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Wedding March for Cello and Piano - Mendelssohn
Wedding March for Cello and Piano - Mendelssohn
$8.99
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Cello, Piano
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Felix Bartholdy Mendelssohn
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Cadenza Editions
10 Christmas Duets for Violin and Cello with piano accompaniment vol. 1
10 Christmas Duets for Violin and Cello with piano accompaniment vol. 1
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Piano Trio: piano, violin, cello
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Various
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Ben Dockery
Moon River for Cello and Piano
Moon River for Cello and Piano
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Cello, Piano
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Andy Williams, Henry Mancini
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Diego Marani
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Diego Marani
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
(+)
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
16.50 GBP - Sold by Musicroom UK
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
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Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Bohuslav Martinu: Nocturnes For Cello And Piano H189: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Leduc, Alphonse
Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. Thes...
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Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features: I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece III. Moderato –starts by the Piano on its own which is the joined by the Cello IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite
Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Performance Pieces V2 - Violoncelle Et Piano
Cello, Piano
EMB (Editio Musica Budapest)
Compiled, the violoncello part arranged by Csáth Em?ke Vasváry Zoltánné The ...
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Compiled, the violoncello part arranged by Csáth Em?ke Vasváry Zoltánné The piano accompaniment has been revised, and in some instances accomplished by Brodszky Ferenc Instrument: Violoncello and Piano Genre: Pedagogical performance pieces Pages: 44 pp Date du parution: 1965
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Johann Sebastian Bach: 6 Suites Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Peters
Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012 for Cello. Edited by Becker....
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Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012 for Cello. Edited by Becker. Six suites by Bach for Cello and Piano. Set for the ABRSM Cello Syllabus Grade 8.
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Benedetto Marcello - Six Sonatas - Cello Or Double Bass
Cello, Piano
[Score]
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Intermediate/advanced
Schirmer
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sona...
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Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano
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Saint-saens C. - Chant Saphique, Op. 91 - Violoncelle Et Piano
Français
Cello, Piano
Durand
Musical Category : violoncello o 2 violoncelli e pianoforte pour violoncelle & ...
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Musical Category : violoncello o 2 violoncelli e pianoforte pour violoncelle & piano
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Auguste Franchomme: Selected Works For Cello And Piano: Cello: Instrumental
Cello, Piano
Dover Publications
The most celebrated cellist of his era French composer Auguste Franchomme (1808...
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The most celebrated cellist of his era French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano Orchestral or Chamber accompaniment. Suitable for intermediate to advanced players this unique first edition of rare Cello and Piano works features a separate Cello part.
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Edward Elgar: Concerto For Cello And Orchestra In E Minor Op.85: Cello:
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Recognised as one of the most important works of the Cello repertoire Elgar's C...
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Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.
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Caix D'hervelois Louis - Suite N°2 - Violoncelle, Piano
Français
Cello, Piano
Delrieu
Partition pour violoncelle et pianoNombre de pages : 13 + 7
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Breval J.b. - Concertino N°2 En Ut Maj. - Violoncelle, Piano
Français
Cello, Piano
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Beginner
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : nov.-32 Nombre de pages : 16
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Goltermann Georg - Concerto N°4 Op.65 En Sol Maj. - Premier Mouvement - Violoncelle, Piano
Français
Cello, Piano
Delrieu
Compositeur/Auteur : GOLTERMANN Georg Discipline/Instrument : violoncelle et pia...
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Compositeur/Auteur : GOLTERMANN Georg Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : oct.-31
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Bartok B. - Evening In The Village - Violoncelle Et Piano
Cello, Piano
EMB (Editio Musica Budapest)
Édité par Mez? Imre, Mez? László Instrument: Violoncello and Piano Genre: 2...
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Édité par Mez? Imre, Mez? László Instrument: Violoncello and Piano Genre: 20th Century Music Langue: Hungarian, English, German Pages: 6 pp Date du parution: Octobre 1981
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Bartok B. - For Children - Violoncelle Et Piano
Cello, Piano
EMB (Editio Musica Budapest)
Édité par Halász Kálmán, Liebner János Instrument: Violoncello and Piano ...
