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VIOLIN - FIDDLE
CLASSICAL - BAROQUE - ROMANTIC
Cello, Piano
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Cello, Piano
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Cello and Piano String Sampler Sheet Music
Cello and Piano String Sampler
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Camille Saint-Saens: The Swan instantly for cello & piano
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Violin and Piano [ 2877 ]
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Violin and Piano (3190)
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Violin and Piano (2281)
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Cor Anglais, 2 Violons et Violoncel… (1)
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Quatuor de Bois (1)
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Flûte Traversière ou Hautbois) et… (1)
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Quintette de Bois (1)
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3 Violons, Orchestre et Clavecin (1)
2 Violes (Violon Et Viole) Et Basse… (1)
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Piano, Violon Et Alto (1)
3 Violon ou Violoncelles (1)
Trompette Sib, Cor en Fa, Trombone … (1)
Saxophone, Bandoneon, Double bass, … (1)
Flûte à Bec Alto, Basson et Basse… (1)
Flûte (2 parts) Clarinette en Sib … (1)
Ochestre à Cordes (1)
Hautbois, Cordes et Basse Continue (1)
Cello, Piano (1)
3 Instruments à vent et Piano (1)
Flûte Traversière Hautbois et Cla… (1)
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Violon (2), Alto, Violoncelle Et Co… (1)
2 Violons, 2 Altos et Basse Continu… (1)
Flûte Traversière Cordes et Basse… (1)
Clarinettes Sib 1 (2 Partitions) Cl… (1)
Flûte Traversière, Violon ou Haut… (1)
Saxophone, Bandonéon, Piano et Con… (1)
Flûte à Bec Alto, 2 Violons et Ba… (1)
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Flûte à Bec Alto ou Flûte Traver… (1)
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Flûte 1 Hautbois 1 Basson (1)
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3 Violons et Violoncelle (1)
Flûte Traversière ou Hautbois) et… (1)
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Flûte Traversière ou Violon), Hau… (1)
Clarinet, Cello, Piano (trio) (1)
Flute Trio: 3 flutes (1)
Mezzo-soprano, Violon et Guitare. (1)
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Cornet Sib 1 Cor en Fa 1 Trombone 1… (1)
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The Piano Guys - Lullaby
Cello, Piano
Hal Leonard
For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop....
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For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. 112 pages. Published by Hal Leonard
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The Piano Guys - Chill
Cello, Piano
Hal Leonard
For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop....
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For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. Published by Hal Leonard
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Christmas Songs for Classical Players - Cello and Piano
Cello, Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments. By Various. By Various. Misc. Softc...
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With online audio of piano accompaniments. By Various. By Various. Misc. Softcover Audio Online. 48 pages. Published by Hal Leonard
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Beethoven: Sonatas For Piano And Violoncello, Revised Edition
Cello, Piano
G. Henle
(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven...
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(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For cello and piano. Henle Music Folios. Solo part and accompaniment. 266 pages
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Camille Saint-Saens: Concerto No. 1 in A minor, Opus 33
Cello, Piano
[Sheet music]
-
Advanced
IMC (International Music Co.)
Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumenta...
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Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumental solo book for cello and piano accompaniment. With bowings, fingerings and piano accompaniment. Composed 1872. 33 pages. Published by International Music Co.
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Sicilienne
Cello, Piano
-
Easy
EMB (Editio Musica Budapest)
Cello and Piano. By Maria Theresia von Paradis. Arranged by Arpad Pejtski, Arpad...
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Cello and Piano. By Maria Theresia von Paradis. Arranged by Arpad Pejtski, Arpad Pejtsik. EMB. Size 9x12 inches. 6 pages. Published by Editio Musica Budapest.
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Violoncello Sonata in E minor, Op. 38
Cello, Piano
G. Henle
(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kann...
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(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle
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Cello Solos
Cello, Piano
[Sheet music]
-
Intermediate
Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...
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Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales
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Ernest Bloch-Music for Cello and Piano
Cello, Piano
[Reduction]
Carl Fischer
By Ernest Bloch. Arranged by Hans Kindler. cello and piano (Cello/Piano). Size 9...
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By Ernest Bloch. Arranged by Hans Kindler. cello and piano (Cello/Piano). Size 9 X 12. Published by Carl Fischer.
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Concerto in C major, Hob. VIIb: No. 1 (ROSTROPOVICH)
Cello, Piano
IMC (International Music Co.)
By Franz Joseph Haydn. Cello and piano. Published by International Music Co.
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Les Larmes de Jacqueline; Harmonie du soir
Cello, Piano
Kunzelmann
By Jacques Offenbach. Edited by Werner Thomas-Mifune. For violoncello, piano. Pu...
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By Jacques Offenbach. Edited by Werner Thomas-Mifune. For violoncello, piano. Published by Edition Kunzelmann.
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The Piano Guys
Cello, Piano
Hal Leonard
(Solo Piano with Optional Cello). By The Piano Guys. For Cello, Piano/Keyboard. ...
