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Over The Rainbow (from The Wizard Of Oz) SATB a cappella
Over The Rainbow (from The Wizard Of Oz) SATB a cappella
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Choral SATB
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When I'm Sixty-four - SATB
When I'm Sixty-four - SATB
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Johannes Brahms: Sacred Choral Music A Cappella: Mixed Choir: Vocal Score
Choral SATB
SATB A Cappella
Barenreiter
The sacred a cappella choral works by Johannes Brahms are amongst the most impor...
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The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in the genre. This edition is based on reliable sources which include autograph manuscripts engraver?s copies and first editions.The collection contains the 7 Marienlieder Op 22 Two Motets Op 29 Three Sacred Choruses for female voices Op 37 Two Motets Op 74 Fest- und Gedenksprüche Op 109 and the Three Motets Op 110.
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César Franck: Panis Angelicus: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
This setting of César Franck's exquisite Latin hymn will enhance many concerts ...
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This setting of César Franck's exquisite Latin hymn will enhance many concerts with a high floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe harp and strings. Availableseparately: SATB/Solo SSA/Solo ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (hp ob vn 1-2 va vc db). Duration: ca. 3:15.
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Antonio Vivaldi: Gloria RV 589 (PA): SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact ...
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Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Johann Sebastian Bach: Easter Oratorio: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
Edited in a new bi-lingual edition by Neil Jenkins. Part of The New Novello Chor...
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Edited in a new bi-lingual edition by Neil Jenkins. Part of The New Novello Choral Edition series.
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Johann Sebastian Bach: Magnificat In E Flat: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Novello & Co Ltd.
The original version of the popular J.S. Bach Magnificat in D up a semitone. Th...
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The original version of the popular J.S. Bach Magnificat in D up a semitone. The same work with some slight differences in the familiar choral sections but more importantly the addition of four Christmas 'lauds' here given in English translation by the Editor Neil Jenkins as well as the original German text.
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Heinrich Schütz: Psalm 150: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Leduc, Alphonse
Composed by Heinrich Schütz Psalm 150 SWV 38 is taken from “Psalmen Dav...
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Composed by Heinrich Schütz Psalm 150 SWV 38 is taken from “Psalmen Davids Dresden 1619” and is a piece for Double Chorus Double Brass Choir and Organ. This Baroque Dramatic Concertato is one of the first choral compositions by the author which was initially in German. This religious piece features both German and English lyrics and is also titled “Praise ye the Lord”. Heinrich Schütz (1585-1672) was a German composer and Organist often regarded as the greatest composer before J.S. Bach.
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Felix Mendelssohn Bartholdy: Four Sacred Partsongs: SATB: Vocal Album
Choral SATB
SATB A Cappella
Faber Music Limited
A new edition of Mendelssohn?s most outstanding unaccompanied choral repertoire ...
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A new edition of Mendelssohn?s most outstanding unaccompanied choral repertoire including Kyrie eleison Heilig Jauchzet dem Hern alle Welt and Frohlocket ihr Völker auf Erden.
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Gabriel Fauré: Les Djinns Op.12: SATB: Vocal Score
Choral SATB
[Vocal Score]
Leduc, Alphonse
Being such a prolific composer particularly for Vocal and Piano works Gabriel ...
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Being such a prolific composer particularly for Vocal and Piano works Gabriel Fauré's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire all the while composing sublime works. Les Djinns waswritten towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes and shortens again with the anticlimax creating an arch form. Fauré mimics this in his music through use of structure dynamics and the texture of the Piano accompaniment. With Fauré's music remaining hugely popular to this day Les Djinns is a favourite for the choral repertoire.
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Edward Elgar: The Dream Of Gerontius Op.38: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Advanced
Novello & Co Ltd.
Edward Elgar’s The Dream Of Gerontius is a splendid oratorio for Mezzo-sop...
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Edward Elgar’s The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano Tenor and Bass with Chorus and Orchestra. It is based on the epic poem The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood and also includes helpful notes on thebackground to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history sources and editorial proceedure.
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Georg Friedrich Händel: Judas Maccabeus (Mozart) Vocal Score: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
This edition with additional orchestrations attributed to W.A. Mozart has been...
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This edition with additional orchestrations attributed to W.A. Mozart has been made possible thanks to the generosity of Halifax plc.The first performance of this edition (sung in English) was given on 23 June 2002 in the Victoria Theatre Halifax by the Halifax Choral Society and the North of England Chamber Orchestra conducted by John Pryce-Jones. The first German performance was given on 11 June 2004 in the Moritzkirche Halle with the MDR Rundfunkchor und Sinfonieorchester conducted by Howard Arman.
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Georg Friedrich Händel: Hallelujah' Chorus (New Engraving): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
The 'Hallelujah' Chorus arguably the most famous choral work of the western cla...
