This fantastic songbook contains sheet music tab and notation for 12 beautiful songs by Andy McKee for Guitar. Songs in this collection include When She Cries Rylynn Keys To The Hover Car and many more. Watch Art Of Motion here:

Par BENNETT STEPHEN. This book features twelve of Stephen Bennett's favorite flatpicking solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered and open tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book. / Niveau : Avancé / Acoustic Music - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Learn to Play Authentic Fingerstyle Blues Guitar!. Par . Calling all aspiring blues guitar pickers! Popular YouTube guitar instructor Rainer Brunn has designed a special introductory course just for you! With this exclusive book and video teaching pack, Rainer guides you through the essentials of fingerstyle blues guitar using authentic exercises and songs presented in easy-to-read tablature. The video lessons feature Rainer performing each music example from the book, so you can clearly see and hear the many different blues guitar techniques and concepts being taught. Rainer has brought his considerable knowledge of blues styles, along with his teaching skills, to create a course that provides a total immersion into blues picking! Some of the topics covered: alternating-thumb picking; right-hand picking positions; open chords

Crosspicking technique on Guitar is similar to bluegrass Banjo filling in all of the spaces between melody notes with a steady stream of harmony notes. With applied crosspicking technique the Guitar becomes a forcefulsolo instrument capable of filling a room with colorfully supported melodies. Not only does the Guitar support itself but crosspicking technique also works effectively for supporting other lead instruments and vocals in manystyles of music including classical rock country bluegrass jazz and new age.The methodology section of this book offers the intermediate to advanced guitarist many new ideas which can be added to their arsenal. Thebook also includes a full songbook section with an even wider repertoire to pursue. All of the lessons and songs are written in tablature only so you don't have to read music just count.

This is the first in a series of beginning method books that uses traditional American music to teach authentic techniques and songs. From the folk blues and old-time music of yesterday have come the rock country and jazz of today. This method will give you a foundation for understanding playing and enjoying these essential traditions and styles on the instrument that truly represents American music: the acoustic guitar. Working in both tablature and standard notation you'll learn how to find notes on the fingerboard a variety of basic chords and strums country backup basics waltz time and melodies with half notes and rests. At the end you'll knowdozens of the tunes that form the backbone of American music and you’ll be able to play them using a variety of flatpicking and fingerpicking techniques! Whether you are studying with a teacher or on your own this comprehensive approach with graded lessons and supplementary songs is the tool you need to get started!

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages and it also reflects some of the best guitar teaching ideas from around the world. Book 2 includes: Am Dm A E F and B7 Chords Power Chords Fingerstyle Guitar Syncopations Dotted Rhythms and Triplets Carter Style Solos Bass Runs Pentatonic Scales Improvising Tablature 92 Great Songs Riffs and Examples Notes in First and Second Position.

Complete Instruction in Fingerstyle Technique Tone Phrasing and Arranging-Hone your technique and deepen your understanding of contemporary fingerstyle guitar with this full method taught by one of the masters of the genre. From fundamentals like properly positioning the fretting and picking hands todeveloping a solid alternating thumb technique Alex de Grassi carefully guides beginning and intermediate players into the world of steel-string guitar. He then explores more advanced topics like cross-string playing alteringthe texture and weight of notes and chords slapping and tapping and developing ?depth of field? in your playing-techniques he has used in composing and arranging guitar music for over 30 years. This book includesstandard notation and tablature as well as links to online audio tracks.

The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dance rhythms. This collection presents a vast array offingerpicking Guitar solos settings on timeless airs hornpipes reels planxties set dances jigs slip jigs marches songs and compositions by the renowned 17th century blind Irish bard Turlough O'Carolan. The solos are invaried Guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included. Comes with access to online audio with 27 songs from this book.

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself Pierre Bensusan and Duck Baker. As all of thetunes in this 1997 recording were arranged in altered tunings (DADGAD EADEAE or DADEAD) each appears in both standard notation and tablature with insightful performance notes. In general these transcriptions from Pat Kirtley’s1997 album of the same title are extremely accurate; The Red-Haired Boy however played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player the author provides insightful performance notes for each tune.

In this second volume of The Acoustic Guitar Method series for beginning guitarists you'll expand on Book 1 and continue to learn traditional American music using authentic techniques and songs! Learn how to play alternating bass notes in a country backup pattern how to combine chords and classic bass runs and how to play your first fingerpicking patterns. You'll find out what makes a major scale work and what blues notes do to a melody all while learning more notes on the fingerboard and more great songs from the American roots repertoire. Whether you are studying with a teacher or on your own this comprehensive approach with graded lessons andsupplementary songs is the tool you need to get started!

Fingerstyle Guitar Edition-This comprehensive book contains over 100 Celtic tunes arranged for solo fingerstyle guitar. This edition is derived from a collection of nearly 300 arrangements Glenn Weiser has created over the last twenty years. The book isdivided into 4 sections: 1) airs marches and waltzes 2) hornpipes jigs and reels 3) tunes from the Bunting collection 4) harp tunes of Turlough O'Carolan. All are in either standard or dropped-D tuning and can be played oneither nylon or steel string guitars. All of these melodies are accompanied with brief historical notes. Written in standard notation and tablature. Intermediate in difficulty.

Arrangements in notes and tablature for classical or fingerstyle guitar of 29 favorite pieces including: Air on the G String · Bouree in E Minor · Canon in D · Clair De Lune · Für Elise · Greensleeves · Intermezzo · Jesu Joy of Man's Desiring · Ode to Joy · Panis Angelicus · Pomp and Circumstance · Sheep May Safely Graze · Spring · Winter · more.

Par GROSSMAN STEFAN. A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970\'s and 1980\'s. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg\'s good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier\'s Joy, with a flair that pushes the limits ofthe hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book. / Niveau : 3 / Tablatures / Guitare Fingerpicking

A collection of 23 Celtic songs arranged for Guitar with standard notation and Tab. Includes a comprehensive guide to Flatpicking Celtic style Guitar and also a CD of examples.For me playing the Guitar is all about finding pieces of music that you want to play over and over again. I don't know a formula for what makes up a great piece but I know it when I hear it. A good piece of music is not a page with notes hanging in a museum it is music you come back to ten years later and love it just as much as you did when you first heard it. Whether it???s a classic piece by O'Carolan or a traditional piece in the Celtic tradition that is what I believe you will find inthis book. Quite simply these are beautiful arrangements of Celtic Music that you will keep you coming back. So if you love playing the guitar and you are looking for music you will be playing for a lifetime this is the book for you.Allan Alexander