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(Solo Piano with Optional Cello). By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 90 pages. Published by Hal Leonard
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Claude Debussy: Sonata for Violoncello and Piano
Cello, Piano
G. Henle
Composed by Claude Debussy (1862-1918), edited by E. G. Heinemann. Single piece ...
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Composed by Claude Debussy (1862-1918), edited by E. G. Heinemann. Single piece and set of performance parts for cello and piano. With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 31 pages. Published by G. Henle.
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Variations on a Rococo Theme, Op. 33 (ROSE)
Cello, Piano
IMC (International Music Co.)
By Tchaikovsky, Piotr Ilich (1840-1893). Cello and piano. Published by Internati...
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By Tchaikovsky, Piotr Ilich (1840-1893). Cello and piano. Published by International Music Co.
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Cellists Favorite Contest Album
Cello, Piano
[Part]
Carl Fischer
Edited by Franklin Collier. Piano/cello book (includes separate pull out perform...
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Edited by Franklin Collier. Piano/cello book (includes separate pull out performance part for cello) for cello and piano. 84 pages. Published by Carl Fischer.
(3)
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Cello Music By French Composers
Cello, Piano
Schirmer
Cello Music By French Composers See larger cover Your pri...
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Cello Music By French Composers See larger cover Your price $14.95 Usually ships in 24 hours 1 2 Ready to buy? Quantity: (you can remove it later) Save 10% when you buy 2 or more copies of this title. Average customer rating: Add a review for this title! About Cello Music By French Composers Arranged by Otto Deri. Instrumental solo/piano accompaniment set for Cello and piano. 68 pages. Published by G. Schirmer, Inc.
(1)
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Antonin Dvorak: Concerto in B minor, Opus 104
Cello, Piano
-
Advanced
IMC (International Music Co.)
Composed by Antonin Dvorak (1841-1904), edited by Leonard Rose. Instrumental sol...
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Composed by Antonin Dvorak (1841-1904), edited by Leonard Rose. Instrumental solo book for cello and piano accompaniment. With bowings and fingerings. Composed 1894-95. 63 pages. Published by International Music Co.
(3)
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Robert Schumann: Fantasy pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violoncello)
Cello, Piano
[Sheet music]
G. Henle
Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann...
(+)
Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann. Edited by E. Herttrich. Violoncello. Pages: Score = V and 15 * Vc Part = 7. Urtext edition-paper bound. Published by G. Henle.
(2)
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Chopin, Frederic: Sonata for Violoncello and Piano G minor op. 65
Cello, Piano
[Sheet music]
G. Henle
For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violo...
(+)
For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violoncello. Pages: Score = IV and 47 * Vc Part = 12. Urtext edition-paper bound. Published by G. Henle.
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Gabriel Faure: Apres un Reve (After a Dream)
Cello, Piano
[Set of Parts]
IMC (International Music Co.)
Transcribed for cello by Pablo Casals (1876-1973), composed by Gabriel Faure (18...
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Transcribed for cello by Pablo Casals (1876-1973), composed by Gabriel Faure (1845-1924). Set of performance parts for cello and piano accompaniment. With fingerings and bowings. C Minor. 5 pages. Published by International Music Co.
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Antonin Dvorak : Concerto in B minor for Violoncello and Orchestra, Op. 104
Cello, Piano
[Reduction]
Barenreiter
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...
(+)
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag
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Suite Populaires Espagnole
Cello, Piano
Durand
Cello and Piano. By Manuel De Falla. Arranged by Maurice Marechal. Editions Dura...
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Cello and Piano. By Manuel De Falla. Arranged by Maurice Marechal. Editions Durand. Size 9x12 inches. Published by Durand.
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Antonio Vivaldi: 6 Sonatas For Cello And Piano
Cello, Piano
[Set of Parts]
-
Intermediate
Schirmer
Composed by Antonio Vivaldi (1678-1741), edited by Nikolai Graudan. For cello an...
(+)
Composed by Antonio Vivaldi (1678-1741), edited by Nikolai Graudan. For cello and piano. Schirmer's Library, volume 1794. Format: set of performance parts (includes separate pull-out cello part). With solo part, piano accompaniment and performance notes. Baroque. 73 pages. 9x12 inches. Published by Schirmer.
(7)
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The G. Schirmer Cello Anthology
Cello, Piano
Schirmer
(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Var...
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(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Various. For Cello, Piano Accompaniment. String Solo. Softcover. 72 pages. G. Schirmer #ED 4550. Published by G. Schirmer
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Edvard Grieg : Violoncello sonata in a Minor Op. 36
Cello, Piano
[Sheet music]
G. Henle
And other Works - for Violoncello and Piano - with Comments in English. By Edvar...
(+)
And other Works - for Violoncello and Piano - with Comments in English. By Edvard Grieg. Edited by E.-G. Heinemann/E. Steen-Noekleberg. Violoncello. Pages: Score =VII and 65 * Vc Part = 19. Urtext edition (Paper-bound). Published by G. Henle.
(2)
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Camille Saint-Saens : Violoncello Concerto No. 1 in a Minor, Op. 33
Cello, Piano
[Reduction]
G. Henle
Piano Reduction. By Camille Saint-Saens. Edited by P. Jost. Violoncello. Pages: ...
