For centuries composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King among the lowly animals and shepherds. This setting for unaccompanied SATB divisi by Morten Lauridsen one of America’s most loved and most performed living choral composers is rich in colour deeply spiritual and intensely moving. It is rated as 'reasonably straightforward' to sing so suitable for the majority of choirs. A Piano part is included in the score for rehearsal purposes only. Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs insearch of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

O salutaris hostia. This rich setting of the Latin Eucharistic hymn offers an expression of devotion through rich harmonies and a treble obbligato. A stunning work for capable mixed choirs from high school and up!

This beautiful arrangement by Laura Mvula of her own song from her 2013 album of the same name was created for the BBC Singers, who sang it at the Last Night of the Proms 2019. Intimate and captivating, it will be attractive to choirs and audiences alike.

This rich arrangement with well-designed harmonies is equally appropriate for jazz, show, and concert choirs. Certainly one of the best musical theater love songs of all time! / Choeur Mixte (SATB) A Cappella

Anthem To St David is a beautiful choral piece setting a poem by Gordon Graham expertly composed for SATB choir by Paul Mealor.Anthem To St David was composed for the centenary celebration of R. S. Thomas (1913-2000) at All Saints’ Episcopal Church Princeton New Jersey.

SATB (divisi) a cappella. The Czech language of this choral piece taken from a well-known Moravian folk song expresses not only a simple good night to a loved one but also refers symbolically to the eternal sleep of death.

Craig Hella Johnson Choral Series-This is a bold reimagining of Hildegard's chant both tune and text. 'Actively quoting' the source material DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic possibilities. Thispiece is meant to be experienced in the round as the voices surround the audience and attempt to create an enactment of Hildegard's visions. Duration: ca. 5 minutes.

Aramaic Lord's Prayer-This incredibly evocative setting of The Lord's Prayer is written in Aramaic believed to be the original language in which the prayer was spoken by Jesus. The haunting tenor solo soars over the supportive and mysterious choral parts. Originally composed for Chanticleer.