Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

Complete theoretical and practical method for organ-playing in three parts-Flor Peeters born in Belgium in 1903 is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986 Peeters gave concerts all around the world held numerous master classes and received several awards and prizes for his achievements as a composer organist and teacher.In his successful three-volume educational work 'Ars Organi' Peeters combines theoretical knowledge and practical exercises on all aspects of organplaying starting with basic information on the instrument manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation touch interpretation registration and organ specifications - a valuable compendium for every organist.

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services.The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich to Th?odore Salom? are presented.The piecesare easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike.Collection of organ music which does not require much practisingMainly for amateur organistsSuitable for teaching purposesAlready published:Volume I: Festive Music Fugues Trios BA 9287Volume II: Meditative Music Pastorals BA 9288?? a collection that brings pleasure to the musical amateur and also offers some attractive discoveries for the professional.? (Musica sacra)?Who amongst us amateur organists doesn?t ask himself ?What will I play this Sunday? with little time to practice and if possible a piece which isn?t too well-known? In these volumes one will find the answer!?W?rttembergische Bl?tter f?r Kirchenmusik)

Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.  

The complete edition of Bunk?s Organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition prepared by the composer?s grandson is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword a Critical Commentary and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk?s Liebe zur Orgel. Thisreference book by the late Romantic composer which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of Organ building and Organ playing in Germany during the first half of the 20th century has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk?s Organ works.- Edited by the composer?s grandson.- Detailed foreword and Critical Commentary for each volume (Ger/Eng).- Many facsimiles and illustrations.Contents:?Wilhelmus van Nassouwe en Choral? ?Nun danket alle Gott?.?Kleine Fantasie über C.H.D.B.? for Organ or Piano.Chorale prelude ?Wachet auf ruft uns die Stimme? (trio for 2 manuals and pedals).37 short chorale improvisations for liturgical use.

Edition no.: BA9284 ISMN: 9790006537181 Volume / Series: Complete Organ Works, Volume IV Editor: Boecker, Jan / Stockmeier, Wolfgang Product format: Performance score(s), Anthology, Urtext edition Includes the following individual parts: Organ Binding: Cardboard binding Pages / Format: XIX, 95 Seiten - 30,0 x 23,0 cm Gerard Bunk (1888–1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works. Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement. This Urtext edition, prepared by the composer’s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary. The complete edition will comprise a total of six volumes. - First complete Urtext edition - Each volume contains a detailed foreword and critical commentary (Ger/Eng) - Numerous facsimiles and illustrations Contents (BA 9284): Festliche Stunde (Marche festivale) op. 43 Pièce héroïque op. 49 Eight Character Pieces op. 54 No. 1: Melodie No. 2: Scherzando No. 3: Impromptu No. 4: Improvisation No. 5: Pastorale No. 6: Aeolsharfe No. 7: Canzone No. 8: Allelujah Fantasie op. 57

Caleb Henry Trevor (1895-1976) was a British organist editor and pedagogue known simply as 'CH' to his friends. Primarily self-taught he studied at Oxford before spending 8 years in the army. From 1936-1964 he was Professor of Organ at the Royal Academy of Music where he taught many of the best organists of the last century including Simon Preston and and Barry Rose. He is best remembered for his educational volumes such as the Oxford Organ Method and also for his many volumes of music for Manuals. The Organ Miscellany is a collection of popular classic works for Organ which have been easily arranged by C. H.Trevor.

Gerard Bunk (1888?1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works.

Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement.

This Urtext edition, prepared by the composer?s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary.

The complete edition will comprise a total of six volumes.
- First complete Urtext edition
- Each volume contains a detailed foreword and critical commentary (Ger/Eng)
- Numerous facsimiles and illustrations / [Complete Organ Works, Volume IV] / Classique / Partition / Dos Carré Colllé /

Collection of easy-to-play concert pieces.Ideal for amateur organists and church musicians.Also suitable for performance on smaller instruments.The second volume of Enjoy The Organ offers eighteenth-and nineteenth-century concert pieces suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time. These pieces are intended primarily for the amateur organist but can also be of interest to the professional who can use them as a starting point for improvisation.The volume contains François-Joseph Gossec?s Tambourin Johann Georg Albrechtsberger?sPrelude and Fugue in C major Théophile Stern?s Morceau pour Sortie (Musikstück zum Ausgang) Alphonse Charles Renaud de Vilbac?s Communio sur Bellini Charles Villiers Stanford?s Prelude in F major and other works.Already published:Enjoy The Organ 1 (BA 11207)BA 11207

„Easy organ pieces of the 19th century“ offers part-time organists a collection of short non-choral organ pieces for one- and two-manual instruments. Different to the previous editions this one is not sorted by key but

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The edition is ideal for use in church services or for teaching purposes. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In this the Second Volume meditative pieces by composers ranging from Christian Heinrich Rinck to Théodore Salomé are presented. The third volume will contain chorale preludes and hymn accompaniments for liturgical purposes. This collection of Organ music covers a broad range ofcompositional styles. The pieces are easy to sight-read are not technically demanding and sound effective; the edition will be appreciated by amateur and professional church musicians alike. - Collection of Organ music which does not require much practicing- Ideal for amateur organists- Suitable for teaching purposes

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The edition is ideal for use in church services or for teaching purposes. This the First Volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich Rinck to Théodore Salomé are presented. The third volume will contain chorale preludes and hymn accompaniments for liturgical purposes. This collection of Organ music covers a broad range ofcompositional styles. The pieces are easy to sight-read are not technically demanding and sound effective; the edition will be appreciated by amateur and professional church musicians alike. - Collection of Organ music which does not require much practicing- Ideal for amateur organists- Suitable for teaching purposes