SOLOS DE BELA BARTOK CAMEES MUSICAL PIANO SANS OCTAVES / Piano / 12 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9

L'édition définitive (1987) de piano enseignement classique. Comprend une introduction par le fils du compositeur Peter Bartók. En 1945 Bela Bartok décrit le ' Mikrokosmos ' comme un cycle de 153 pièces pour piano écrite pour fins de ' didactiques ', voyant comme un ser / Piano / Partition

Par DELCLAUD THOMAS. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Burlesque dans le style de Bartok de Delclaud Thomas qui a été composé pour Piano / Niveau : Fin de 2ème à Début de 3ème Cycle / Répertoire / Piano

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BARTOK BELA. Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or even overshadow the works by the 'Mendelssohn-Schumann epigones' used in primary and secondary musical education. The present single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and give practical recommendations for the grouping of individual items to form charming 'sonatina-like' sets of pieces./ Répertoire / Piano

L'édition définitive (1987) de piano enseignement classique. Comprend une introduction par le fils du compositeur Peter Bartók. En 1945 Bela Bartok décrit le ' Mikrokosmos ' comme un cycle de 153 pièces pour piano écrite pour fins de ' didactiques ', voyant comme un ser / Piano / Partition

A superb introduction for beginners to one of the 20th century's greatest composers. Easy Piano music specially chosen from Bartok's famous Mikrokosmos teaching material. 21 progressive pieces opening up a whole new sound world. A microcosm of technique without tears!

Par BARTOK BELA. The editor has selected seventeen of the the forty-two pieces in the 1909 version of Béla Bartók?s seminal work, For Children, Volume One. These selections were chosen as a result of the editor?s teaching experiences with this music: pieces that are both pedagogically advantageous for the teacher, and the most enjoyed by students. Although Bartók?s intention was to write a set of pieces for young people, the charm and depth of these masterful works makes them equally appealing to students of all ages and levels. For Children has been played in concert and recorded by great pianists such as György Sándor, Zoltán Kocsis, Géza Anda, Menahem Pressler, and June de Toth. There is also a recording available on YouTube of Béla Bartók himself playing a selection of pieces from For Children in a 1945 radio broadcast. / Date parution : 2022-11-08/ Recueil / Piano

Par BARTOK BELA. Eine Sammlung Von Bartók Persönlich Ausgewählter, Zwischen 1908 Und 1911 Geschriebener Stücke Für Klavier/ Répertoire / Piano

Béla Bartók Complete Critical Edition Volume 37. Par BARTOK BELA. Complete Edition with critical report, Band 37, clothbound. / Vikárius, László / Lampert, Vera / Répertoire / Piano

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Classique / Préface : Peter Bartok / Partition /

153 Progressive Piano Pieces-Bartok's Mikrokosmos set originates in his employment as Piano teacher and presents the student with 153 progressive pieces spread across six volumes. However the music does not only exist for teaching purposes but is also highly attractive to perform featuring the Balkan characteristics of Bartok's stunning harmonies and tonalities. Each piece approaches a different Piano discipline including dminished fifths crossing hands and chromatics. This edition has been written in English Portuguese Spanish and Japanese.

20 Intermediate to Early Advanced Pieces with Practice and Performance Tips-The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8 The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8