solo and 1 for two pianos) represent a point of equilibrium between experimentation and tradition. In the same series : Greeting Cards for guitar, critical edition by Frédéric Zigante (NR 141936)/ Répertoire / Piano