SKU: HL.4501216
UPC: 884088365509. 9.0x12.0x0.092 inches.
Performance time - ca. 11:45 The phenomenon of this stage production continues with the release of the motion picture that has introduced Sir Andrew Lloyd Webber's timeless music to yet another audience. Calvin Custer's medley features six musical highlights from both the film and stage versions: All I Ask of You, Angel of Music, Masquerade, The Music of the Night, The Phantom of the Opera, and Think of Me.
SKU: AP.36003S
UPC: 038081420424. English.
Three of the most memorable operatic vocal arias are presented here for young strings. The arias are set in comfortable keys and remain in first position. Your audiences will appreciate hearing these familiar tunes from the world of Italian Grand Opera, which are performable as separate movements or as a small suite. Features La Donna Mobile from Rigoletto, Quando me'n vo (Musetta's Waltz) from La Boheme, and Libiamo ne'lieti calici from La Traviata. Students will be additionally challenged as they work to follow the conductor's rubato interpretations that characterize the style of Musetta's Waltz, and strive to create a wide range of dynamics that are required for the dance-like rollicking flow of the other two waltzes.
SKU: HL.1189996
ISBN 9781705192443. UPC: 196288131649.
“Based on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman....there is no reason to resist this rarest of creations: a meaningful American comic opera.” -Mark Swed, LA Times.
SKU: SU.91770911
Libretto by Mark Campbell 2222; 4231; timp, 2perc, hp; stgs Duration: 1:40:00 Composed: 2015 Published by: Subito Music Publishing All rights of any kind with respect to this work and any part thereof, including but not limited to stage, performance, mechanical reproduction, printing and selling, are strictly reserved. License to perform this work in whole or in part must be secured in writing from the publisher – Subito Music Corp. Terms will be quoted on request.
SKU: SU.91770915
COMPLETE Libretti Music by Paul Moravec Libretti by Mark Campbell Based on the novel by Stephen KingInstrumentation: 2222; 4231; timp, 2perc, hp; stgs Duration: 1:40:00 Composed: 2015 Published by: Subito Music Publishing.
SKU: HL.50499096
SKU: HL.48187929
Jolas D'un Opera De Voyage Ensemble D'instruments Orchestra Full Score.
SKU: HL.48030054
Shostakovich New Collected Works (150 Volumes) (Vol. 68, Vth Series: Suites from Operas and Ballets).
SKU: HL.48189274
Aboulker Eymery Very Martin Squelette Opera Pour Enfants Orch Score.
SKU: HH.HH575-FSC
ISBN 9790708185901.
Niccolò Piccinni (1728–1800) was one of the most significant figures in Italian and French opera during the second half of the 18th century. His Diane et Endymion, a three-act tragédie lyrique based on the mythological tale of love between a goddess and a shepherd, was first performed in Paris in 1784. The overture reveals the composer’s mastery in capturing both the grandeur and intimacy of the drama. After a stately introduction, graceful melodies and lively contrasting sections with vibrant orchestration set the tone for an enchanting and emotional musical journey.
SKU: HH.HH575-IPT
ISBN 9790708185918.
SKU: HL.49034215
ISBN 9783795771225. UPC: 841886011366. 5.5x7.5x1.005 inches. German - Italian.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.48188042
UPC: 888680832926. 9.0x12.0x1.49 inches.
Ballet-Opera (1731 Version).
SKU: HL.50600758
UPC: 888680659073. 9.0x12.0x0.837 inches.
Composed between 1927-1928 and based on Nikolai Gogol's story 'The Nose'.
SKU: HL.48025342
UPC: 196288176404.
New edition of Stravinsky's largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth's quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky's music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rakes Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire.
SKU: HL.49004865
ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
SKU: BR.PB-5142
ISBN 9790004208878. 10 x 12.5 inches.
Despite the numbering, the overture Leonore No. 2 was Beethoven's first effort to precede his only opera with an adequate introduction. It had been composed last minute and in between the rehearsals for the premiere of the opera Leonore oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love) on 20 November 1805 at the Theater an der Wien. This comprehensive, programmatic work was met with incomprehension at first performances just like the opera itself. Beethoven felt compelled to re-write Leonore completely and presented it under its new title Fidelio. In 1806 he revised the overture to such an extent that a symphonic sonata movement emerged; with another incorrect numbering, Leonore No. 3 has gone down in music history and above all it has achieved a regular place in concert repertory. And in order to complete the confusion: written in 1806/07, only Overture No. 1 is Beethoven's chronologically last effort to write an overture for Leonore, before he - many years later - put an end to this infinite subject with the so-called Fidelio overture for the third version of the opera. After all, thanks to the search after a dramaturgically convincing beginning of the opera, the music world has been enriched by four quite different orchestra scores.The music text of the present score is based on Volume 11 of the Supplements to the Complete Edition. The performance material of the Fidelio and Leonore No. 3 overtures is available in Breitkopf Urtext editions..
SKU: HL.49045924
ISBN 9783795711764. UPC: 888680949426. 8.0x10.5x1.8 inches. German. Korngold - Librettist: Paul Schott; Author of Original Text: Georges Rodenbach.
This masterpiece, composed by Erich Wolfgang Korngold when he was only 23, was one of the great stage successes of the 1920s and 30s before being removed from theatre schedules by the National Socialists. Rediscovered in the 1970s, it has enjoyed continuing popularity ever since. The libretto was compiled by the composer's father, the music critic Julius Korngold, writing under the pseudonym 'Paul Schott', a combination of the name of the protagonist and the publishing house. A vivacious theatre group comes to liven up the gloomy city of Bruges (here, a symbol of death) and the widower Paul is forced to decide between the past and the present. Korngold was fascinated by this symbolic plot and created an iridescent orchestral score washed in vivid colours. A variety of operatic devices are intermingled as if viewed through a kaleidoscope: opulent melodic arias, advanced harmonies, psychoanalytic profundity and cinematic transitions oscillating between reality and dream worlds guarantee the continuing modernity of this work up to the present day.