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Édité par Halász Kálmán, Liebner János Instrument: Violoncello and Piano Genre: Pedagogical performance pieces Pages: 28 pp Date du parution: 1957
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Duport Jean-louis - Sonate N°2 - Violoncelle, Piano
Français
Cello, Piano
Delrieu
Compositeur/Auteur : DUPORT Jean-Louis Discipline/Instrument : violoncelle et pi...
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Compositeur/Auteur : DUPORT Jean-Louis Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : nov.-33 Nombre de pages : 11 5
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Breval J.b. - Concertino N°1 En Fa Maj. - Violoncelle, Piano
Français
Cello, Piano
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : févr.-32 Nombre de pages : 12
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Duport Jean-louis - Sonate N°1 - Violoncelle, Piano
Français
Cello, Piano
Delrieu
Compositeur/Auteur : DUPORT Jean-LouisDiscipline/Instrument : violoncelle et pia...
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Compositeur/Auteur : DUPORT Jean-LouisDiscipline/Instrument : violoncelle et pianoSupport : PartitionStyle/Genre : classiqueDate de parution : mai-39Nombre de pages : 11 5
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Russian Cello Album: Cello: Instrumental Collection
Cello, Piano
Forberg
Seven Pieces for Cello and Piano-Collection of pieces for cello and piano from t...
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Seven Pieces for Cello and Piano-Collection of pieces for cello and piano from the Rob. Forberg catalogue. Includes pieces by: Tchaikovsky Rebikov Pachulski Scriabin Alexander Krein. Level intermediate to advanced. (no new engraving).
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Repertoire Classics for Cello: Cello: Mixed Songbook
Cello, Piano
-
Intermediate/advanced
Carl Fischer
23 Recital Pieces Cello and Piano Accompaniment. Compiled and Edited by Mar-Repe...
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23 Recital Pieces Cello and Piano Accompaniment. Compiled and Edited by Mar-Repertiore Classics For Cello includes a vast collection of pieces from a range of well known composers such as Bach Debussy Handel Mozart and many more. Piano accompaniments are included as a PDF on the CD.
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Selected Works For Cello And Piano
Cello, Piano
[Sheet music]
Dover Publications
The most celebrated cellist of his era, French composer Auguste Franchomme (1808...
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The most celebrated cellist of his era, French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano, Orchestral, or Chamber accompaniment. Suitable for intermediate to advanced players, this unique first edition of rare Cello and Piano works features a separate Cello part. / Violoncelle Et Piano
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Gabriel Fauré: Sonata no. 1 in d minor op. 109: Cello: Score and Part
Cello, Piano
G. Henle
Immediately after finishing his second Violin Sonata op. 108 Fauré started wor...
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Immediately after finishing his second Violin Sonata op. 108 Fauré started work on a sonata for Cello and Piano in early 1917 thus realising a long-conceived plan. In their predisposition and attitude both works are very closely related. In the Cello sonata a sombre dramatic opening movement is also followed by a calm relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued but on account of increasing interest in Fauré?s complete late chamber music this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas a master of his craft supplied the markings in the Cello part.
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
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Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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Camille Saint-Saëns: Allegro Appassionato In B Minor Op.43: Cello: Instrumental
Cello, Piano
[Score and Parts]
Barenreiter
Since its premiere in 1873 this work has held an important place in the Violonce...
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Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'
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Erik Satie: Je Te Veux: Cello: Instrumental Work
Cello, Piano
Valse Pour Cello et Piano-Erik Satie's charming fin-de-siecle waltz first appear...
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Valse Pour Cello et Piano-Erik Satie's charming fin-de-siecle waltz first appeared as a song in 1903. It was then transcribed by the composer for Piano solo and now is released for Cello and Piano by the talented pen of international soloist Mats Lidstrom.
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