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The 'Hallelujah' Chorus arguably the most famous choral work of the western classical tradition is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event held in aid of local causes and in order to get the maximum attendance at Neale's new music hall in Fishamble Street men were asked to removetheir swords and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus still indulged at some performances in Britains is said to have been started by King George II at the work's opening run in London in 1743.
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Antonín Dvo?ák: Messe D Opus 86: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Barenreiter
Anton n Dvorák?s D major Mass differs markedly from his other large choral comp...
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Anton n Dvorák?s D major Mass differs markedly from his other large choral compositions. Written for a private occasion this work of some half-hour?s duration is remarkable for the fascinating simplicity of its harmonic language and compositional workmanship. Its resultant moderate difficulty and the possibility of using chorus members or a small subgroup for the solo parts in alternation with the full chorus make Dvorák?s Organ version a challenge that many church choirs will be able to master.Organ version by the composerSupportive clearly written easy-to-play Organ partChoral writing of manageabledifficultySolo parts can be taken by chorus members
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Carl Rütti: Requiem: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Carl Rütti's choral music is 'sensuous and exuberant by turns combining dazzli...
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Carl Rütti's choral music is 'sensuous and exuberant by turns combining dazzling rhythms and soaring melodies with distinctively lush harmonies' (Choir and Organ Magazine). Of his Requiem immense in scale yet often intimate in tone the composer writes that 'no words are strong enough to express the feelings of the bereaved nor sufficient to explain what will await us after death. Music may be the most appropriate language.' Scored for Soprano Baritone Double Choir Strings Harp and Organ Rutti's Requiem ultimately affirms life's precious fragility.
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The Novello Book of Music for Lent & Easter: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Anthems and Hymns for Lent Holy Week and Eastertide for mixed-voiced choirs-Th...
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Anthems and Hymns for Lent Holy Week and Eastertide for mixed-voiced choirs-The Novello Book Of Music For Lent & Easter is an exciting collection of Lent and Easter music for mixed-voice choirs from the easy to learn to the more challenging and unconventional. A book of anthems hymn arrangements and other pieces covering the period from Ash Wednesday to Easter including music for Palm Sunday Holy Week Maundy Thursday Good Friday and Easter Day. This book is in the same style as the successful Noel! series with the same balance of new and familiar pieces to ensure it appeals to the greatest possible choral market. Mixed-voice choirs of all levels will enjoy these new arrangements of favouriteHymns as well as stimulating original works for the Easter season.
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Franz Schubert: Litanei: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Jon Washburn Choral Series-This beautiful lied by Franz Schubert is skilfully ar...
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Jon Washburn Choral Series-This beautiful lied by Franz Schubert is skilfully arranged for SATB choir by Jon Washburn. A perfect closing or encore to an all Schubert or German program. Written for All Saints Day this is also perfect in thesacred setting.
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Georges Bizet: The Toreador's Song: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
from Carmen-Choral score for The Toreador's Song from Carmen arranged for barit...
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from Carmen-Choral score for The Toreador's Song from Carmen arranged for baritone solo mixed choir (SATB) and piano. In English.
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Henry Purcell: Five Anthems: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Faber Music Limited
This volume celebrates the music of Purcell who composed some of the greatest En...
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This volume celebrates the music of Purcell who composed some of the greatest English music for the Chapel Royal and Westminster Abbey between 1677 and 1695. His music is charaterised by its expression and originality well over a hundred of his anthems and devotional songs survive. This volume has selected five of his most popular anthems from this vast repertoire. They are predominatly choral and were probably written between 1680 and 1685.
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Classic Victorian Ballads.: SATB: Vocal Album
Choral SATB
SATB, Piano
[Sheet music]
-
Intermediate
Faber Music Limited
The Victorian Music Hall era yielded some of the most enduring popular songs eve...
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The Victorian Music Hall era yielded some of the most enduring popular songs ever. Jonathan Rathbone's brilliant arrangements perfectly capture the inimitable style of the period bringing this repertoire into the realm of today's mixed-voice choirs. Ideal for use in programmes and musical evenings with a Victorian theme as popular items within any choral concert or simply as evergreen encores.
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Hebräisches Chorbuch - Band 2
Choral SATB
Breitkopf & Härtel
Weltliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz prese...
