Ce recueil est une approche de la technique guitaristique du Finger Picking. Il propose l'étude de dix morceaux instrumentaux, écrits dans des genres musicaux variés : blues, ragtime, bluegrass, ballade, country-waltz... Ces dix morceaux sont extraits de deux CD Country Picking in Nashville - Vol.1 et Vol.2, tous deux enregistrés avec les plus grands musiciens de Nashville. Pour chaque titre, ce recueil propose la partition et la tablature ainsi qu'une analyse détaillée du morceau avec exemples commentés et exercices progressifs sur les différentes techniques du Finger Picking : basses alternées, basses étouffées, pulling-off, hammering-on, doigt en pivot, slide, blocking, harmoniques, roll... Le CD contient d'abord les dix morceaux enregistrés (index 1 à 10), puis les exercices correspondants à chaque titre (index 11 à 26). Chaque exercice est proposé trois fois au ralenti, puis trois fois à vitesse réelle. Ainsi le guitariste peut s'entraîner progressivement à l'exécution des différentes techniques et des passages délicats avant d'entamer l'étude du morceau. Dans le recueil, les exercices enregistrés sont notés avec un numéro d'index dans un petit rond permettant de repérer facilement la plage correspondante sur le CD. Jean-Marc Versini : guitares acoustique et électrique Charlie McCoy : harmonica et vibraphone Buddy Spicher : fiddle Wanda Vick : dobro, banjo, fiddle et mandoline Jean-Yves Lozac'h : pedal steel guitar et banjo Bob Patin : piano Andy Reiss : guitare électrique Marcel Azzola : accordéon Olivier Versini : guitare électrique Anny Versini : guitare électrique Mark Casstevens : guitare acoustique Larry Paxton : basses acoustique et électrique 5 cordes Bob Mater : batterie et percussions Musiques : Jean-Marc Versini Partitions et tablatures guitare : Jean-Marc Versini Sommaire : Katy Trail Rag - Two dollars blues - Another track for ragging - Game Over blues - A Waltz for Anny - Flight 400 - A beer for Charlie - Sunday with Charlie - Crazy fingers - Who's the best Discipline / Instrument : guitare Genre : Variété - jazz Média : Partition + CD Nombre de pages : 48 Date de parution : 29/03/2010

Par TERTOCHA JERRY. 20 Courts clavier enseignement pièces de J.S. Bach ont été requise de littérature pianistique standard pendant des siècles. Maintenant ces magnifiques pièces sont notées pour le solo de guitare classique. Toutes les sélections sont présentées dans la notation et de tablature. / Niveau : Débutant à Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures Classique et Fingerpick

Fifty well-known pieces from the classical repertoire, written in full standard notation with TAB and recorded on the included CD. This collection is invaluable for all guitarists looking to expand their classical guitar repertoire. Pieces range form easy to intermediate levels. Composers include Bach, Beethoven, Brahms, Chopin, Dvorak, Grief, Handel, Mozart, Schubert, Tchaikovsky Verdi and even Scott Joplin.

Présente les Catalans de Contradanzas de Manuel Saumell (1817-1870), qui a été appelé ' Pionnier de la danza cubain '. À l'origine écrit pour le piano, cette collection de contradanzas est un bon exemple de sensibilité innée du Saumell à la caractéristique de rythmes de la musique cubaine. Ecrit en tablature et notation standard. / Guitare Classique / 96 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

The ground breaking 2016 Acoustic Guitar syllabus from Rockschool further continues their long-standing commitment to world leading industry relevant music education. Designed to provide both student and instructor with a truly diverse range of contemporary repertoire a vast array of crucial supporting tests and both a technical and stylistic understanding that is second to none. Featuring: 6 pieces in each book from the worlds of Rock Pop Metal Blues Country Jazz and Acoustic Specialists. Professional backing tracks for both pieces and supporting tests. Duet arrangement available at every grade. Fact files andtechnical guidance. Plus: Ear Tests Technical Exercises Quick Study Pieces Sight Reading and Improvisation examples General Musicianship Questions

The ground breaking 2016 Acoustic Guitar syllabus from Rockschool further continues their long-standing commitment to world leading industry relevant music education. Designed to provide both student and instructor with a truly diverse range of contemporary repertoire a vast array of crucial supporting tests and both a technical and stylistic understanding that is second to none. Featuring: 6 pieces in each book from the worlds of Rock Pop Metal Blues Country Jazz and Acoustic Specialists. Professional backing tracks for both pieces and supporting tests. Duet arrangement available at every grade. Fact files andtechnical guidance. Plus: Ear Tests Technical Exercises Quick Study Pieces Sight Reading and Improvisation examples General Musicianship Questions

Niveau Intermediaire-This Acoustic Guitar method is designed for guitarists already possessing the foundations for progress in the practice of their instrument. Clear and comprehensive La Guitare Acoustique En Autodidacte aims to help intermediate-level guitarists to enhance their skills by mastering new playing techniques including use of the right and left hand and rhythmic beats. This Acoustic Guitar method is designed for guitarists already possessing the foundations for progress in the practice of their instrument.Clear and comprehensive La Guitare Acoustique En Autodidacte aims to help intermediate-level guitarists to enhance their skills by mastering new playing techniques including use of the right and left hand and rhythmic beats.

Easy Renaissance Pieces For Classical Guitar brings to life some of the best-known Lute works of the Renaissance including many musical selections from the plays of William Shakespeare such as 'Greensleeves ''Where the Bee Sucks' and 'When That I Was a Little Tiny Boy'. Many of the great Lute composers are represented here including Dowland Johnson and even King Henry VIII. Easy Renaissance Pieces For ClassicalGuitar is designed for the beginner and intermediate guitarist and includes 61 pieces with an accompanying audio CD performed by Jerry Willard.With standard notation and TAB.

For maximum enjoyment and approachability the 50 pieces in this collection of music from the Classical period are printed in standard modern notation and in tablature. This was done with players from other areas of guitar music in mind as they can take advantage of either system. Many ?cross-over? guitarists will find the information on the origin and specific character of each piece equally useful. The accompanying CD offers further incentives for listening or joining in. The selection spans five centuries of musical styles from simple folkloristic pieces to jewels of the guitar repertoire by composers such as Carulli Paganini Sor and Tárrega as well as famous melodies bythe great masters Bach Handel Vivaldi and Mozart. Stephan Schmidt is renowned for his clear and concise presentation of music for the guitar. His carefully considered approach will motivate pupils to try unfamiliar repertoire.

Fifty well-known pieces from the classical repertoire written in full standard notation and TAB. Plus each piece is recorded on the included CDs. This collection is invaluable for any guitarist looking to expand his classical guitar repertoire. Pieces range form easy to intermediate levels. Composers include Bach Beethoven Brahms Chopin Dvorak Grief Handel Mozart Schubert Tchaikovsky Verdi and even Scott Joplin.

Worship Band Play Along Volume 5-The Worship Band Play-Along series is a flexible and innovative tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Keyboard Guitar Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straight-forward arrangements are perfect for bands of any level.The CDs are playable on any CD player and also enhanced so Mac and PC users can adjust the recording to anytempo without changing pitch to learn the songs at their own pace.