SKU: AP.48857
UPC: 038081561813. English. Douglas E. Wagner.
You may have studied this beloved Schubert art song in voice lessons, and now you can share it with developing choirs in a well-constructed, approachable arrangement. The choice of key fits comfortably within range and the Romantic era harmonies are easy to hear. Whether there are two or four hands at the piano, listeners will be hooked by the rippling water and leaping fish in the playful accompaniment. Concerned about the German words? A rhyming English translation provides a charming option. Listen to Fischer-Dieskau's iconic recording as an introduction to the piece or an extension of learning.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: AP.48858
UPC: 038081561820. English. Douglas E. Wagner.
SKU: HL.49019911
ISBN 9790001196031. UPC: 888680750619. 7.5x11.0x0.022 inches. English.
Also available for a-cappella choir apart from the versions with piano or string orchestra: the Prayer for Peace of Saint Mother Teresa in a simple, densely woven musical setting as a romantic elegy. Ideal for bathing in the sound of large choirs and great acoustics. (This Edition can not be used with the versions for piano and string orchestra.).
SKU: CA.221200
ISBN 9790007170776.
In every century, love is probably the most frequently-celebrated theme. The choral anthology for the LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection. * ideal for concerts and weddings * 4-6 part settings, some with piano accompaniment * settings mainly in German, English, and French * contains popular and well-known compositions by composers including Brahms, Dowland, Gluck, Mendelssohn, Monteverdi, Morley, Purcell, Ravel, Tallis, and Tchaikovsky * with numerous new choral movements * with chansons, jazz standards and pop classics such as Autumn leaves, La vie en rose, Sehnsucht and many more * easy to medium difficulty * a CD with selected songs is included with the conductor's volume.
SKU: HL.49046794
UPC: 196288026334.
Chor to go for women's choir (SSA and SSAA a cappella) combines some of the best-known and most popular small choral works for women's choir in one easy-to-read, compact edition. In addition to folk and evening songs as well as sacred pieces, there are popular and catchy classical choral compositions from the Romantic period, serenades and toasts for social gatherings as well as international melodies. Some pieces require a little more rehearsal effort and are also suitable for concert programs, others can besung from sight and are used for entertainment after the rehearsal or as a serenade. In the small format, the choir booklet fits in the handbag and is therefore the ideal companion for all kinds of activities. The booklet is quickly available for parties, choir excursions or concert tours and every singer can sing along.
SKU: CA.221100
ISBN 9790007170639.
Melodious evening songs lend themselves to a quiet ending or an imaginatively accented concert. This choral collection is a selection with about 40 English, German and international lullabies and evening songs of stylistic diversity, with easily singable settings for a mixed choir, some of which include piano accompaniments. The repertoire ranges from Baroque and Romantic works to contemporary works, with settings newly-composed for the collection and well-known lullabies and evening songs. The conductor's volume includes a CD with recordings of selected pieces. The songs chosen are largely from the German and English repertoire, but also include pieces in Spanish, French, and Russian. With well-known compositions by composers such as J. S. Bach, Brahms, Elgar, Mendelssohn Bartholdy, Rheinberger, Scholefield, Stanford, and Sullivan. Ten of the songs have been newly-arranged specially for this collection by leading composers (Ludwig Bohme, Daniel Carter, Ian McDougal, Gunther Martin Gottsche, Reijo Kekkonen, Clifford W. King, Andrej Makor, Giacomo Mezzalira, Christoph Muller, and Peter Schindler). Easy to medium difficulty. Mainly for (S)SATB choir a cappella, a few settings with piano accompaniment. A CD with selected songs is included with the conductor's volume. The choral collection is published as Conductor's volume with CD and editionchor (budget edition for choral singers).
SKU: BR.CHB-5143-02
ISBN 9790004410684. 7.5 x 10.5 inches. German.
I think they are very easy to play and delightful too, wrote Johannes Brahms in August 1860 to Breitkopf & Hartel to heighten the songs' appeal to the publisher. He had already sent his Four Songs Accompanied by Two Horns and Harp to his Hamburger Frauenchor. He chose prominent texts by Shakespeare, Ossian, Eichendorff and others, and soon turned to his trusted friend Clara Schumann, whose transcription of three of the four Songs is the principal source of the work today. The publishers Brahms had contacted did not entirely share the composer's vision of horns and harp as a particularly fitting and attractive instrumental accompaniment, and felt there could be problems here. Nonetheless, their reservations could not hinder the lasting success of the Four Songs.
SKU: PR.362033390
UPC: 680160059355.
Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately.
