SKU: SU.28190100
A light, brief piece for reed trio. 1995 winner of the New England Reed Trio composition competition. Recorded by the Moravian Chamber Players on MMC 2125.Oboe, Clarinet & Bassoon Duration: 12' Composed: 1995 Published by: David Post.
SKU: HL.870068
ISBN 9781705150061. UPC: 196288016779. 9.0x12.0x0.07 inches.
30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer � Blinding Lights � Don't Stop Believin' � Dynamite � Hallelujah � The Imperial March (Darth Vader's Theme) � Let It Go � Señorita � Seven Nation Army � Sucker � This Is Me � We Are the Champions � Wildest Dreams � You Will Be Found � and more.
SKU: BA.BA10031-43
ISBN 9790006504053. 32.5 x 25.5 cm inches.
Study score = TP 1031.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: FL.FX073435
Tonal and modal colors give to this composition lightness and clarity. - Rene POTRAT ; A piece to be played for exams from 4 years of instrument practice ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Rene POTRAT;.
SKU: HL.253938
9.0x12.0 inches.
Sonata for bassoon and piano is one of Swiders first works for a wind instrument. It was written most probably in the years 1953-1954, under a clear influence of neo-classicist stylistics. The only documented performance took place on 5th May 1955 in Katowice, or Stalinogrod, as such was the name of that city in those days. The first part of Sonata is written in a form of scherzando of a light and witty character, where the composer fully uses the facture and bassoons sound potential. The second part, full of meditation and cantilena, bears a particular expression of lower registers of the instrument. Part three is a traditional minuet in moderato tempo, with stylised folk elements in the middle fragment. The last part resumes the scherzo form, capped by a cadenza written by Marek Baranski, in which attempting to imitate the language of Jozef Swider's compositions that include numerous elements of a synthetic finale he included most music concepts outlined in the entire Sonata.