La collection 'Chorales et Ensembles instrumentaux' représente un support de choix pour la réalisation de spectacles musicaux au collège et en école de musique. La réalisation et la conception de ces oeuvres permet de réunir différentes disciplines scolaires (arts plastiques, langues, expressions...)Suite pour conteur, récitants, choeurs et percussions ayant pour thème la musique traditionnelle antillaise (accompagnement de flûtes, clarinettes, trompette, trombone, piano, basse, guitar, steel drum, ti-bois, gros ka et congas sur disque compact). / Chant/Vocal/Choeur

Transcription Pour Choeur À 3 Voix Egales D'Après Op.53. Par MENDELSSOHN-BARTHOLDY FELIX. Arrangeur: DERIVIS Louis/ Répertoire / Choeur (Pour 3 Voix Egales)

Tonalité : A-Dur -. Par VULPIUS MELCHIOR. Motetten - Verwendung / Kirchenjahr: Trinitatis - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each _x000D_other without a break. This cantata has come down to us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Musique religieuse / Répertoire / Choeur SATB, 2 Violons et Basse Continue

nach Gedichten aus der Spatzeit - 2. Zyklus. Par KILLMAYER WILHELM. / Répertoire / Tenor et Piano

Par CAMPBELL NORMAN / HARRON DON. The musical, Anne of Green Gables is based on the book by Canadian author Lucy Maud Montgomery. Although written as fiction for readers of all ages it has, in recent decades, become considered as a children's book. Montgomery found her inspiration in a newspaper article describing a couple that were mistakenly sent an orphan girl instead of a boy, yet decided to keep her. The music is by Norman Campbell and the lyrics by Don Harron. It is Canada's longest running musical, having been performed every year since 1965 at the Charlottetown Festival at the Confederation Centre of the Arts. / Vocal Music / Répertoire / Voix