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Weltliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz presents a new collection of classics of the musical repertoire in Hebrew, arranged by him for mixed choir a cappella. Many of these pieces are published in Germany for the first time; almost all of them are first published as choral arrangements. The first volume contains ten sacred and paraliturgical songs that may be sung at various occasions. Among these are the feast of Passover, the ?Ten Days of Repentance? in the month of Tishré and the Sabbath. The second volume contains ten secular songs that have become widely known in Israel during the 20th century. These songs are part of Israel?s cultural history and belong to its core repertoire. All Hebrew lyrics appear in transliteration underneath the music, translations in German and English and comprehensive annotation texts are located in the appendix. This choral songbook therefore allows all interculturally interested choirs to take first steps into the world of Jewish and more generally Hebrew choral music. / Date parution : 2022-07-30/ Recueil / Choeur Mixte
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Ludwig van Beethoven: A Moonlighting Sonata: SATB: Vocal Score
Choral SATB
SSAATTBB A Cappella
[Vocal Score]
Peters
Voces8-VOCES8 present a dreamlike choral fantasia based on the first movement of...
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Voces8-VOCES8 present a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for mixed ability choirs this piece has been used by VOCES8 in many of their school workshops.The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos and this is shown in their versatile concert programmes and innovative educational work.The VOCES8 singles series includes songs for which the group is particularly well known in choral arrangements produced specifically forVOCES8.
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Dominick Argento: The Masque Of Angels Suite: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
Argento has crafted a five-movement suite from his 1964 opera The Masque of Ange...
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Argento has crafted a five-movement suite from his 1964 opera The Masque of Angels. Designed as a mini choral drama it includes a Processional for the angels; the well-known Gloria; the colorful Arrival of the Archangels; a majestic Sanctus; and a joyful Recessional. Best for larger ensembles this suite is a showcase for magnificent choral sound. Orchestra parts are available on rental.Instrumentation: 2 oboes (2nd doubling english horn) bassoon 2 trumpets in Bb trombone 2 Violas Cello harp percussion (cymbals triangle suspendes cymbal bells/chimes Glockenspiel tambourine sleigh bells)
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Georg Friedrich Händel: Coronation Anthem No.1 'Zadok The Priest' SSAATBB: SATB:
Choral SATB
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Croantion Anthem No.1-Zadok The Priest is a Coronation Anthem for King George II...
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Croantion Anthem No.1-Zadok The Priest is a Coronation Anthem for King George II and has subsequently been heard at every coronation of the British Crown during the sovereign’s anointing. The opening choral entry of Zadok The Priest is one of the most striking moments in the choral repertory and typical of Handel’s grand rousing works. Scored for SSAATBB and Piano or Organ accompaniment and delightfully edited for this edition by Donald Burrows. Note: where possible the full division of the voices throughout the work should be observed to provide continual smooth transtitions.
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Misericordias Domini: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schott
Almost 40 compositions half of which written for accompanied and unaccompanied ...
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Almost 40 compositions half of which written for accompanied and unaccompanied choir can currently be found in the catalogue of works by the young Polish composer Katarzyna Danel (born in 1992). After winning several national composition prizes she was awarded the 1st prize of the 13th International Composition Competition 'Musica Sacra Nova' 2016 for Misericordias Domini for eight-part mixed a cappella choir. The complex sacred a cappella choral work is based on the eponymous Gregorian chorale (Psalm 89:2). This Latin choral piece is characterized by three main structures: by aleatoric sound clouds in major pentatonic scales which are emphasized by sustained organum-like notesfrom the Gregorian chorale melody on the one hand by Renaissance-style polyphony combined with modern harmony on the other hand and finally by long static chords merging in space and harmony. A wonderfully mystical spherical composition which by means of ad libitum passages marked in the musical text even gives the performer the opportunity to interpret the piece individually.
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Johann Sebastian Bach: Motet No.3: SATB: Vocal Score
Choral SATB
SSATB A Cappella
[Vocal Score]
Barenreiter
All of Bach’s six authenticated motets were written between 1723 and 1727 ...
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All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in1723 for the funeral of Johanna Maria Käsin the wife of Leipzig’s postmaster. Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)
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Franz Schubert: Mass in G major D 167: SATB: Vocal Score
Choral SATB
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Even for small choirs Schubert?s Mass in G major poses no scoring or performanc...
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Even for small choirs Schubert?s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus the solo parts are limited to short interpolations.Relatively easy choral and solo writingStraight-forward organ arrangementIdeal for church servicesThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Johann Sebastian Bach: Motet No.5 Komm Jesu komm BWV 229: SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Komm Jesu komm-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirs...
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Komm Jesu komm-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirs In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day. Urtext of the New Bach Edition Performance material and choral score (BA5134) available for sale 6 Motets Complete vocal score (BA5193-90) choral score (BA5193)
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Georg Friedrich Händel: Israel In Egypt HWV 54: SATB: Score
Choral SATB
[Sheet music]
Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...
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Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performances The distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739. Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material. Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition. The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757). Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
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8 Madrigals
Italiano
Choral SSATB
SSATB A Cappella
Peters
/ Madrigaux
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