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Piano Reduction. By Camille Saint-Saens. Edited by P. Jost. Violoncello. Pages: Score = IV and 28 * Vc Part = 11. Urtext edition (Paper-bound). Published by G. Henle.
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The du Pre Legacy
Cello, Piano
Carl Fischer
(Seven Solo Pieces for Cello and Piano). Edited by Marion Feldman. For cello and...
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(Seven Solo Pieces for Cello and Piano). Edited by Marion Feldman. For cello and piano. Score and part. 104 pages. Published by Carl Fischer
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Robert Schumann : Adagio and Allegro, Op. 70
Cello, Piano
G. Henle
(Edition for Violoncello and Piano With Marked and Unmarked String). By Robert S...
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(Edition for Violoncello and Piano With Marked and Unmarked String). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1024. Published by G. Henle
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Benedetto Marcello - Six Sonatas - Cello Or Double Bass
Cello, Piano
[Score]
-
Intermediate/advanced
Schirmer
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sona...
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Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano
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Sergei Rachmaninov: Vocalise Op.34 No.14: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano....
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Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano. It is probably one of his most popular Vocal works famous for its beautiful soaring melody. This popularity has led the work to be transcribed for several instruments and this edition is for Cello with Piano accompaniment. Set for the ABRSM Cello Syllabus Grade 7.
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Ludwig van Beethoven: Sonatas For Piano And Violoncello: Cello: Instrumental
Cello, Piano
G. Henle
Alongside Bach’s Solo Suites a further highlight for cellists are Beethov...
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Alongside Bach’s Solo Suites a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition hasbeen re-engraved but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part which also has excellent page turns.An unmarked Urtext part is also included.
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Julian Lloyd Webber: Cello Song: Cello: Instrumental Album
Cello, Piano
[Sheet music]
Chester
A collection of fourteen pieces for Cello and Piano introducing some lesser-kno...
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A collection of fourteen pieces for Cello and Piano introducing some lesser-known pieces. Suitable for intermediate-advanced players (grade 5-8).
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Cello Solos: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
-
Intermediate
Amsco Wise Publications
Easy to intermediate arrangements designed to bring out the finest qualities of ...
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Easy to intermediate arrangements designed to bring out the finest qualities of the cello. Includes folksongs dances and works by Debussy Chopin and Brahms. The cello part is also included on a separate insert.
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Max Bruch: The Great Cello Solos: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Advanced
Chester
Essential short pieces for the cello selected and edited by Julian Lloyd Webber ...
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Essential short pieces for the cello selected and edited by Julian Lloyd Webber in one attractive volume.
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Cello Collection Intermediate Level 2 Cd
Cello, Piano
[Sheet music + CD]
-
Intermediate
Schirmer
Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spe...
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Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle
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Rieding O. - Concerto In B Minor Opus 35 - Violoncelle Et Piano
Cello, Piano
-
Intermediate
Bosworth
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Cello Recital Album Volume 2: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Cello, Piano
[Sheet music]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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Bohuslav Martinu: Nocturnes For Cello And Piano H189: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Leduc, Alphonse
Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. Thes...
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Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features: I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece III. Moderato –starts by the Piano on its own which is the joined by the Cello IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite
Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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John Joubert: Concerto in Two Movements: Cello: Instrumental Work
Cello, Piano
Novello & Co Ltd.
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in ...
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for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch.This edition is for Cello and Piano (reduction from the chamber orchestra score).Written for the composer's daughter Anna.
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Hot Cello 2
Cello, Piano
[Sheet music + Audio access]
Schott
16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must...
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16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Ludwig van Beethoven: Sonate E Variazioni: Cello: Score
Cello, Piano
Dover Publications
Beethoven's five sonatas for cello and piano are basic works of the cello repert...
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Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf
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Solo Time for Cello Book 2
Cello, Piano
[Sheet music + Audio access]
Oxford University Press
Par . collection for cello and piano, with audio tracks online Solo Time for Cel...
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Par . collection for cello and piano, with audio tracks online Solo Time for Cello is a two-volume series of concert pieces for the intermediate to advanced cellist. / Date parution : 2022-07-23/ Recueil / Violoncelle et Piano
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Camille Saint-Saëns: The Swan - Cello/Piano: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
G. Henle
Charles-Joseph Lebouc organised the première of this work and also played the...
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Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.
8.75 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: 6 Suites Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Peters
Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012 for Cello. Edited by Becker....
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Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012 for Cello. Edited by Becker. Six suites by Bach for Cello and Piano. Set for the ABRSM Cello Syllabus Grade 8.
17.95 GBP - Sold by Musicroom UK
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Auguste Franchomme: Selected Works For Cello And Piano: Cello: Instrumental
Cello, Piano
Dover Publications
The most celebrated cellist of his era French composer Auguste Franchomme (1808...
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The most celebrated cellist of his era French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano Orchestral or Chamber accompaniment. Suitable for intermediate to advanced players this unique first edition of rare Cello and Piano works features a separate Cello part.
25.40 GBP - Sold by Musicroom UK
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