The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming. The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

for SATB unaccompanied A joyful choral work that ebbs and flows brought to a close by a lilting unity of voices.

Smooth chromatic jazz sonorities are the star of this delicious arrangement of the classic standard. A delicate opening 'oo' section gives way to a unison statement of the melody before melting into rich choral harmony. Striking! / Choeur Mixte (SATB) A Cappella

Well-crafted choral writing with an unending rhythmic drive propels this spectacular arrangement from beginning to end. / Choeur SATB A Cappella

Solid choral writing and a moving text based on Psalm 66 provide the foundation for this piece, commissioned by the Pittsburgh Symphony Orchestra. Breathtaking. / Choeur Mixte (SATB) A Cappella

Motet for SATB Choir A Cappella Commissioned by The Vaulkhard Choral Trust for The Choir Schools' Association and the Choir of Winchester Cathedral.

Masterpiece was written by British composer conductor pianist and teacher Paul Drayton and sung by the King's Singers in their 2005 DVD release 'From Byrd to the Beatles'. Arranged here for SATB Voices with Piano accompaniment.The King's Singers are a British a cappella vocal ensemble founded in 1968. They are named after King's College in Cambridge England where the group was formed by six choral scholars. In the United Kingdom their popularity peaked in the 1970s and early 1980s. Thereafter they began to reach a wider international audience. Today the ensemble travels worldwide for itsperformances appearing in around 125 concerts each year mostly in Europe the U.S. and the Far East.

The Prince of Sleep to words by Walter de la Mare is a languid setting capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especially woodland) always seemed to inspire Elgar.In the Summer of 1925 Elgar?produced two songs ?The Prince of Sleep?and The Herald and both were on the subject of death like their immediate predecessor from the year before The Immortal Legions and The Wanderer of the year before that. Michael Kennedy refers to the de la Mare setting as being ?in the raptmanner?Elgar?reserved for special moments of vision? a view with which it is difficult to disagree.The part-song for SATB unaccompanied Voices is now available as part of the Elkin Choral Series.?Performance time approximately 5 minutes.?Piano accompaniment for practice only.

Frederik Magle's The Hope was composed in commemoration of the 'Battle of Copenhagen' and Olfert Fischer.This is a choral score for unaccompanied SATB choir.

Gloria is one of Hyo-Won Woo's most popular works as it draws from many recognizable western musical elements such as development imitation counterpoint and ornamentations modified to imitate their Korean counterpoints. Gloria achieves a synthesis of different traditions and creates new vocal sonorities and effects. This work for unaccompanied SATB choir is part of the Hak-Won Yoon Choral Series.

POD-The Crib is a work for Unaccompanied SATB Choir by composer Martin Shaw. A choral song for Christmas the work sets a poem by C. M. Baines and a full performance would last around 8 minutes.

Domestics - Six Choral Cameos-Six adorable settings of the writings by Jacqueline Froom describing some of our domestic friends from the animal kingdom. The suite was commissioned by the Reading Phoenix Choir in 1999 and will delight young audiences with tales of squeaky mice and mummy-frog! Written for SATB chorus a cappella.

Vagn Holmboe (1909-1996) was a 20th century composer in the neo-classical style widely recognised as the most important Danish composer since Nielsen. He is best known for his symphonic works solo concertos and chamber music but his choral a cappella compositions are worthy of the same merit. Holmboe’s Opus 59a is taken from his second collection of Liber Canticorum and consists of three movements: Benedic Domino Anima Mea - Hominis Dies - Benedicite Domino. The texts are taken from the Old Testament and the music is scored for unaccompanied SATB Choir.

A Lyke-Wake Dirge - A Border Ballad Op. 110 a - a choral classic by Vagn Holmboe for SATB Choir A Cappella. 'The Lyke Wake Dirge is a moral ballad from the border telling the story of what will happen to the soul after death. If he has never given shoes and stockings to the poor then the 'whinnes' will torment him and pierce him to the bone. If he has never given food and drink to the poor then the fire of purgatory will burn him to the bare bone. However if he has done all these good works then Christ shall receive his soul.'